<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8995423735786556411</id><updated>2011-07-08T08:42:43.885-07:00</updated><category term='flash'/><category term='corporatism'/><category term='metaphor'/><category term='death'/><category term='community'/><category term='nature'/><category term='nonprofit'/><category term='method'/><category term='Change'/><category term='war'/><category term='audio'/><category term='psychology'/><category term='AI'/><category term='mythopoiesis'/><category term='resources'/><category term='org'/><category term='AsIn'/><category term='video'/><category term='intervention'/><category term='martialnonviolence'/><category term='Nuclear'/><category term='evil'/><category term='original'/><category term='inappropriation'/><category term='future'/><category term='story'/><category term='business'/><category term='folklore'/><category term='Orpheus'/><category term='God'/><category term='Merlin'/><category term='economy'/><category term='definition'/><category term='government'/><category term='language'/><category term='processarts'/><category term='school'/><category term='Faust'/><category term='christianism'/><category term='Giegerich'/><category term='facilitation'/><category term='interview'/><category term='Dallas Institute'/><category term='literalism'/><category term='phenomenology'/><category term='OpenSpace'/><category term='archetypalpsychology'/><category term='obit'/><category term='crisis'/><category term='peoplegreen'/><category term='articles'/><category term='education'/><category term='edgeucation'/><category term='technology'/><category term='myth'/><category term='bluevolution'/><category term='Moore'/><category term='depthpsychology'/><category term='executive'/><category term='advertising'/><category term='environment'/><category term='mythicity'/><category term='reproduction'/><category term='leadership'/><category term='Jung'/><category term='USA'/><category term='conservative'/><category term='OpEd'/><category term='green'/><category term='sex'/><category term='Greek'/><category term='AlanDundes'/><category term='globalwarming'/><category term='Obama'/><category term='Allums'/><category term='learning'/><category term='naming'/><category term='branding'/><category term='diss'/><category term='teaching'/><category term='ecology'/><category term='DavidMiller'/><category term='Islam'/><category term='linguistics'/><category term='post-jungian'/><category term='Brien'/><category term='law'/><category term='politics'/><category term='culture'/><category term='deconstructionism'/><category term='publicservice'/><category term='music'/><category term='Hillman'/><category term='jungian'/><category term='Arbery'/><category term='isms'/><category term='imagination'/><category term='etymology'/><category term='PGI'/><category term='literature'/><category term='conflict'/><category term='culturesmith'/><category term='neoshamanism'/><category term='copyright'/><category term='bdwc'/><category term='identity'/><category term='behavior'/><category term='history'/><category term='religion'/><category term='poetry'/><category term='shamanism'/><category term='metashamanism'/><category term='Freud'/><title type='text'>Culturopoiesis, or Culture-Making</title><subtitle type='html'>We live in sophisticated systems often best understood through psychological inquiry into inter-referential mythologies. The more we are aware of this process enough to participate in creation the more culture is made on purpose. I have practiced, am now, and aspire to be a better Culturesmith. This is a collection of existing evidence of public contributions to the culture-making process, with comments and original work from those who have asked to be represented here.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>51</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-4702461531072581447</id><published>2010-05-10T16:53:00.000-07:00</published><updated>2010-05-10T16:58:53.582-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='behavior'/><category scheme='http://www.blogger.com/atom/ns#' term='psychology'/><category scheme='http://www.blogger.com/atom/ns#' term='Obama'/><category scheme='http://www.blogger.com/atom/ns#' term='Change'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><title type='text'>How Obama Is Using the Science of Change</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Yez8DXg3sYY/S-idqZYUlcI/AAAAAAAAAkk/xz6J9ukDqJI/s1600/Scott+Tufankjian+-+Polaris+-+egnahC.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 459px; height: 316px;" src="http://4.bp.blogspot.com/_Yez8DXg3sYY/S-idqZYUlcI/AAAAAAAAAkk/xz6J9ukDqJI/s400/Scott+Tufankjian+-+Polaris+-+egnahC.jpg" alt="" id="BLOGGER_PHOTO_ID_5469795099134432706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;reproduced from:&lt;br /&gt;http://www.time.com/time/magazine/article/0,9171,1889153-1,00.html&lt;br /&gt;&lt;br /&gt;&lt;div class="thumbnail"&gt;&lt;a href="http://www.time.com/time"&gt;&lt;img src="http://img.timeinc.net/time/i/logo_time_print.gif" alt="" height="106" width="212" /&gt;&lt;/a&gt;&lt;/div&gt;   &lt;div id="date2"&gt;Thursday, Apr. 02, 2009&lt;/div&gt;      &lt;h1&gt;How Obama Is Using the Science of Change&lt;/h1&gt;      &lt;div class="byline"&gt;By Michael Grunwald&lt;/div&gt;   &lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;b&gt;Correction Appended: April 2, 2009&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Two weeks before Election Day, Barack Obama's campaign was mobilizing millions of supporters; it was a bit late to start rewriting get-out-the-vote (GOTV) scripts. "BUT, BUT, BUT," deputy field director Mike Moffo wrote to Obama's GOTV operatives nationwide, "What if I told you a world-famous team of genius scientists, psychologists and economists wrote down the best techniques for GOTV scripting?!?! Would you be interested in at least taking a look? Of course you would!!"&lt;/p&gt; &lt;p&gt;Moffo then passed along guidelines and a sample script from the Consortium of Behavioral Scientists, a secret advisory group of 29 of the nation's leading behaviorists. The key guideline was a simple message: "A Record Turnout Is Expected." That's because studies by psychologist Robert Cialdini and other group members had found that the most powerful motivator for hotel guests to reuse towels, national-park visitors to stay on marked trails and citizens to vote is the suggestion that everyone is doing it. "People want to do what they think others will do," says Cialdini, author of the best seller &lt;i&gt;Influence&lt;/i&gt;. "The Obama campaign really got that." (&lt;a href="http://www.time.com/time/photogallery/0,29307,1866936,00.html" target="_blank"&gt;See pictures of Obama taken by everyday Americans.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;The existence of this behavioral dream team — which also included best-selling authors Dan Ariely of MIT (&lt;i&gt;Predictably Irrational&lt;/i&gt;) and Richard Thaler and Cass Sunstein of the University of Chicago (&lt;i&gt;Nudge&lt;/i&gt;) as well as Nobel laureate Daniel Kahneman of Princeton — has never been publicly disclosed, even though its members gave Obama white papers on messaging, fundraising and rumor control as well as voter mobilization. All their proposals — among them the famous online fundraising lotteries that gave small donors a chance to win face time with Obama — came with footnotes to peer-reviewed academic research. "It was amazing to have these bullet points telling us what to do and the science behind it," Moffo tells TIME. "These guys really know what makes people tick."&lt;/p&gt; &lt;p&gt;President Obama is still relying on behavioral science. But now his Administration is using it to try to transform the country. Because when you know what makes people tick, it's a lot easier to help them change.&lt;/p&gt; &lt;p&gt;&lt;b&gt;The Nudge Factor&lt;/b&gt;&lt;br /&gt;We all know Obama won the election because he looked like change, sounded like change and never stopped campaigning for change. But he didn't call for just change in Washington — or even just change in America. From his declarations that "change comes from the bottom up" to his admonitions about "an era of profound irresponsibility," Obama called for change in &lt;span style="font-style: italic;"&gt;Americans.&lt;/span&gt; And not just in bankers or insurers — in all of us. His Zen koan, "We are the change we've been waiting for," may sound like New Age gibberish, but it's at the core of his agenda.&lt;/p&gt; &lt;p&gt;In fact, Obama is betting his presidency on our ability to change our behavior. His top priorities — the economy, health care and energy — all depend on it. We need to spend more money now to avert a short-term depression, then save more money later to secure our long-term economic future. We need to consume less energy in order to reduce our oil imports and carbon emissions as well as our household expenses. We need to quit smoking, lay off the Twinkies and avoid other risky behaviors that both damage our personal health and boost the costs of care that are ravaging the nation's fiscal health. Basically, we need to make better choices — about mortgages and credit cards, insurance and retirement plans — so we won't need bailouts down the road.&lt;/p&gt; &lt;p&gt;The problem, as anyone with a sweet tooth, an alcoholic relative or a maxed-out Visa card knows, is that old habits die hard. Temptation is strong. We are weak. We've got plenty of gurus, talk-show hosts and celebrity spokespeople badgering us to save energy, lose weight and live within our means, but we're still addicted to oil, junk food and debt. It's fair to ask whether we're even capable of changing.&lt;/p&gt; &lt;p&gt; &lt;a href="http://www.time.com/time/specials/packages/article/0,28804,1872383_1872388,00.html" target="_blank"&gt;See pictures of the best Obama Inaugural merchandise.&lt;/a&gt; &lt;/p&gt; &lt;p&gt; &lt;a href="http://www.time.com/time/photogallery/0,29307,1866765,00.html" target="_blank"&gt;See pictures of Obama's college years.&lt;/a&gt; &lt;/p&gt; &lt;!--pagebreak--&gt; &lt;p&gt;But the latest science suggests that yes, we can. Studies of all kinds of human frailties are revealing how to help people change — not only through mandates or financial incentives but also via subtler nudges that preserve our freedom to make choices while encouraging us to make better ones, from automatic-enrollment 401(k) plans that require us to opt out if we don't want to save for retirement to smart meters that warn us about how much energy we're using. These nudges can trigger huge changes; in a 2001 study, only 36% of women joined a 401(k) plan when they had to sign up for it, but when they had to opt out, 86% participated.&lt;/p&gt; &lt;p&gt;It's no coincidence that Obama's budget proposes an ambitious program of automatic-enrollment pensions for workplaces that don't offer 401(k)s or that his stimulus package has billions of dollars for smart meters. Behavioral science — especially the burgeoning field of behavioral economics that has been popularized by &lt;i&gt;Freakonomics, The Wisdom of Crowds, Predictably Irrational, Nudge&lt;/i&gt; and &lt;i&gt;Animal Spirits&lt;/i&gt;, which is the new must-read in Obamaworld — is already shaping dozens of Administration policies. "It really applies to all the big areas where we need change," says Obama budget director Peter Orszag. (&lt;a href="http://www.time.com/time/specials/2008/top10/article/0,30583,1855948_1864143,00.html" target="_blank"&gt;See the top 10 nonfiction books of 2008.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;Orszag has been an unabashed behavioral geek ever since he read that 401(k) study. His deputy, Jeff Liebman of Harvard, is a noted behavioral economist, as are White House economic adviser Austan Goolsbee of the University of Chicago, Assistant Treasury Secretary nominee Alan Krueger of Princeton and several other key aides. Sunstein has been nominated to be Obama's regulatory czar. Even National Economic Council director &lt;a href="http://www.time.com/time/magazine/article/0,9171,1874853,00.html" target="_blank"&gt;Larry Summers&lt;/a&gt; has done work on behavioral finance. And Harvard economist Sendhil Mullainathan is organizing an outside network of behavioral experts to provide the Administration with policy ideas.&lt;/p&gt; &lt;p&gt;Obama has a community organizer's appreciation for human motivation, and his rhetoric often sounds as if it's straight out of a behavioral textbook. He has also read &lt;i&gt;Nudge&lt;/i&gt;, which inspired him to pick his friend Sunstein — best known as a constitutional scholar — to run the Office of Information and Regulatory Affairs, the obscure but influential corner of the Office of Management and Budget where federal regulations are reviewed and rewritten. "Cass is one of the people in the Administration he knows best," says Thaler, the founder of behavioral economics and co-author of &lt;i&gt;Nudge&lt;/i&gt;. "He knew what he was doing when he gave Cass that job." (&lt;a href="http://www.time.com/time/specials/packages/article/0,28804,1863062_1863058,00.html" target="_blank"&gt;See who's who in Obama's White House.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;The first sign of the behavioralist takeover surfaced on April 1, when Americans began receiving $116 billion worth of payroll-tax cuts from the stimulus package. Obama isn't sending us one-time rebate checks. Reason: his goal is to jump-start consumer spending, and research has shown we're more likely to save money rather than spend it when we get it in a big chunk. Instead, Obama made sure the tax cuts will be paid out through decreased withholding, so our regular paychecks will grow a bit and we'll be less likely to notice the windfall. The idea, an aide explains, is to manipulate us into spending the extra cash.&lt;/p&gt; &lt;p&gt;Obama's efforts to change us carry a clear political risk. Republicans already portray him as a nanny-state scold, an élitist Big Brother lecturing us about inflating our tires and reading to our kids. We elected a President, not a life coach, and we might not like elected officials' challenging our right to be couch potatoes. Obama's aides seem to favor nudges that preserve free choice over heavy-handed regulation, an approach Thaler and Sunstein, the co-authors of &lt;i&gt;Nudge&lt;/i&gt;, call "libertarian paternalism." But it's still paternalism, and Sunstein will have the power to put it into action. The idea of public officials, even well-meaning ones, trying to engineer our private behavior to produce change can seem a bit creepy.&lt;/p&gt; &lt;p&gt;But face it: Obama is right. Our emissions are boiling the planet, and most of our energy use is unnecessary. Our health expenditures are bankrupting the Treasury, and most of our visits to the doctor can be traced to unhealthy behavior. We do need to change, and we know it.&lt;/p&gt; &lt;p&gt;So why don't we? And how can we? The behaviorists have ideas, and the Administration is listening.&lt;/p&gt;&lt;p&gt; &lt;a href="http://www.time.com/time/photogallery/0,29307,1866753_1815104,00.html" target="_blank"&gt;See pictures of the civil rights movement, from Emmett Till to Barack Obama.&lt;/a&gt; &lt;/p&gt; &lt;p&gt; &lt;a href="http://www.time.com/time/photogallery/0,29307,1873056,00.html" target="_blank"&gt;See pictures of Sasha and Malia Obama at the Inauguration.&lt;/a&gt; &lt;/p&gt; &lt;!--pagebreak--&gt; &lt;p&gt;&lt;b&gt;Economics for the Real World&lt;/b&gt;&lt;br /&gt;Obama has pledged that his bank-regulation overhaul would be based "not on abstract models ... but on actual data on how actual people make financial decisions." That's a plain-English way of saying it will be guided by behavioral economics, not neoclassical economics.&lt;/p&gt; &lt;p&gt;Neoclassical economics — another University of Chicago specialty — has ruled our world for decades. It's the doctrine that markets know best: when government keeps its hands off free enterprise, capital migrates to its most productive uses and society prospers. But its elegant models rely on a bold assumption: rational decisions by self-interested individuals create efficient markets. Behavioral economics challenged this assumption, and the financial meltdown has just about shattered it; even former Fed chairman Alan Greenspan confessed his Chicago School worldview has been shaken. "We couldn't have planned a better marketing campaign for behavioral economics," MIT's Ariely quips. (&lt;a href="http://www.time.com/time/specials/2008/top10/article/0,30583,1855948_1864567,00.html" target="_blank"&gt;See the best business deals of 2008.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;Behavioral economics doesn't ignore the market forces that were all-powerful in Econ 101, but it harnesses forces traditionally consigned to Psych 101. Behaviorists have always known we don't really act like the superrational &lt;span style="font-style: italic;"&gt;Homo economicus&lt;/span&gt; of the neoclassical-model world. Years of studies of patients who don't take their meds, grownups who have unsafe sex, and other flawed decision makers have chronicled the irrationality of &lt;span style="font-style: italic;"&gt;Homo sapiens.&lt;/span&gt; Some of our foibles are quite specific, like overvaluing things we have, overeating food in larger containers and overestimating the probability of improbable events — the quirk that made the Meet Barack Obama fundraising lottery such a smart idea. But in general, we're ignorant, shortsighted and biased toward the status quo. We're not as smart as Larry Summers. We procrastinate. Our impulsive ids overwhelm our logical superegos. We plan to lose weight, but ooh — a cupcake! We're especially irrational about money; we'll pay more for the same thing if we can use a credit card, if we think it's on sale, if it's marketed with photos of attractive women. No wonder we apply for mortgages we can't afford. No wonder our bankers approve them.&lt;/p&gt; &lt;p&gt;"We truly want to make better choices," explains Yale economist Dean Karlan. He's a co-founder of &lt;a href="http://www.stickk.com/" target="_blank"&gt;stickK.com&lt;/a&gt;, where users make binding "commitment contracts" to forfeit money to friends or charities — or even "anti-charities" they despise — if they fail to quit smoking, lose weight or meet other goals they set for themselves. "But we need help to get us there."&lt;/p&gt; &lt;p&gt;&lt;b&gt;The Need to Know&lt;/b&gt;&lt;br /&gt;The first step is knowledge. Studies suggest that better information — from public-service announcements, appeals by respected figures, even serial dramas to help reduce teen pregnancy and other social ills in developing countries — can assist us in making better choices. There was a run on energy-efficient lightbulbs after Oprah urged viewers to buy them; similarly, Michelle Obama's White House vegetable garden is intended to urge us toward fresh produce. We don't all realize that idling our cars wastes more energy than turning them off and on, or that granola is high in fat. And some of our choices are simply bewildering, which is why it's so easy to stumble into hidden fees and balloon payments tucked in the fine print of our mortgages. Even Ph.D.s can get confused by our society's paperwork; Thaler and Sunstein tell a story in &lt;i&gt;Nudge&lt;/i&gt; about struggling to help a health economist pick a prescription-drug plan for her parents.&lt;/p&gt; &lt;p&gt;&lt;i&gt;Nudge&lt;/i&gt; calls for aggressive rules for disclosure and clarity, to help us make more informed decisions about home loans, student loans, credit cards, health-care plans and retirement plans. Thaler points to an Executive Order, signed by Obama on his second day in office, that calls for new transparency through new technologies. "That's exactly what this is about," Thaler says. "If instead of the 30 pages of unintelligible crap that comes with a mortgage, you can upload it with one click to a website that will explain it and help you shop for alternatives, you make it as easy as shopping for a hotel."&lt;/p&gt; &lt;p&gt; &lt;a href="http://www.time.com/time/photogallery/0,29307,1871199,00.html" target="_blank"&gt;See pictures of Michelle Obama's fashion looks.&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href="http://www.time.com/time/photogallery/0,29307,1888799,00.html" target="_blank"&gt;See pictures of the Obamas in Europe.&lt;/a&gt;&lt;/p&gt; &lt;!--pagebreak--&gt; &lt;p&gt;More information can make us healthier too, which is why the stimulus poured $1.1 billion into "comparative effectiveness" research. Orszag has reams of charts showing that medical tactics and costs vary wildly across the country, with little regard for what works. He'd like to document best practices — from emergency-room to-do lists that dramatically reduce infections to protocols for when pricey tests and surgeries really help — and then have all medical providers adopt them. This approach has helped American anesthesiologists reduce deaths as well as costs.&lt;/p&gt; &lt;p&gt;But information alone isn't enough. We all know we shouldn't smoke or pig out on fudge, but knowledge isn't as powerful as motivation; even Summers could stand to lose a few pounds. Old behavioralist joke: How many psychologists does it take to change a lightbulb? Answer: Just one, but the bulb really has to want to change. (&lt;a href="http://www.time.com/time/specials/2008/top10/article/0,30583,1855948_1863947,00.html" target="_blank"&gt;See the top 10 scientific discoveries of 2008.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;&lt;b&gt;It's Got to Be Easy&lt;/b&gt;&lt;br /&gt;Econ 101 relies on prices to promote change, and it's true that $4 gas got us to drive less. But prices aren't everything.&lt;/p&gt; &lt;p&gt;Even when utilities will pay for efficiency upgrades that will save us money for years, we're unlikely to make retrofits — unless the utilities take care of the schlep factors, like finding contractors and inspecting the work. Cheap is alluring; easy can be irresistible.&lt;/p&gt; &lt;p&gt;This is why default options pack such power. Most of us will save for retirement, run our computers in energy-efficient mode and be organ donors if we have to take action to say no — but not if we have to take action to say yes. Almost nobody signed up for a German utility's clean-energy plan until it became the default, and then 94% stuck with it. We're also much likelier to go to the doctor for preventive care like flu shots if the appointment is made for us. In a speech last year, Orszag even suggested charging us for doctor's appointments unless we take action to cancel, though he conceded that might sound "a little crazy at first blush or even second blush."&lt;/p&gt; &lt;p&gt;More along these lines is heading our way. The Administration hopes to harness our inertia with its automatic pension plan, a major step toward universal savings accounts, and by dramatically simplifying applications for federal tuition aid. Its push to computerize health-care records — another big-ticket stimulus item — could make generic drugs and cost-effective procedures our default treatments. And seniors who don't select health-care or drug plans could be automatically enrolled in low-cost options. "It would be nice if we all behaved like supercomputers, but that's not how we are," Orszag says.&lt;/p&gt; &lt;p&gt;While Obama's economists search for pain-free, hassle-free solutions to our easy-way-out instincts, his rhetoric often aims to build our tolerance for pain and hassle. He urges us to snap out of denial, to accept that we're in for some prolonged discomfort but not to wallow in it, to focus on our values. That happens to sound a lot like "acceptance and commitment therapy," the latest advance in behavioral psychology. Instead of assisting smokers to ignore cravings and chronic-pain sufferers to think about other things — the old denial approach — acceptance therapy pushes patients to acknowledge negative thoughts and then overcome them by focusing on values. Even a small amount of this approach seems to help smokers quit, dieters lose weight and patients with diabetes or chronic pain stay out of the hospital. University of Nevada, Reno, psychologist Steven Hayes believes our Prozac culture has trained us to avoid all discomfort, leaving us reluctant to exercise or adjust our thermostats. "We're supposed to be happy-happy-joy-joy all the time," Hayes says. "Obama is trying to help us get past that."&lt;/p&gt; &lt;p&gt;But Obama is no therapist changing individuals one at a time. He's an organizer trying to build community and inspire collective action through house parties and &lt;a href="http://www.time.com/time/magazine/article/0,9171,1879169,00.html" target="_blank"&gt;Facebook&lt;/a&gt; as well as rhetoric about shared values. In other words, he's trying to create social norms — behavioral change's killer app.&lt;/p&gt; &lt;p&gt;&lt;a href="http://www.time.com/time/2008/six_degrees/" target="_blank"&gt;See TIME's "Six Degrees of Barack Obama."&lt;/a&gt;&lt;/p&gt; &lt;p&gt; &lt;a href="http://www.time.com/time/photogallery/0,29307,1866257_1814250,00.html" target="_blank"&gt;See pictures of  Obama's nation of hope.&lt;/a&gt; &lt;/p&gt; &lt;!--pagebreak--&gt; &lt;p&gt;&lt;b&gt;Everybody's Doing It!&lt;/b&gt;&lt;br /&gt;Which message would persuade homeowners to save electricity: a call to their environmental conscience, or an appeal to their wallet? Cialdini tested those approaches in a San Diego experiment, and the answer was neither. What worked was an appeal to conformity. Residents used less power when they were told their neighbors were using less power. We're a herdlike species, more likely to be obese if our peers are.&lt;/p&gt; &lt;p&gt;In a 2005 study, Alan Gerber of Yale got Michigan voters to increase their turnout an amazing 8.6% with a single peer-pressure mailer that listed the previous voting records of their neighbors and noted that a follow-up would be sent indicating who voted this time. (The Obama campaign actually priced out a similar mailer but decided not to risk a backlash.) And shame works; even some AIG executives gave up bonuses. Cialdini says brain imaging shows that when we think we're out of step with our peers, the part of our brain that registers pain shifts into overdrive. "It's an incredibly powerful spur to action," he says. (&lt;a href="http://www.time.com/time/specials/packages/article/0,28804,1877351_1877350,00.html" target="_blank"&gt;See 25 people to blame for the financial crisis.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;Social norms help explain the attraction of opt-out 401(k)s as well: it's not just that we're too lazy to check a box but also that we assume the default is the accepted thing to do. Obama's push to weatherize millions of homes — another stimulus bonanza — will require new norms. In Oregon, a countywide program to upgrade windows and insulation at almost no cost to homeowners got a tepid response. But after an intense mobilization campaign — through citizen councils, churches and Girl Scouts who went door-to-door asking residents why they hadn't weatherized yet — 85% of the county enrolled. "What worked was creating a sense that we're all in this together and you're a social deviant if you don't join us," recalls Ralph Cavanagh of the Natural Resources Defense Council. This is why community report cards help promote preventive health care and why interdorm conservation competitions help colleges save energy. And this is why Administration officials — after their crash course in run-on-the-bank mentalities cited in &lt;span style="font-style: italic;"&gt;Animal Spirits&lt;/span&gt; — are trying to boost consumer confidence into a social norm.&lt;/p&gt; &lt;p&gt;&lt;b&gt;Sometimes We Need a Shove&lt;/b&gt;&lt;br /&gt;But we're not likely to spend if we don't have money. And we can't take public transit if there's none in our neighborhood. The bully pulpit has limits — Michelle Obama has literally urged us to eat our broccoli, but she can't make it taste like fudge. "I like nudges, but sometimes we need to do more," says Harvard's Mullainathan. Sometimes we need a shove. The research proves change can come about when it's easy and popular, but making it lucrative — or even mandatory — can make sure it happens.&lt;/p&gt; &lt;p&gt;This is one reason there's new interest in taxing gas, alcohol, electricity and even trans fats to discourage undesirable behaviors while closing budget gaps. Obama has already &lt;a href="http://www.time.com/time/magazine/article/0,9171,1889187,00.html" target="_blank"&gt;hiked taxes on cigarettes&lt;/a&gt; and wants to end tax breaks for drilling and offshoring. He seems even more eager to subsidize desirable behaviors like saving, teaching, weatherizing and buying fuel-efficient cars and energy-efficient appliances. Of course, his energy policy goes beyond incentives; he wants a strict national cap on carbon emissions. He has also signaled openness to a national health-insurance mandate. (&lt;a href="http://www.time.com/time/specials/packages/0,28757,1860289,00.html" target="_blank"&gt;Read "The Year in Medicine 2008: From A to Z."&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;If neoclassical economics wants government to let us alone to do what we want, behavioral economics leaves room for government action to help us do what we would really want if we were rational agents. Unfortunately, the qualities that have crippled Washington in recent years — inertia, denial, allergy to complexity, preference for short-term gratification over long-term planning — are our own flaws writ large. Members of Congress are people too; they're likely to embrace change only when it's easy, popular and rewarding. Do we really want them trying to change us?&lt;/p&gt; &lt;p&gt;Michelle Obama warned us during the campaign, "[Barack] is going to demand that you shed your cynicism, that you put down your divisions, that you come out of your isolation, that you move out of your comfort zones, that you push yourselves to be better." The President reinforced this in his Inaugural Address when he urged Americans to set aside childish things and choose hope over fear. (&lt;a href="http://www.time.com/time/photogallery/0,29307,1872764,00.html" target="_blank"&gt;See pictures of how Obama prepared his Inauguration speech.&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;But we don't need to change our hearts like that. Opt-out 401(k)s, simpler mortgage applications, programmable thermostats and cost-effective medical protocols can help us do the right things even if we remain ignorant, lazy, greedy and obsessed with childish things. It doesn't matter if we save energy because we care about the earth or our money or our neighbors; we just need to save energy. The government just needs to provide the right rules, incentives and nudges to help us make the right choices. It would be nice if Obama could change our social norms so that green living and healthy eating and financial responsibility would be new ways of keeping up with the Joneses. But it would be enough if he changed Washington's social norms. We need better policies, not better attitudes.&lt;/p&gt; &lt;p&gt;Behavioral literature can be a depressing window on human folly. But it offers us ways to transcend our folly, to restrain our ids, to harness our conformity and inertia and weakness in order to do less of the things that hurt us and our country. "In the physical world, we understand our limitations," Ariely says. "Nobody gets upset because we can't fly. We just design something to help us fly." If Obama can help us fly from our bad habits, he'll provide the change we need.&lt;/p&gt; &lt;p&gt;&lt;i&gt;The original version of this story misidentified Mike Moffo as a field director of Obama's campaign.&lt;/i&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-4702461531072581447?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/4702461531072581447/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=4702461531072581447&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4702461531072581447'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4702461531072581447'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2010/05/how-obama-is-using-science-of-change.html' title='How Obama Is Using the Science of Change'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Yez8DXg3sYY/S-idqZYUlcI/AAAAAAAAAkk/xz6J9ukDqJI/s72-c/Scott+Tufankjian+-+Polaris+-+egnahC.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-4354072584549034772</id><published>2010-04-27T14:55:00.000-07:00</published><updated>2010-04-29T16:50:13.742-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='conservative'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><category scheme='http://www.blogger.com/atom/ns#' term='economy'/><title type='text'>The Meditations of an Actual Conservative - first installment</title><content type='html'>&lt;div style="text-align: right; font-style: italic;"&gt;In general, this blog proposes that believing in a particular way (world-view, theoretical orientation, or mythology) builds a particular culture through influence on the creation of group process - &lt;span style="font-weight: bold;"&gt;how&lt;/span&gt; people make group decisions. What directions might emerge from believing the assumptions on which the piece below is based?&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;The Meditations of an Actual Conservative - first installment&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(reproduced with permission from a Facebook discussion)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;input id="post_form_id" name="post_form_id" value="fb24eeab33efb6a9c12db5c70360ee8b" autocomplete="off" type="hidden"&gt;&lt;div class="note_header"&gt;&lt;div class="note_title_share clearfix"&gt;&lt;div class="note_title"&gt;&lt;span style="font-size:130%;"&gt;&lt;span&gt;30 Years of Economic History or A Brief Examination of How We Got Where We Are.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div class="share_and_hide clearfix"&gt;&lt;br /&gt;by &lt;a href="http://www.facebook.com/profile.php?id=1096629847"&gt;Tobin E Threadgill&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt; &lt;div class="note_content text_align_ltr direction_ltr clearfix"&gt; &lt;div&gt;The real judge of economic health is not the size of the national debt. It's the size of the national debt in relation to the GDP. Our Debt / GDP ratio is below that which existed in 1945. We pulled ourselves out of that and we can pull ourselves out again but its going to take economic discipline and the same sense of self-sacrifice embraced in that era. It's an unfortunate but natural part of economic and political reality in a fluctuating and volatile global economy.&lt;br /&gt;&lt;br /&gt;In 1979, the Debt/GDP ratio was the lowest in the modern era, around 31%. Every president, Democrat or Republican following WW2 was being fiscally conservative and paying down the Debt/GDP ratio. However in the 1970's our economy was suffering the stagnating effects of the Arab Oil Embargo. Economists dubbed this "stagflation" because our GDP was stagnant, we were experiencing inflation and associated high interest rates. Nixon, Ford and Carter all continued efforts to reduce the Debt/GDP ratio to the detriment of the overall economy. Why? Because they all ascribed to the economic theory that too much Government spending would damage the economy even more. They were wrong and interestingly it was Ronald Reagan, a self avowed fiscal conservative, who proved it. How? Huge deficit spending. Reagan, the fiscal conservative, kick started the economy by initiating huge Government spending. Because of this the economy took off and the GDP increased drastically. The problem that eventually bit Reagan in the ass was his foolish adoption of Arthur Laffers now debunked theory of trickle down economics. Laffer assumed that reducing taxes would boost the GDP so much that lower tax rates would still mean higher revenue for the Government. It was a disaster. Lowering taxes on the wealthiest Americans lowered revenues and increased the debt faster than the GDP. Why, because the wealthiest Americans did not spend but instead saved their money. Nothing trickled down. The rich got richer, the poor got poorer and the middle class shrunk. Reagan should have lowered taxes on the middle class who were the real spenders. When Reagan finally leaves office the national debt has increased 215% to 2.9 Trillion Dollars. Had he instead increased taxes moderately after the economic recovery he could have controlled the debt to a manageable level and even kept it below the increase in GDP. Like all presidents before him he could have left office lowering or maintaining the Debt/GDP ratio. Instead he blew the roof off increasing the debt more than any president in history during peacetime or economic expansion. What started out as a great economic reversal was mismanaged eventually forming a cloud that would become a disaster in 2008, with the help of GW Bush, the son of his vice president.&lt;br /&gt;&lt;br /&gt;Next was GHW Bush. He tried to stem the flood of red ink from what he once described as “Voodoo Economics” but Reagan's disastrous tax cuts to the wealthy were gutting the US Treasury. After promising "No new taxes" Bush was forced to break his pledge to limit the skyrocketing debt. For that he was thrown to the wolves by his own party, one significantly funded by the wealthy who liked their tax cuts despite their distructive effects on the overall economy. Bush is handily defeated at the polls and our national debt was approaching 5 trillion dollars.&lt;br /&gt;&lt;br /&gt;In comes William Jefferson Clinton. His economic team recognises that Laffer Curve economics is a boondoggle and increases taxation on the wealthy while also cutting spending and taxes on the middle class. In short order revenue for the US Treasury goes up, resulting in lower interest rates and a boost in GDP. The economy thrives with the greatest increase in GDP since WW2. Clinton leaves office with the first budget surplus since Eisenhower. In the last 30 years Clinton is the only president to decrease the Debt/GDP ratio.&lt;br /&gt;&lt;br /&gt;Disaster strikes. In comes GW Bush, a stooge for Dick Cheney, a corporate supply-sider who talks his president into again implementing Laffer’s disastrous trickle down economic policies. Tax breaks are again given to the wealthy and revenue to the US Treasury falters in relation to GDP. Consequently, the economy again spirals downward, the surplus vanishes and the Debt/GDP ratio skyrockets. 9/11 strikes and we enter a protracted war in Afghanistan and Iraq, putting more spending strain on the economy. GW Bush's unbelievable answer? More tax cuts to the wealthy...to the tune of 1.3 trillion dollars. As the economy continues to falter poor financial/mortgage practices from deregulation lead to an economic debacle which threatens the entire economic system. We are on the brink of economic meltdown. Finally GW Bush does one thing right. He orders huge economic spending to stabilise the fragile economy. It works and side-steps disaster but at massive cost. Why? Because we are already in so much debt due to past Laffer Curve economic skulduggery that we have little overhead to borrow ourselves out of trouble. The national debt is approaching 11 trillion dollars.&lt;br /&gt;&lt;br /&gt;In comes a new president, Barak Obama, another fiscal moderate like Clinton, but he faces a much more difficult challenge. Fortunately he hires someone like Paul Volker instead of a supply-side ideologue to institute fiscal policy. At the end of the day it is 1941 all over again but the threat to our nation is the housing bubble and improperly regulated financial instruments, not the Imperial Japanese. What is our only real option? In 1941, we were against the wall and still suffering the effects of 1929 but to survive as a nation we were forced to institute huge deficit spending to build military hardware to fight the enemy. It ended the depression and won the war but left us with a Debt/GDP ratio above 100%. Today our Debt/GDP ratio is around 72% and we are similarly against a wall. Our only viable option is huge deficit spending via programs like TARP to buy time for the economy and our GDP to recover. To do otherwise will risk either collapse or more likely, a decade long period of zero economic growth. Obama is ultimately doing the only thing we can do and the fruits of his economic strategy are already ripening.&lt;br /&gt;&lt;br /&gt;GM has stopped bleeding red ink and chosen to repay its 8.1 billion dollar loan from the US Treasury. This has saved thousands of American jobs and US manufacturing market share that otherwise would have been significantly lost to a foreign corporation.&lt;br /&gt;&lt;br /&gt;New housing starts are at their highest rate in decades and prices are starting to recover.&lt;br /&gt;&lt;br /&gt;The Stock Market although still volatile is over 11,000 from a low of 6500.&lt;br /&gt;&lt;br /&gt;As the economy recovers we will see a significant increase in GDP. Careful increases in taxation of the wealthy combined with increasing GDP should build a stable base for long-term and eventually stable economic growth.&lt;br /&gt;&lt;br /&gt;The balancing act Obama faces is figuring out a way to hold spending and increase taxation to stem the bleeding without seriously impacting GDP increases. Decreasing taxation on the middle class and increased taxation on the wealthy have already been implemented but that alone is not enough. Despite all the hair-pulling and misinformation, healthcare reform was not something that was optional. It was mandatory and should have been implemented decades ago. Increases in healthcare costs are so astronomical that they threatened the long-term health of the whole economy. It should have gone further but the political climate did not allow it. That will change as Americans experience first hand how reform works in the next decade.&lt;br /&gt;&lt;br /&gt;What also must be considered is changes to Social Security. People live longer today and the very wealthy do not depend on Social Security benefits for retirement. It should be restructured to reflect this reality.&lt;br /&gt;&lt;br /&gt;We must lower our military budget. Our military expenditures are stifling. We spend 41 cents of every dollar spent in the world. Our expenditures are 800% larger than China, 1200% larger than Russia and 20,000% larger than Iran. We cannot afford this. For example, the US has almost 50,000 troops in Germany to fight a soviet threat that no longer not exists. This is military waste, plain and simple. A modest decrease would not impact our security and go a long way toward providing us with funds to start paying down our debt, just like we did following WW2.&lt;br /&gt;&lt;br /&gt;So...Who would you rather have in the White House? Who do you trust in this period of economic crisis, John McCain &amp;amp; Sarah Palin or Barak Obama and Joe Biden? I'm an old Goldwater Republican who now considers himself an independent and I can tell you I prefer Obama because I understand the economic challenges we face based on a solid facts and economic history, not BS peddled by demagogues like Rush Limbaugh, Glenn Beck, Ann Coulter or Sarah Palin.&lt;br /&gt;&lt;br /&gt;Someday the Republican Party will return to its true conservative roots and regain its position as a valid representative of its political ideology. Until then I will not support them with my votes. The New Republican Party has done enough damage to this great nation.&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;[&lt;span style="font-style: italic;"&gt;What follows is excerpted from the comments which followed the above post - ed.&lt;/span&gt;]&lt;br /&gt;&lt;br /&gt;As someone statistically a member of the "wealthy" I've never resented the progressive tax structure.  Besides, the&lt;span class="text_exposed_hide"&gt;... &lt;span class="text_exposed_link"&gt;&lt;a onclick="'CSS.addClass($("&gt;See More&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text_exposed_show"&gt; wealthy have instruments to lessen their tax burden. The middle class simply does not have access to these instruments because they do not have that much expendable income. I know wealthy who pay a smaller percentage on their real income in taxes than those in the middle class by utilizing these instruments. The progressive tax structure essentially mitigates this fact.&lt;br /&gt;&lt;br /&gt;One thing that erks me about many wealthy complaining about taxes is that these are often the same people who wax eloquent about patriotism. I find it appalling that they are also the most likely to cheat on their taxes. Their country is in trouble. Their country provided this incredible opportunity to realize a wonderful quality of life and while they talk about patriotism and the rule of law, they cheat on their taxes. That's patriotism?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;I[n] the 1980's [t]he income tax rate went down under Reagan/Bush for the wealthiest Americans from around 69.5% to as low as 28%. There was a tiered rate during this time so the rate went up to around 33%-35% and then down to 28% for &lt;span class="text_exposed_hide"&gt;&lt;span class="text_exposed_link"&gt;&lt;a onclick="'CSS.addClass($("&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text_exposed_show"&gt;income above a certain level. This tiered structure taxed the middle class more that the wealthy.&lt;br /&gt;&lt;br /&gt;------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;FWIW...Here are some historical FACTS to consider. In 1982 the top income tax rates dropped to 50% or below for the first time since 1932. The top taxes rates since 1982 have been far below those existing between 1932 and 1981. So, the wealthy who complain about today bearing unusually high income tax rates are either lying or unaware of historical&lt;span class="text_exposed_hide"&gt; &lt;span class="text_exposed_link"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text_exposed_show"&gt;fact. For example, during Eisenhower's administration, a proud Republican and conservative, the top income tax rate was 90%. Recent top income tax rates have fluctuated in the 30 - 40 % range.&lt;br /&gt;&lt;br /&gt;Don't believe me?  The facts are easy to find.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.ntu.org/tax-basics/history-of-federal-individual-1.html" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://www.ntu.org/tax-bas&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;ics/history-of-federal-ind&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;ividual-1.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Another interesting to note. In 1992, Clinton raised the top rate to only 39.9%. This combined with cutting spending, cut the deficit. We enjoyed a huge increase in GDP via a booming economy which further led to increased revenue, balancing the budget and even creating a surplus.&lt;br /&gt;&lt;br /&gt;As soon as GWBush started lowering tax rates on the wealthy, upping the income threshold and increasing spending, the budget exploded the other direction.&lt;br /&gt;&lt;br /&gt;Its right there in black and white for anyone who cares to actually consider verifiable facts over BS peddled by ideologues with an political agenda. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Links and References&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;http://www.facebook.com/note.php?note_id=394465253943&amp;amp;comments&lt;br /&gt;&lt;br /&gt;[&lt;span style="font-style: italic;"&gt;from Toby&lt;/span&gt;]&lt;br /&gt;The reason I cited the NTU website is that the numbers are correct and they are obviously anti taxation. Despite their bias, the numbers do not lie. The most obvious source for the information I use if the Congressional Budget Office.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cbo.gov/budget/historical.shtml" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://www.cbo.gov/budget/&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;historical.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Other sources for information off the top of my head are these:&lt;span class="text_exposed_hide"&gt;&lt;span class="text_exposed_link"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text_exposed_show"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://cedarcomm.com/%7Estevelm1/usdebt.htm" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://cedarcomm.com/~stev&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;elm1/usdebt.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://zfacts.com/p/318.html" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://zfacts.com/p/318.ht&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;ml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://zfacts.com/p/1117.html" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://zfacts.com/p/1117.h&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;tml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/National_debt_by_U.S._presidential_terms" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://en.wikipedia.org/wi&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;ki/National_debt_by_U.S._p&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;residential_terms&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.businessinsider.com/2009/2/us-debt-levels-are-fine-debt-to-gdp-chart-is-wrong-and-meaningless" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://www.businessinsider&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;.com/2009/2/us-debt-levels&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;-are-fine-debt-to-gdp-char&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;t-is-wrong-and-meaningless&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.uwsa.com/us-national-debt.html" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://www.uwsa.com/us-nat&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;ional-debt.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.creditloan.com/blog/2008/10/30/americans-debt-to-income-ratio-as-compared-with-other-countries/" target="_blank" rel="nofollow" onmousedown="'UntrustedLink.bootstrap($(this),"&gt;&lt;span&gt;http://www.creditloan.com/&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;blog/2008/10/30/americans-&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;debt-to-income-ratio-as-co&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;&lt;span&gt;mpared-with-other-countrie&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;s/&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-4354072584549034772?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/4354072584549034772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=4354072584549034772&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4354072584549034772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4354072584549034772'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2010/04/meditations-of-actual-conservative.html' title='The Meditations of an Actual Conservative - first installment'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-1593116253990555764</id><published>2010-04-07T12:28:00.000-07:00</published><updated>2010-04-07T12:35:41.275-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='government'/><title type='text'>Obama Administration Marks Major Open Government Milestone</title><content type='html'>&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;THE WHITE HOUSE&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Office of the Press Secretary&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;FOR IMMEDIATE RELEASE&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;April 7, 2010&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style="color: rgb(31, 73, 125);font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:14pt;"  &gt;Obama Administration Marks Major Open Government Milestone&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;i&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;All Cabinet agencies release open government plans and highlight&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;i&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;flagship initiatives on transparency, participation, collaboration&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;WASHINGTON, D.C. – Today, President Obama hailed the release of&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/open" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;open government plans&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;&lt;span&gt; &lt;/span&gt;by all Cabinet agencies – the latest milestone in his Administration’s unprecedented efforts to erase the long-standing barriers between the American people and the government.  These plans are the agencies’ strategic roadmap for making transparency, citizen participation, and collaboration part of the way they work.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;“For too long, Washington has closed itself off from the oversight of the American public, resulting in information that’s difficult to find, taxpayer dollars that disappear without a trace, and lobbyists that wield undue influence,” said&lt;span&gt; &lt;/span&gt;&lt;b&gt;President Obama&lt;/b&gt;.  “That’s why my Administration is taking concrete steps to build a government that’s more transparent, open and accountable.  And now that these plans are published online, we hope the American people will play their part and collaborate with us to provide oversight and improve upon this information.  Together, we won’t just build a more efficient and effective government, but a stronger democracy as well.”&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;The plans released Wednesday make agency operations and data more transparent, while creating new ways for citizens to have an active voice in their government.  In addition, each agency has identified at least one “flagship initiative” – a signature open government innovation in the agency.  Examples include:&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.5in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:Symbol;font-size:12pt;"  &gt;&lt;span&gt;·&lt;span&gt;        &lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Department of Health and Human Services’ Community Health Data Initiative&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;:  This initiative will publish online a large-scale Community Health Data Set -- a wealth of easily accessible, downloadable information data on community health care costs, quality, access, and public health.  HHS will work with outside experts and citizens to take advantage of the new data to raise awareness of community health performance and spark improvements. &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.5in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.5in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:Symbol;font-size:12pt;"  &gt;&lt;span&gt;·&lt;span&gt;        &lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Department of Energy’s Open Energy Information Initiative&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;:  DOE has launched Open Energy Information (&lt;/span&gt;&lt;a href="http://www.openei.org/" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;OpenEI.org&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;), a new open-source web platform that opens DOE resources and data to the public.  The free, editable, and evolving wiki-platform will help to deploy clean energy technologies across the country and the world. &lt;span&gt; &lt;/span&gt;&lt;a href="http://openei.org/" style="text-decoration: underline;" target="_blank"&gt;OpenEI.org&lt;/a&gt;&lt;span style="color: rgb(255, 204, 0);"&gt; &lt;/span&gt;also will provide technical resources, including U.S. lab tools, which can be used by developing countries as they move toward clean energy deployment.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.25in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.5in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:Symbol;font-size:12pt;"  &gt;&lt;span&gt;·&lt;span&gt;        &lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Department of Veterans Affairs Innovation Initiative&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;:  The VA Innovation Initiative (VAi2) will invite VA employees, private sector entrepreneurs, and academic leaders to contribute the best ideas for innovations to increase Veteran access to VA services, reduce or control costs of delivering those services, enhance the performance of VA operations, and improve the quality of service Veterans and their families receive.  The VA Innovation Initiative will identify, prioritize, fund, test, and deploy the most promising solutions to the VA’s most important challenges. &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt 0.5in; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:Symbol;font-size:12pt;"  &gt;&lt;span&gt;·&lt;span&gt;        &lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Department of Housing and Urban Development’s Homelessness Prevention Resources Initiative&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;:  Many agencies and organizations struggle with the task of capturing information about the homeless.  Even more difficult is the task of predicting when and where homelessness will strike.  HUD believes that homelessness can be averted by combining information from multiple agencies and using the data to identify communities that may be at a tipping point towards increased homelessness.  HUD will work to develop a set of tools and processes to help predict at-risk communities, allowing the Department to take proactive steps to combat it.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;The&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/open/around" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;White House website&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;&lt;span&gt; &lt;/span&gt;tracks the progress of those agencies required to meet the&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/open/about/milestones" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;open government milestones&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;.  Independent agencies are not mandated to participate, though many, like the&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.peacecorps.gov/open" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Peace Corps&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;&lt;span&gt; &lt;/span&gt;and the&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.nationalservice.gov/open" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Corporation for National and Community Service&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;, have taken on the challenge to open their practices to greater transparency and public participation.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;In addition to the Open Government Plans, the Administration is releasing new policy guidance involving the&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/omb/asset.aspx?AssetId=2521" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;use of social media&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;&lt;span&gt; &lt;/span&gt;and the Paperwork Reduction Act,&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/omb/asset.aspx?AssetId=2523" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;improving transparency&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;&lt;span&gt; &lt;/span&gt;in the rulemaking process, and setting the process by which the government will collect and publish, for the first time ever,&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/omb/assets/open_gov/OpenGovernmentDirective_04062010.pdf" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;subaward data for all federal grants and contracts&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;.  This last piece is in line with the Federal Funding Accountability and Transparency Act, which then-Senator Obama coauthored in 2006 with Senator Tom Coburn of Oklahoma.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Background on the White House Open Government Initiative&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;The Administration’s open-government efforts began on the President’s first full day in office, when he signed a presidential memorandum that established transparency, participation, and collaboration as the hallmarks of a more efficient, accountable government.  That same memorandum directed the Federal Chief Technology Officer (CTO) to issue recommendations for creating a more transparent, participatory, and collaborative government. &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;To that end, the White House Open Government Initiative and the CTO partnered with the American people to solicit expertise from outside of Washington.  The three-phase public consultation involved thousands of Americans commenting on and shaping policy approaches that were incorporated in the December 2009&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/open/documents/open-government-directive" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Open Government Directive&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;.  The Administration released an&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.whitehouse.gov/sites/default/files/microsites/ogi-progress-report-american-people.pdf" style="text-decoration: underline;" target="_blank"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;Open Government Progress Report&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;to coincide with the Directive, outlining the steps that the federal government has implemented to break down those barriers to public participation and agency transparency.&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; text-align: center; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt;###&lt;/span&gt;&lt;/div&gt;&lt;div   style="margin: 0in 0in 0.0001pt; color: rgb(255, 255, 255);font-family:Calibri,sans-serif;font-size:11pt;"&gt;&lt;span style=";font-family:'Book Antiqua',serif;font-size:12pt;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri,sans-serif; color: rgb(255, 255, 255);"&gt;Agency plans can be found here:&lt;span&gt; &lt;/span&gt;&lt;span style="color: rgb(31, 73, 125);"&gt;&lt;a href="http://www.whitehouse.gov/open/around" style="text-decoration: underline;" target="_blank"&gt;http://www.whitehouse.&lt;wbr&gt;gov/open/around&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri,sans-serif;"&gt;&lt;span style="font-size: 10pt;"&gt;Chelsea Kammerer&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri,sans-serif;"&gt;&lt;span style="font-size: 10pt;"&gt;The White House &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri,sans-serif;"&gt;&lt;span style="font-size: 10pt;"&gt;Office of Intergovernmental Affairs and Office of Public Engagement&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 10pt;"&gt;p: 202.456.3182 I&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="mailto:ckammerer@who.eop.gov" style="color: blue; text-decoration: underline;" target="_blank"&gt;&lt;span style="color: blue;"&gt;ckammerer@who.eop.gov&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-1593116253990555764?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/1593116253990555764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=1593116253990555764&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/1593116253990555764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/1593116253990555764'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2010/04/obama-administration-marks-major-open.html' title='Obama Administration Marks Major Open Government Milestone'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-7149272545636833141</id><published>2009-06-19T11:37:00.000-07:00</published><updated>2010-04-09T12:53:33.441-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mythopoiesis'/><category scheme='http://www.blogger.com/atom/ns#' term='AlanDundes'/><category scheme='http://www.blogger.com/atom/ns#' term='mythicity'/><category scheme='http://www.blogger.com/atom/ns#' term='myth'/><category scheme='http://www.blogger.com/atom/ns#' term='folklore'/><title type='text'>Seriously Funny</title><content type='html'>Reproduced &lt;span class="subhead"&gt;feature &lt;/span&gt;from  UC Berkeley Alumni Assoc. &lt;span style="font-style: italic;"&gt;California Magazine&lt;/span&gt;&lt;br /&gt;&lt;div id="story"&gt;&lt;span class="published"&gt;&lt;a href="https://alumni.berkeley.edu/California/200903/main.asp"&gt;2009 March / April&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="subhead"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span class="subhead"&gt;https://alumni.berkeley.edu/California/200903/ratliff.asp&lt;/span&gt;&lt;br /&gt;&lt;span class="subhead"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="subhead"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-weight: bold; text-align: center;" class="coverstoryhead"&gt;&lt;span style="font-size:130%;"&gt;Seriously funny&lt;/span&gt;&lt;/div&gt;&lt;div class="byline"&gt;by Evan Ratliff&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;" class="storylead"&gt;Legendary folklorist Alan Dundes took jokes to another level.&lt;/div&gt;&lt;/div&gt;                  &lt;br /&gt;  &lt;div class="image" style="width: 300px;"&gt;&lt;img title="Alan Dundes" src="https://alumni.berkeley.edu/California/200903/images/ratliff.jpg" width="300" /&gt;&lt;p&gt;&lt;em&gt;Clintons: AP Photo/Jimmy May, Norris: Orion Pictures Corporation/Photofest, Bush: AP Photo/J. Scott Applewhite&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;&lt;p&gt;Alan Dundes died with a joke on his lips. At least, that's one version of the story. This much is certain: The beloved Cal professor died unexpectedly in 2005, while lecturing. Dundes was a giant in the field of folklore scholarship, an inveterate collector of, and prolific publisher on, unrecorded tales, songs, and traditions. But the man who was sometimes called the Joke Professor had a particular affinity for humor.&lt;/p&gt;&lt;p&gt;Growing up in the suburbs of New York City, Dundes fell in love with the quips his father picked up on the commuter train and heard hundreds more during two years in the Navy. As a grad student, inspired in part by Freud's collection of Jewish jokes, Dundes began gathering them for his doctoral dissertation. Once ensconced at Berkeley, he launched the Folklore Archive, which now holds over 500,000 items—including thousands of bits of humor collected by students enrolled in Dundes's famous course, The Forms of Folklore.&lt;/p&gt;&lt;p&gt;A large man, known for his rapid speech and an endless rotation of baggy suits, white shirts, and dark ties, Dundes held court in office hours that were both intimidating and exhilarating. He brimmed with advice and insight but countenanced no sloppy scholarship. So singular a presence was he for students—some of whom called him "the Master" or simply "Himself"—that they collected their own Dundes folklore, known as Dundesiana. The Berkeley Folklore Archive even has a folder devoted to Dundes-inspired "latrinalia," the bathroom wall scribblings he established as a legitimate object of study. One entry reads "Keep Alan Dundes working! Write graffiti!"&lt;/p&gt;&lt;p&gt;Dundes's revolutionary contribution to the field, however, was not in gathering folklore but in analyzing it. "For him, being a folklorist was like being a scientist," says Maria Teresa Agozzino, a folklore professor at Ohio State University who worked as Dundes's assistant for eight years. To Dundes, collected scraps of folklore "were the hard data" of social mores and cultural trends, and jokes could be particularly illuminating.&lt;/p&gt;&lt;p&gt;Dundes turned a gimlet eye—often with a Freudian lens—to every brand of humor ranging from math jokes to light-bulb jokes, Gary Hart jokes to AIDS jokes, Muslim jokes to elephant jokes. The latter, for instance, he interpreted as veiled references to African Americans, a kind of humor code spawned by white anxiety over civil rights. He also saw a direct line running from what he believed was a German cultural obsession with scatological jokes, to the rise of Nazi fascism.&lt;/p&gt;&lt;p&gt;"Some people believe jokes and nursery rhymes and fairy tales are just harmless little stories that don't mean anything," Dundes told Jim Holt, author of the joke history &lt;em&gt;Stop Me If You've Heard This&lt;/em&gt;. "But they're not meaningless. And they're not necessarily harmless, either."&lt;/p&gt;&lt;p&gt;Digging out the meaning buried in off-color humor, Dundes knew, could cause offense. And offend he certainly did. His analysis of the "dead baby" joke cycle, which he linked to abortion's emergence as a political issue, featured such universally disturbing examples as "What's harder to unload, a truck full of bowling balls or a truck full of dead babies?" Answer: "Bowling balls. You can't use a pitchfork with bowling balls." It's a revolting premise with an even more disgusting punch line, and Dundes cited such things ad nauseam. It wasn't gratuitous. He insisted there was meaning to be mined from all jokes, no matter how crass or shallow.&lt;/p&gt;&lt;p&gt;"Nothing is so sacred, so taboo, or so disgusting that it cannot be the subject of humor," he wrote in a paper analyzing Auschwitz jokes. "Indeed, it is precisely those topics culturally defined as sacred, taboo, or disgusting that tend to provide the principal grist for humor mills."&lt;/p&gt;&lt;p&gt;Of course not everyone agreed that all jokes, no matter how offensive, deserved scholarly attention. Several publishers refused to print his work—notably his examinations of Holocaust jokes and his paper on Romanian political jokes, "Laughter Behind the Iron Curtain." During his career, he was reportedly shouted down, pelted by audiences, and once draped in toilet paper while speaking. He is likely the only folklorist to ever receive a death threat, after a version of his classic 1978 paper "Into the Endzone for a Touchdown"—on the homoerotic subtext of American football terminology—appeared in &lt;em&gt;Time&lt;/em&gt; magazine.&lt;/p&gt;&lt;p&gt;If you didn't know the man, Dundes's obsession with finding the dark shadings of id and superego in every punch line might suggest a certain humorlessness. Yet the thing about him that friends and former colleagues remember best was precisely his ability to make people laugh. Professor of Scandinavian, John Lindow still cracks up recalling Dundes's story of falling overboard on his final day in the Navy. "He was," Lindow says, "probably the funniest person I've ever known."&lt;/p&gt;&lt;p&gt;"He could have had a career as a standup comedian and made a fortune," insists Stanley Brandes, a professor of social cultural anthropology at Berkeley.&lt;/p&gt;&lt;p&gt;"Even though he'd been doing it for 30 years, he would make everybody feel like he hadn't heard it before," recalls Agozzino. "He was like a kid in a candy store. He never lost that infectious excitement."&lt;/p&gt;&lt;p&gt;Dick Corten '65, who took Dundes's courses as an undergrad and was editor of &lt;em&gt;The Pelican&lt;/em&gt;, remembers the lectures. "Everything was rapidfire. His badda-bing delivery, his citations of other scholars, his gallop through the material…. His energy level must have been extraordinarily high." Partly due to the pace Dundes set, his classes tended to take most students "down a notch. A students to B, B to C, and so on" Corten says. "As entertaining as his lectures were, he wasn't just an entertainer. That the material was diverting cut two ways. You couldn't help but laugh, but then you had to grab the concept and remember what it meant."&lt;/p&gt;&lt;p&gt;It was Jim Holt who wrote in &lt;em&gt;Stop Me If You've Heard This&lt;/em&gt; that Dundes died "with a joke on his lips." The Wikipedia entry on him reports only that his last words were, "But there are really only two uses for Marxist theory in folkloristics." It's tough to say whether that was meant as a setup or a serious point. In any case, the entry contains no citation. It's just one more bit of Dundesiana for the archives.&lt;/p&gt;&lt;p class="bio"&gt;Evan Ratliff is a freelance writer living in San Francisco.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-7149272545636833141?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7149272545636833141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7149272545636833141'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2009/06/seriously-funny.html' title='Seriously Funny'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-8154294959383000117</id><published>2007-12-19T23:02:00.000-08:00</published><updated>2007-12-19T23:32:33.632-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><title type='text'>Samuel Beckett</title><content type='html'>from the Internet Archive&lt;br /&gt;&lt;object type="application/x-shockwave-flash" id="FlowPlayer" data="http://www.archive.org/flv/FlowPlayerWhite.swf" height="263" width="320"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.archive.org/flv/FlowPlayerWhite.swf"&gt;&lt;br /&gt;&lt;param name="scale" value="noScale"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;param name="allowScriptAccess" value="sameDomain"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="flashvars" value="config={     loop: false,     autoPlay:false,     initialScale: 'fit',     videoFile: 'http://www.archive.org/download/busterkeatonfilm/BK.Film.Samuel.Beckett.silent.1965.17min.flv',   }"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Also Known As:&lt;br /&gt;Samuel Beckett's Film&lt;br /&gt;Runtime: 20 min&lt;br /&gt;Country: USA&lt;br /&gt;Color: Black and White&lt;br /&gt;Sound Mix: Silent&lt;br /&gt;&lt;br /&gt;A twenty-minute, almost totally silent film (no dialogue or music one 'shhh!') in which Buster Keaton attempts to evade observation by an all-seeing eye. But, as the film is based around Bishop Berkeley's principle 'esse est percipi' (to be is to be perceived), Keaton's very existence conspires against his efforts&lt;br /&gt;&lt;br /&gt;Lucky's monologue - French. "Waiting for godot" By Samuel Beckett&lt;br /&gt;&lt;object type="application/x-shockwave-flash" id="FlowPlayer" data="http://www.archive.org/flv/FlowPlayerWhite.swf" height="263" width="320"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.archive.org/flv/FlowPlayerWhite.swf"&gt;&lt;br /&gt;&lt;param name="scale" value="noScale"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;param name="allowScriptAccess" value="sameDomain"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="flashvars" value="config={     loop: false,     autoPlay:false,     initialScale: 'fit',     videoFile: 'http://www.archive.org/download/Monolgue_Lucky_En_Attendant_Godot/Monolgue_Lucky_En_Attendant_Godot.flv',   }"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PLAY (from YouTube)&lt;br /&gt;&lt;br /&gt;&lt;object height="355" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1EkI1KS3uRA&amp;amp;rel=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/1EkI1KS3uRA&amp;amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/results?search_query=Samuel+Beckett&amp;amp;search=Search"&gt;much more from YouTube&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-8154294959383000117?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/8154294959383000117/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=8154294959383000117&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/8154294959383000117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/8154294959383000117'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/film-by-samuel-beckett-1965.html' title='Samuel Beckett'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-9117584499600267812</id><published>2007-12-19T11:28:00.000-08:00</published><updated>2007-12-19T11:31:26.266-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='imagination'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>CCR exercise 01</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr style="color: rgb(0, 0, 0);"&gt;&lt;td&gt;&lt;span style="font-size:100%;"&gt;Beyond the published analysis on the web, what's going on in this song?&lt;br /&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;Lyrics for: &lt;i&gt;Lookin' Out My Back Door&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;   &lt;/tr&gt;   &lt;tr&gt;      &lt;td&gt;&lt;br /&gt;&lt;/td&gt;   &lt;/tr&gt;   &lt;tr&gt;     &lt;td&gt;Just got home from Illinois, lock the front door, oh boy&lt;br /&gt;Got to sit down, take a rest on the porch.&lt;br /&gt;Imagination sets in, pretty soon I'm singin',&lt;br /&gt;&lt;br /&gt;Chorus:&lt;br /&gt;Doo, doo, doo, lookin' out my back door.&lt;br /&gt;&lt;br /&gt;There's a giant doing cartwheels, a statue wearin' high heels.&lt;br /&gt;Look at all the happy creatures dancing on the lawn.&lt;br /&gt;A dinosaur Victrola listening to Buck Owens.&lt;br /&gt;&lt;br /&gt;Chorus&lt;br /&gt;&lt;br /&gt;Tambourines and elephants are playing in the band.&lt;br /&gt;Won't you take a ride on the flyin' spoon&lt;br /&gt;Doo, doo doo.&lt;br /&gt;Wondrous apparition provided by magician.&lt;br /&gt;&lt;br /&gt;Chorus&lt;br /&gt;&lt;br /&gt;Tambourines and elephants are playing in the band.&lt;br /&gt;Won't you take a ride on the flyin' spoon&lt;br /&gt;Doo, doo doo.&lt;br /&gt;Bother me tomorrow, today, I'll buy no sorrows.&lt;br /&gt;&lt;br /&gt;Chorus&lt;br /&gt;&lt;br /&gt;Forward troubles Illinois, lock the front door, oh boy&lt;br /&gt;Look at all the happy creatures dancing on the lawn.&lt;br /&gt;Bother me tomorrow, today, I'll buy no sorrows.&lt;br /&gt;&lt;br /&gt;Chorus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;object height="355" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RqZhM75aGMg&amp;amp;rel=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/RqZhM75aGMg&amp;amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-9117584499600267812?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/9117584499600267812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=9117584499600267812&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/9117584499600267812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/9117584499600267812'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/ccr-exercise-01.html' title='CCR exercise 01'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-4761484647003243467</id><published>2007-12-18T21:06:00.000-08:00</published><updated>2007-12-18T21:13:49.235-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='AI'/><category scheme='http://www.blogger.com/atom/ns#' term='sex'/><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='technology'/><title type='text'>Robot sex and vampire energy - nah, mythology is dead.</title><content type='html'>&lt;a href="http://www.60secondscience.com/archive/science-technology-news/robot-sex-is-the-latest-buzz.php?sc=WR_20071218"&gt;Robot sex&lt;/a&gt;.&lt;br /&gt;Almost not kidding.&lt;br /&gt;http://www.60secondscience.com/archive/science-technology-news/robot-sex-is-the-latest-buzz.php?sc=WR_20071218&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=7714940296885574087&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://sciam.vo.llnwd.net/o16/60s/bac27_008_vampire_energy.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px;" src="http://sciam.vo.llnwd.net/o16/60s/bac27_008_vampire_energy.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Our vampire energy sucks are on a wall switch. One toggle later and No More Suck.&lt;br /&gt;That's just because we're very clever.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-4761484647003243467?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/4761484647003243467/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=4761484647003243467&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4761484647003243467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4761484647003243467'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/robot-sex.html' title='Robot sex and vampire energy - nah, mythology is dead.'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-8195267218785493972</id><published>2007-12-18T20:54:00.000-08:00</published><updated>2007-12-18T20:55:57.004-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='globalwarming'/><category scheme='http://www.blogger.com/atom/ns#' term='corporatism'/><category scheme='http://www.blogger.com/atom/ns#' term='flash'/><category scheme='http://www.blogger.com/atom/ns#' term='environment'/><title type='text'>Voluntary Regulation</title><content type='html'>&lt;embed src="http://services.brightcove.com/services/viewer/federated_f8/271557392" bgcolor="#FFFFFF" flashVars="videoId=1334447289&amp;playerId=271557392&amp;viewerSecureGatewayURL=https://services.brightcove.com/services/amfgateway&amp;servicesURL=http://services.brightcove.com/services&amp;cdnURL=http://admin.brightcove.com&amp;domain=embed&amp;autoStart=false&amp;" base="http://admin.brightcove.com" name="flashObj" width="486" height="412" seamlesstabbing="false" type="application/x-shockwave-flash" swLiveConnect="true" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-8195267218785493972?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/8195267218785493972/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=8195267218785493972&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/8195267218785493972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/8195267218785493972'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/voluntary-regulation.html' title='Voluntary Regulation'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-3298295179263225160</id><published>2007-12-18T17:35:00.001-08:00</published><updated>2007-12-18T17:38:55.157-08:00</updated><title type='text'>Propaganda's Launch as an art form</title><content type='html'>&lt;embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-1624809629731313480&amp;hl=en" flashvars="&amp;subtitle=on"&gt; &lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-3298295179263225160?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/3298295179263225160/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=3298295179263225160&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/3298295179263225160'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/3298295179263225160'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/propagandas-launch-as-art-form_18.html' title='Propaganda&apos;s Launch as an art form'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-7362133289973225117</id><published>2007-12-12T09:15:00.000-08:00</published><updated>2007-12-12T09:17:33.418-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='mythopoiesis'/><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>MULTI-media</title><content type='html'>&lt;span style="font-weight: bold; font-style: italic;"&gt;Multi&lt;/span&gt; - media. Crossroads of image and word and sound and myths (Big Ideas in and through story).&lt;br /&gt;&lt;br /&gt;Example&lt;br /&gt;&lt;br /&gt;&lt;a href="http://myspacetv.com/index.cfm?fuseaction=vids.individual&amp;videoid=23693593"&gt;Check out this video: I Need You To Remember&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;embed src="http://lads.myspace.com/videos/vplayer.swf" flashvars="m=23693593&amp;v=2&amp;type=video" type="application/x-shockwave-flash" width="480" height="386"&gt;&lt;/embed&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://myspacetv.com/index.cfm?fuseaction=vids.addToProfileConfirm&amp;videoid=23693593&amp;title=Check out this video: I Need You To Remember"&gt;Add to My Profile&lt;/a&gt; | &lt;a href="http://myspacetv.com/index.cfm?fuseaction=vids.home"&gt;More Videos&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;more later...&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-7362133289973225117?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/7362133289973225117/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=7362133289973225117&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7362133289973225117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7362133289973225117'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/12/multi-media.html' title='MULTI-media'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-4859598740265198085</id><published>2007-08-25T11:14:00.000-07:00</published><updated>2007-08-25T11:22:16.372-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Islam'/><category scheme='http://www.blogger.com/atom/ns#' term='christianism'/><category scheme='http://www.blogger.com/atom/ns#' term='war'/><category scheme='http://www.blogger.com/atom/ns#' term='conflict'/><title type='text'>Wafa Sultan - an opportunity to debug</title><content type='html'>Perhaps the 21st century mindset she implies is not as simple as she thinks. What if it were not a clash between civilization and backwardness but between, as she almost implies, a transition from doing conflict poorly to doing it well while holding unused the option to war while honoring its gravity and the passions of The Enemy, whomever is so identified at the moment. More on this to come.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/2WLoasfOLpQ"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/2WLoasfOLpQ" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-4859598740265198085?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/4859598740265198085/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=4859598740265198085&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4859598740265198085'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4859598740265198085'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/08/wafa-sultan-opportunity-to-debug.html' title='Wafa Sultan - an opportunity to debug'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-257607156877918492</id><published>2007-08-08T12:18:00.000-07:00</published><updated>2007-08-08T12:25:45.457-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='psychology'/><category scheme='http://www.blogger.com/atom/ns#' term='history'/><category scheme='http://www.blogger.com/atom/ns#' term='etymology'/><title type='text'>Origins of Psychology</title><content type='html'>reproduced from : http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://etext.virginia.edu/DicHist/images/dict_03b.gif"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px;" src="http://etext.virginia.edu/DicHist/images/dict_03b.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;  &lt;table class="MsoNormalTable" style="" border="0" cellpadding="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 18.75pt;" valign="top"&gt;   &lt;p class="MsoNormal"&gt;PSYCHOLOGICAL IDEAS IN ANTIQUITY&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;span class="smallcaps"&gt;Psychology&lt;/span&gt; is a modern term,   but its components, &lt;span class="italics"&gt;psyche&lt;/span&gt; and &lt;span class="italics"&gt;logos,&lt;/span&gt; are words whose history goes back to the   Indo-European parent language. For the philos- ophers of classical   antiquity, giving an “account” (&lt;span class="italics"&gt;logos&lt;/span&gt;) of the   &lt;span class="italics"&gt;psyche&lt;/span&gt; was a necessary part of intellectual inquiry.   Greek philosophy was vitally concerned with many of the problems which   exercise modern psychologists, but did not regard “study of the mind” as   an autonomous subject with specific terms of refer- ence. Frequently   theories about the &lt;span class="italics"&gt;psyche&lt;/span&gt; were intimately   connected with ethical, physical, and meta- physical assumptions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;In this article “antiquity” means the period of Greco-Roman   civilization (ca. 750 B.C.-A.D. 450), and “psychological doctrines”   means theories held about the &lt;span class="italics"&gt;psyche&lt;/span&gt; by   philosophers. It is necessary to leave the term &lt;span class="italics"&gt;psyche&lt;/span&gt;   untranslated initially, since it cannot be accurately rendered by a   single English word such as “soul” or “mind.” The meaning of &lt;span class="italics"&gt;psyche&lt;/span&gt; will best appear by examining its functions   and what it is used to denote. Most of this survey is devoted to a   chrono- logical discussion of the major psychological doctrines, but   a preliminary note on the language and popular conceptions inherited by   philosophers will help to set the scene.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;THE LEGACY OF EARLY GREEK LANGUAGE AND THOUGHT&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;The Homeric poems (ca. 750-700 B.C.) are the earli- est   European literature. In them references to &lt;span class="italics"&gt;psyche&lt;/span&gt;  are   almost confined to descriptions of death or the dead. A man who has lost   his &lt;span class="italics"&gt;psyche&lt;/span&gt; is either dead or unconscious   (through fainting) and it is probable that the word has a primary   association with breath. The precise location of &lt;span class="italics"&gt;psyche&lt;/span&gt;   in the body is obscure, though there are good reasons for associating it   with the head (R. B. Onians, &lt;span class="italics"&gt;The Origins of European&lt;/span&gt; &lt;span class="italics"&gt;Thought,&lt;/span&gt; Cambridge [1951], pp. 95-115). &lt;span class="italics"&gt;Psyche&lt;/span&gt; is sufficiently corporeal to be “breathed   out” through the mouth or through a wound and to survive as a ghost when   it has left the body. But though essential to the living man, &lt;span class="italics"&gt;psyche&lt;/span&gt; is not connected in Homer with any   particular activity. &lt;span class="italics"&gt;Nous&lt;/span&gt; is his favorite word to describe   “mental seeing” or “planning” and it can sometimes be translated “mind.”   To denote emotions the important word is &lt;span class="italics"&gt;thumos&lt;/span&gt;   (physically associated with breath and blood). A man may “desire &lt;span class="italics"&gt;in&lt;/span&gt; his &lt;span class="italics"&gt;thumos&lt;/span&gt;” or his &lt;span class="italics"&gt;thumos&lt;/span&gt; may “urge him to do some- thing.” Though not   regarded as “organs” of the body, &lt;span class="italics"&gt;nous&lt;/span&gt; and &lt;span class="italics"&gt;thumos&lt;/span&gt; are permanent possessions of the living man   to which his thinking and feeling belong. There are other words which   overlap or go beyond these, but Homer does not have a single noun to denote the   soul or personality. Nor does he use a single term for “body.” When the   Homeric hero is under emotional stress he may externalize his heart or   his &lt;span class="italics"&gt;thumos,&lt;/span&gt;  scolding it or conversing with   it. The notion that emo- tions or intellect are in some sense   independent of their possessor is illustrated by the “psychic   intervention” (Dodds [1951], pp. 5-16) seen in expressions like “Zeus took   away his understanding” or “A god put courage into his heart.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;The survival of the &lt;span class="italics"&gt;psyche&lt;/span&gt; in   Homer appears not to possess any important ethical or religious associa- tions.   Deprived of the body, the &lt;span class="italics"&gt;psyche&lt;/span&gt; lives on in Hades,   a feeble transformation or residue of the living man. Essentially, the   man whose &lt;span class="italics"&gt;psyche&lt;/span&gt; has left the body is dead.   Merely to survive as a &lt;span class="italics"&gt;psyche&lt;/span&gt; did not make   him immortal (&lt;span class="italics"&gt;athanatos&lt;/span&gt;). For to be &lt;span class="italics"&gt;athanatos&lt;/span&gt;  (literally “deathless”) is to possess   the property of the gods, and the Homeric &lt;span class="italics"&gt;psyche&lt;/span&gt;   is so far from being divine that it is compared to smoke. The   immortality of the soul was a concept which Greeks as late as the fifth   century B.C. found surprising (Herodotus IV, 93ff.).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;The significance of the development between Homeric   thought and early philosophy has been admirably analyzed by Snell (&lt;i&gt;Die   Entdeckung des Geistes,&lt;/i&gt; pp. 12ff.); but a &lt;span class="italics"&gt;caveat&lt;/span&gt;   is perhaps needed against his claim that Homer gives a fully repre- sentative   picture of Greek ways of thinking at a par- ticular time. Homer is the   culmination of a long oral tradition which has its own highly formalized   expres- sions. In the lyric poets of the next two centuries &lt;span class="italics"&gt;psyche&lt;/span&gt;  came to be treated as the seat of emotions,   in spite of its Homeric associations with death; and it is possible that   such a use of the word is not as novel as its absence from Homer might   suggest. Eventually intellectual activity was also ascribed to &lt;span class="italics"&gt;psyche&lt;/span&gt; and by the fifth century B.C. &lt;span class="italics"&gt;psyche&lt;/span&gt; has changed its relation to other words and   become the name for a single thing to which consciousness and vitality   in general belong. How and why this happened is impossible to answer   precisely, but it is certain that religious conceptions associated with   the names of Orpheus and Pythagoras were highly influential.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;The essence of these conceptions, which probably go   back to the sixth century B.C. in northern Greece and southern Italy, is   as follows: the &lt;span class="italics"&gt;psyche&lt;/span&gt; is an im- mortal (and   therefore divine) being, sullied by incor- poration into a mortal body   but capable by initiation and ritual observances of becoming pure and   eventu- ally free of its earthly shell. Rebirth in various forms and   final union with the universal divinity are essential features of this   doctrine. It is clear that the Homeric concept of &lt;span class="italics"&gt;psyche&lt;/span&gt;   has become quite transmuted here.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 2, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Now, far from signifying merely that which leaves a man   when he dies, &lt;span class="italics"&gt;psyche&lt;/span&gt; must, in order to fulfill the religious   belief, denote his living self or personality. The full significance of   this concept was to be devel- oped by Plato, but some earlier   philosophers (whether or not they accepted the religious belief) now   treated &lt;span class="italics"&gt;psyche&lt;/span&gt; as the center of   consciousness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;THE PSYCHOLOGICAL DOCTRINES OF THE PRE-SOCRATICS&lt;/b&gt;   &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;1. Thales and Anaximenes.&lt;/b&gt;&lt;/span&gt;   The first Greek thinkers who are conventionally called “philosophers”   were more interested in cosmogony and cosmology than in the study   of man. To Thales of Miletus &lt;span class="italics"&gt;psyche&lt;/span&gt; seems to   have denoted both life and the source of motion. The concept of &lt;span class="italics"&gt;psyche&lt;/span&gt; as that which moves and ani- mates the body   is a natural development of the view that a dead (motionless) body has lost   its &lt;span class="italics"&gt;psyche.&lt;/span&gt; In Aristotle's opinion (&lt;i&gt;De   anima&lt;/i&gt; 411a 7f.) Thales may have believed the world itself to possess   &lt;span class="italics"&gt;psyche;&lt;/span&gt; and many later philosophers certainly   took this view. Anaximenes, Thales' younger fellow-countryman, drew a   specific analogy between the human &lt;span class="italics"&gt;psyche&lt;/span&gt; and the material   which he supposed to surround (and control) the cosmos (frag. 2). Both   were identified with breath or air, and the point of the comparison is   clearly that the &lt;span class="italics"&gt;psyche&lt;/span&gt; in man possesses a   function similar to that of air in the world. &lt;span class="italics"&gt;Psyche&lt;/span&gt;   or air is the life-principle. Thales and Anaximenes did not apparently   discuss psychology in detail, but the assumption of an affinity between   the human &lt;span class="italics"&gt;psyche&lt;/span&gt; and the cosmic principle belongs   to the same climate of ideas which gave rise to beliefs in the &lt;span class="italics"&gt;psyche&lt;/span&gt; as the divine element in man and the center   of his consciousness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;2. Heraclitus.&lt;/b&gt;&lt;/span&gt; In   Heraclitus of Ephesus all these concepts occur and they are also   associated with an interest in sense perception and theory of knowledge. To   Heraclitus the senses are the first source of informa- tion about the   world, but their witness can be mislead- ing (frag. 107). If the   evidence of the senses is correctly interpreted by the soul (by which &lt;span class="italics"&gt;psyche&lt;/span&gt; will now be translated) it can bring about   an understanding of the &lt;span class="italics"&gt;logos,&lt;/span&gt; the principle   determining all things. This princi- ple, which means the unity behind   opposition and change, is not directly an object of perception, though Heraclitus   may have supposed it to be “drawn in” physically through the senses (Guthrie   [1962], p. 430). &lt;span class="italics"&gt;Logos&lt;/span&gt; is an object of   intellectual apprehension which a soul in the right condition can grasp.   The principle has as its material constituent fire, and Heraclitus probably   also regarded fire as the fundamental material of soul, since “it is   death to soul to become water” (frag. 36), while “a dry [i.e., hot] soul   is wisest and best” (frag. 118). A number of fundamental ideas are involved   here. First, the soul is now treated as the recipient of   sense-impressions. Second, it is able, by interpreting these, to grasp a   principle which is not strictly empirical. Third, the soul at its best   is analogous to, if not identical with, the fiery cosmic principle. Aristotle,   much later, was to talk of “the thought which thinks itself,” and the   embryo of this notion may be contained in Heraclitus' belief that the   soul is both the apprehender of &lt;span class="italics"&gt;logos&lt;/span&gt; and in   some sense identical with &lt;span class="italics"&gt;logos.&lt;/span&gt; These ideas   were not stated in such precise terms by Heraclitus himself. Indeed he   advised that the soul possesses depths which cannot be grasped (frag.   45). But they are reasonable inferences from his oracular fragments.   He probably believed that the soul was immortal, and that excellence of   character went along with intellectual understanding. In this he   anticipated Plato, but also his near contemporary, Empedocles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;3. Empedocles.&lt;/b&gt;&lt;/span&gt; In   Empedocles, science and mysti- cism are curiously blended. But though it   would be improper to draw an absolute distinction between his two   poems, &lt;span class="italics"&gt;On Nature&lt;/span&gt; and &lt;span class="italics"&gt;Purifications,&lt;/span&gt;   the former is primarily an attempt to explain the physical world and   the latter an account, in the Orphic-Pythagorean tradition, of the   incarnations, rewards, and punishments of the “soul” (&lt;span class="italics"&gt;daimon&lt;/span&gt;). Since the work &lt;span class="italics"&gt;On Nature&lt;/span&gt;    accounts for sense perception, emotion, and thought in purely   material terms, without reference to a &lt;span class="italics"&gt;psyche,&lt;/span&gt;  it   is hard to know what role the immortal soul played in the mortal body.   Empedocles' account of this is confined to the religious poem (in the   evidence which survives) and it is safest to assume that he   distinguished the source of physical consciousness from the moral, immortal   self. If so, Empedocles has come nearer to the concept of a soul which   is quite distinct from the body.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Empedocles gave detailed explanations of sense per- ception   and thought. It is difficult to summarize these, since they are   intimately connected with his basic assumptions about the world. Four   elements, earth, air, fire, and water, and two polar forces, Love and   Strife, constitute all that exists. To perceive is to receive in the   pores of the sense organs effluences from the exter- nal elements, which   are recognized by similar elements in the sense organs. Thought takes   place primarily in the blood, which is composed of a nearly perfect mix- ture   (frags. 98, 105) of the elements. It is by thought that we perceive Love   and Strife, which are probably also embodied in the blood. Empedocles   does not ex- plain whether or how the evidence of the senses is organized   by thought. At about this time a Pythagorean philosopher, Alcmaeon, had   traced perception from the senses to the brain, but Empedocles may have   regarded thought itself as a category of perception which has as   its function receiving through the pores and assimi-&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 3, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;lating different combinations of external elements. Even   the elements are in some sense “conscious,” and all processes, including   emotional and mental activi- ties, are referred to their mixture and   separation. The naiveté of the theory should not obscure its achieve- ments.   Empedocles has focused attention on the mech- anism of consciousness,   and offered an explanation consistent with his theories about the   natural world. Psychology is here related to physiology. The investi- gation   of physical phenomena has aroused interest in the physical processes of   sensation and thought.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;4. Parmenides.&lt;/b&gt;&lt;/span&gt; Other   pre-Socratic theories may be discussed more briefly. To Parmenides,   whose influence on Empedocles and subsequent philosophy was pro- found,   the physical world possessed no reality; for it contained no subject of   which “exists” could always be truly asserted. Parmenides was unable to   satisfy the claims of his logic by reference to changing phenomena and   he rejected the senses in favor of &lt;span class="italics"&gt;nous,&lt;/span&gt; the mind or   the application of thought: the only existent is an object of   intellectual apprehension. For the history of psychology this is   important. Parmenides set up the intellect as an autonomous faculty,   quite independent of sense perception. Its physical basis (frag. 16) is obscure   and hardly relevant to his main argument. But among philosophers like   Plato and Aristotle, who were concerned with the relation between soul   and body, an analogous belief in the primacy and independence of   the intellectual faculty persists.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;5. Anaxagoras and Democritus.&lt;/b&gt;&lt;/span&gt;   It is improbable that any pre-Socratic philosopher regarded mind or soul   as wholly immaterial. Anaxagoras made &lt;span class="italics"&gt;nous&lt;/span&gt; the first   cause of the cosmos and the controlling principle of living things. He   called it the “finest and purest of all things” (frag. 12), which   suggests that he was coming close to expressing its immateriality.   Unlike Empedocles, Anaxagoras regarded perception as the interaction   of contraries; we recognize external heat by virtue of cold in   ourselves. He was also an extreme realist, taking all qualitative   differences to be funda- mental differences in matter itself. This   theory was opposed by his contemporary, Democritus the atomist, who   referred all the qualities we perceive to changing states of the body   and its interaction with atoms of different shapes. Democritus was   consistent with the general pre-Socratic position in giving the soul (spherical   atoms distributed over the body) the same substance as his cosmic   principle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;PLATO&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Plato's psychological theory is fundamental to his whole   philosophy and only its more striking aspects can be indicated here. In   regarding “cultivation of the soul” as the primary duty, Plato was   certainly influ enced by Socrates and the Pythagoreans. Our knowl- edge   of Socrates is largely based on the works of Plato, but it can be   assumed that Socrates advocated and practiced rigorous discussion about   moral concepts as the means of tending the soul and making it competent to   control the body and its passions. “Soul” here means intellectual and   moral self. The two attributes go hand in hand. For it is only when we   know what goodness is that we can (and will) become good.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Dualism.&lt;/b&gt;&lt;/span&gt; Plato presents   this intellectualist position most strongly in the &lt;span class="italics"&gt;Phaedo.&lt;/span&gt;   Soul and body are alien substances. It is the aim of the soul, which is   simple in essence and immortal, to rid itself of the body, for while   it is embodied the soul cannot attain perfect knowledge. The only   objects of knowledge are Forms— unique, incomposite, immaterial entities   of which the particular objects of perception are only fleeting replicas.   During embodiment the soul can apprehend the Forms only by thinking as   far as possible inde- pendently of the body. Soul is the thinking,   rational self in direct opposition to the passions, pleasures, and sensations   associated with the body. It is still part of the soul's job to animate   the body during its incarna- tion, but this is a regrettable incursion   on its spiritual activity and Plato does not explain how the soul acts on   the body.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Differentiated Soul.&lt;/b&gt;&lt;/span&gt;   This extreme dualism was not Plato's final word. In the &lt;span class="italics"&gt;Republic&lt;/span&gt; (Book IV) soul loses its unity and becomes   divided into &lt;span class="italics"&gt;nous&lt;/span&gt; (“intellect”), &lt;span class="italics"&gt;thumos&lt;/span&gt; (“passion”), and &lt;span class="italics"&gt;epithumia&lt;/span&gt;   (“appetite”). To its appetitive part are ascribed bodily desires; &lt;span class="italics"&gt;thumos&lt;/span&gt; is the emotional element in virtue of which   we feel anger, fear, etc.; &lt;span class="italics"&gt;nous&lt;/span&gt; is (or should   be) the controlling part which subjugates the appetites with the help of   &lt;span class="italics"&gt;thumos.&lt;/span&gt;  Plato seeks justification for this   theory on two counts. First, his quest for justice is based on the   assumption that the state is a large-scale analogue of the individual, and   therefore the components which sanction the state's division into three   classes (artisans, soldiers, and guardians) are established as   categories for analyzing the psychology of the individual. Second, Plato   invokes the empirical fact of conflict within the individual (&lt;span class="italics"&gt;Republic&lt;/span&gt; IV, 436ff.). At one and the same time we may   both desire to drink and be unwilling to drink. But the same thing   cannot act in opposite ways with the same part of itself towards the   same object at the same time. If such conflict is to be referred to the   soul as a whole, then the soul must possess different parts to   account for the clash. It is also the case that passion and appetite may   conflict, for a man may be angry with that in himself which prompts him   to do some- thing shameful. Hence a part of the soul different from reason   and appetite is required. Like the soldiers of the ideal state, passion   should be the ally of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 4, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;governing component. The basic conflict for Plato is still   between bodily desires and intellect, between sense and reason, but the   dualism of the &lt;span class="italics"&gt;Phaedo&lt;/span&gt; has been modified by   locating the division which follows from incarnation within the soul   itself. At the same time Plato saw the possibility of reconciliation   within the divided self, for he asserts that the two lower parts have   “following reason” as their function (&lt;span class="italics"&gt;Republic&lt;/span&gt; IX, 586e).   The true philosopher is one in whom the rule of reason is established, and   in this situation all parts of the soul conspire together for a united   good. Nor is the rule of reason an exercise of cold intellection. The   rational part of the soul is a &lt;span class="italics"&gt;lover&lt;/span&gt; of wisdom,   and distinguished from the appetitive part not by the ab- sence of   all desire but by having a different object of desire: the absolute,   intelligible good.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;This doctrine is presented mythically in the &lt;span class="italics"&gt;Phaedrus&lt;/span&gt;  (246a ff.), where the human soul is   pictured as a charioteer (reason) driving a pair of horses (passion and appetite).   The passionate horse is a clean, upstanding creature which follows the   guide of reason, whereas its fellow horse is a shaggy, recalcitrant   beast which tries to drag the chariot down from its heavenly course. Here   the soul's composite nature does not depend on incarnation; but the   point of the image is the imperfect human soul's moral tension, not its   multiplicity of function. Plato's division of the soul persists in later works   such as the &lt;span class="italics"&gt;Timaeus,&lt;/span&gt; in which the rational part of   the soul is stated to be divine and immortal, and is contrasted with two   mortal, irrational parts: passion and appetite (69d ff.). The rational   part is located in the head and is composed of immaterial ingredients blended   from the basic principles of the intelligible world and the world of   physical change. The irrational parts are located in the chest (passion)   and the belly (appetite). Their activities are associated with the bodily   organs which house them. The blood vessels seem to be the instruments by   which the different parts of the soul communicate with each other.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Knowledge and Perception.&lt;/b&gt;&lt;/span&gt;   Soul is self-moving, the principle of motion (i.e., animation) both in   individual living things and in the world itself (&lt;span class="italics"&gt;Phaedrus&lt;/span&gt;   245c ff.). The world is an intelligent, living creature on which man   himself is modelled. In its original, discarnate state the human soul   has direct acquaintance with the Forms and thus acquires knowledge. This   knowledge is for- gotten when the soul enters a body but it can be recalled,   at least in part, by “dialectic,” rigorous philo- sophical discussion,   and the judgments which we make about our perceptions presuppose it. All   judgments entail the use of such terms as “exists,” “is the same as,”   “is different from,” and these are not objects of perception (&lt;span class="italics"&gt;Theaetetus&lt;/span&gt; 185a ff.). Learning is a process of   recollecting &lt;span class="italics"&gt;a priori&lt;/span&gt; truths, a doctrine Plato   attempts to prove in the &lt;span class="italics"&gt;Meno&lt;/span&gt; (81e ff.) by an   experiment in which an uneducated slave is shown how to “recall” the   answer to the problem, what square has twice the area of that of a given   square, by answering a series of simple questions. Since sensible   objects lack the unchanging existence required by Plato of what is fully real,   he took less interest in the analysis of sensation. But in later   dialogues the soul is more explicitly related to the body insofar as   sensations are described as movements, caused by external phenomena,   which are transmitted to the soul through the body (&lt;span class="italics"&gt;Timaeus&lt;/span&gt;   43c); and pleasures which have their source in the body penetrate   to the soul (&lt;span class="italics"&gt;Republic&lt;/span&gt; 457c). Plato also recog- nized   a form of “judgment” in which the mind pro- nounces &lt;span class="italics"&gt;rightly&lt;/span&gt;   or &lt;span class="italics"&gt;wrongly&lt;/span&gt; on what is presented to the senses   (&lt;span class="italics"&gt;Sophist&lt;/span&gt; 263d-264b).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Plato's psychology is not a systematic doctrine, rigidly   adhered to. His view of the soul developed from the uncompromising   dualism of the &lt;span class="italics"&gt;Phaedo&lt;/span&gt; to a posi- tion in   which a unitary self is attainable if harmony can be established between   reason, emotion, and bodily appetite. Body and mind are related to each   other through pleasure and sensation. But Plato never aban- doned   his belief in the priority of reason, the part of man which is akin to   the fully real, unchanging world and which has as its essential function   apprehending that world.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;ARISTOTLE&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;With Aristotle, psychology became a subject of sys- tematic   inquiry. He devoted a whole treatise (&lt;i&gt;De anima&lt;/i&gt;) to defining soul   and its functions, and a group of smaller works (&lt;i&gt;Parva naturalia&lt;/i&gt;)   covers specific topics such as memory and sleep. Aristotle regarded   psychol- ogy as an aspect of physical science, and his own analysis   is based on the principles which he lays down for all study of the   natural world. But the &lt;i&gt;De anima&lt;/i&gt;  occupies a fundamental place in   his entire philosophy. The biological works require constant reference   to it, and it is highly relevant to the ethics, epistemology, and   metaphysics. Aristotle has good claims to be the founder of   “psychology,” though the word itself is not used by him. All later Greek   psychological theory shows his influence, in both terminology and   method.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Soul as Vital Principle.&lt;/b&gt;&lt;/span&gt;   Aristotle began his career as a student of Plato, and in his earliest   works, of which only fragments survive, he argued for the preexistence and   survival of the whole soul. According to that theory the relationship of   body to soul is temporary and con- tingent. But in the &lt;i&gt;De anima,&lt;/i&gt;   a work of his later years, Aristotle takes body and soul to be two   aspects, which are only conceptually distinguishable, of a single sub- stance:   “a body which possesses life” (II, 1). Aristotle calls these two aspects   “matter” and “form.” Soul is&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 5, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;the form which &lt;span class="italics"&gt;animate&lt;/span&gt; matter   must possess. The physical matter of an animal is not its soul, for what distinguishes   animate from inanimate is not physical matter but “the possession of   life.” The potentiality to be alive is a natural property of certain   bodies, and it is in virtue of soul that such bodies realize this potentiality.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Aristotle defines soul as “the primary actuality of a   natural body which potentially has life” (&lt;i&gt;De anima&lt;/i&gt;  412a 27-28).   By “primary actuality” he means the actual possession of the faculties   which are necessary to life, just as an eye, in order to be an eye, must   possess the faculty of vision. It is clear that with this concep- tion   body and soul are necessarily related. Aristotle recognizes that   emotions, desire, perception—all func- tions of the soul—are dependent   on the body which contains them. But the influence of Plato remains strong   enough to make Aristotle regard mind (&lt;span class="italics"&gt;nous&lt;/span&gt;) as   a faculty of soul which has no physical base and which may be capable of   existing apart from the body. Of this more below.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Faculties of Soul.&lt;/b&gt;&lt;/span&gt; In   the first book of &lt;i&gt;De anima,&lt;/i&gt;  Aristotle surveys and criticizes   earlier theories of the soul. From them he draws certain general   assumptions; in particular, the soul is the principle responsible for thought,   sensation and perception (Aristotle's single word &lt;span class="italics"&gt;aisthesis&lt;/span&gt;   covers both), and movement. His detailed analysis in the next two books   is concerned with these functions of soul.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Since soul is that which distinguishes animate from inanimate,   Aristotle considers what characteristics are peculiar to living   creatures. He nominates four: nutri- tion (the faculty of growth and   reproduction); sensa- tion; locomotion; and thought. The first of these   is a “form of movement,” and it is possessed by every living creature   from plants upwards. Only man has all four faculties, which thus serve   as a way of classifying all living things in ascending order of   complexity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;This method of analyzing soul is an important ad- vance   on Plato's. Aristotle is not dividing the soul into parts (a procedure   which he opposes) but analyzing its different functions. Possessing &lt;span class="italics"&gt;aisthesis&lt;/span&gt; means possessing at least one (touch) of   the five senses, and it also entails imagination, pleasure and pain, and   de- sire. The latter is not a base part of the soul, but a necessary   concomitant of perception and sensation. Aristotle in some sense is a   behaviorist. He wants to know how and why living creatures act, and he analyzes   this in terms roughly comparable to stimulus and response. Thus an   animal moves in space because its appetitive faculty is prompted by an   object which presents itself as desirable (or good), and the animal is   then moved to pursue it (&lt;i&gt;De anima&lt;/i&gt; III, 432b 15-17; 433a 27-29).   In man the psychology of action is more complex, since mind and desire   may clash; but there is no question of man's acting independently of   desire since all action is prompted by the good, as the agent sees   it. What man can do, if he has himself under control, is to contemplate   objects of desire or aversion without acting in consequence, though   physical changes, such as rapid heartbeat, may ensue (&lt;i&gt;De anima&lt;/i&gt;  432b   27-32). He also has the unique capacity to deliberate and thus establish   a goal of action inde- pendent of his immediate environment and physical state.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Sensation and Perception.&lt;/b&gt;&lt;/span&gt;   Aristotle devoted consid- erable attention to the analysis of sensation   and per- ception (&lt;i&gt;De anima&lt;/i&gt; II, 5-12). His theories here, though hampered   by inadequate physiology (the nervous sys- tem, commonly confused with   the arteries, was dis- covered about sixty years after his death)   represent a major advance on previous speculation. Aristotle takes sense   perception to be an activity in which external objects so act upon each   sense organ that it receives their form (perceptible properties)   independently of the matter with which this form is associated in the object   itself. Just as wax can be imprinted with various impressions, so the   sense organ or sense can become qualified as colored, resonant, hot,   etc. Neither the sense nor its (perceptible) object has any actual   exist- ence except in the act of perception, and this takes place   when the appropriate medium (e.g., light in the case of vision) is acted   upon by the external object and passes on its perceptible properties to   the sense organ. It has been observed that an explanation of &lt;span class="italics"&gt;aisthesis&lt;/span&gt;  as a “process of being acted on” does   not square well with the active notion of “discrimination,” which Aristotle   also attributes to this faculty (Hamlyn, &lt;span class="italics"&gt;Classical   Quarterly,&lt;/span&gt; &lt;b&gt;9&lt;/b&gt; [1959], 12f.). Part of the difficulty arises   from a lack of terms to distinguish sensation from perception. But   Aristotle was not perhaps so confused as some make out. The organ is so   constituted that it reacts in certain ways to the objects which fall between   the ranges, light-dark, soft-hard, etc. (&lt;i&gt;De anima&lt;/i&gt; 423b 30-424a   10). The sense is a “mean” be- tween two extremes and it is in virtue of   this mean that we are made aware of (or judge) the different properties   of objects. Hence the reason, according to Aristotle, why we are not   aware of temperature equiv- alent to that of our own body.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;A more serious difficulty is how to explain the coor- dination   of information received by the senses and the problem of self-consciousness.   Aristotle asserts that each sense has its own object, to which it is   necessarily related. (He seems to exclude the possibility of halluci- nation   by connecting actual hearing with actual sounding, &lt;i&gt;De anima&lt;/i&gt; 425b   26ff.). But there are certain properties such as motion, rest, shape,   magnitude, and&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 6, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;number which are apprehended by more than one sense.   Since there is no sixth sense, this “perception of common sensibles” is   due to the cooperative activity of the special senses, i.e., the whole   faculty, and Aristotle calls this “common sense” (&lt;i&gt;De anima&lt;/i&gt; 425a 14-425b   11). Whereas we can never, in Aristotle's view, be deceived by the   simple qualities (e.g., color, sound) reported by the special senses, we   can make mistakes about the common sensibles; we can also relate   any object of perception to the wrong external object (what Aristotle   calls the “incidental” object of perception), i.e., take what we   perceive to be Socrates when it is Plato. For perception does not tell   us what something is (this is the job of the mind); it gives information   about the qualities of an object. The pre- cise workings of “common   sense” are obscure in the &lt;i&gt;De anima.&lt;/i&gt; In the &lt;i&gt;Parva naturalia&lt;/i&gt;   mention is made of a single, unified sense faculty, probably located in the   heart, by which the data of sense are coordinated and on which   self-awareness, imagination, and dream- ing depend. But if Aristotle   envisaged such a role for “common sense” in the &lt;i&gt;De anima&lt;/i&gt; he does   not say so.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;Thought.&lt;/b&gt;&lt;/span&gt; Artistotle's   account of thought is obscure and unsatisfactory. Much of the difficulty   derives from the fact that he takes thought to be an activity analogous   to &lt;span class="italics"&gt;aisthesis,&lt;/span&gt; i.e., a change brought about by an   object, in this case “thinkables” or “intelligibles” (&lt;i&gt;De anima&lt;/i&gt;   III, 4). Now in sensation the sense organ is acted upon by external   phenomena, but these are not available to actualize the mind, which “has   no organ.” Aristotle takes the mind to be in one respect analogous   to a blank wax-tablet on which anything can be imprinted; in this sense   mind is capable of receiving and becoming identical with any object of   thought, but it has no actual existence until it thinks. In another respect,   the mind is an ever-active power that actualizes its own capacity for thought   in the manner of light which makes potential colors actual (ibid., III, 5).   This doctrine of an active intellect is necessary, given Aristotle's   theory of potentiality, if the capacity of the passive intellect is to   result in an actual cognitive process. But the active intellect does not   apparently create its own objects of thought. Where then do they come   from? They cannot be independent substances, like Plato's Forms. But   thought &lt;span class="italics"&gt;is&lt;/span&gt; concerned with “forms” or   “essences”—what things really are—and it thinks them with the help of   mental images (ibid., 431a 14-15). Aristotle seems to conceive of   imagination as a faculty, intermediate between &lt;span class="italics"&gt;aisthesis&lt;/span&gt;   and thought, which provides the mind with the data in which it can   conceptualize the essential form of particular things, or, in the case   of abstract thought, the form of, say, triangle without reference to any   actual existing triangle. But the precise relationship between imagi nation   and the two aspects of mind is very uncertain.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;In its active aspect mind is independent of body, eternal   and immortal. It is not engendered in the phys- ical process of   conception but enters the womb “from outside.” But what kind of   existence the individual mind enjoys when separate from the body is not explained.   God, for Aristotle, is nothing but an ever- active mind, and man has   something of God present in himself through his active intellect.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;This doctrine does not seriously contradict Aristotle's view   of soul and body as two aspects of a single sub- stance. Soul essentially   is that which actualizes the body's vital capacities, but the active   intellect has no physical correlate, though it temporarily unites with the   passive intellect, which ultimately seems to depend on the body. The   details of this theory are not Aristotle's main concern in the &lt;i&gt;De   anima.&lt;/i&gt; There he shows how the response of a living creature to its environment   can be analyzed as a movement, varying in complexity from the single   nutritive functions of a plant to the behavior of man, who responds by   his rational and appetitive capacities to the data provided by the   senses and imagination. Knowledge is the formulation of general notions   by induction from the particular objects of perception. This ability to   frame concepts provides man with his ethical goals and the subject   matter of his scientific inquiries.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Aristotle's psychology is a general analysis of the determinate   capacities of the species which fall under the genus animal. It has   important metaphysical and ethical applications, but unlike Plato,   Aristotle emphasized the organic unity of body and soul, and established   terms of reference for investigating animal behavior.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;POST-ARISTOTELIAN PSYCHOLOGY&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;1. Theophrastus and Strato.&lt;/b&gt;&lt;/span&gt;   After Aristotle's death the philosophical school (Lyceum or Peripatos)   associ- ated with his name won fame as a center of scientific research,   under its successive heads, Theophrastus and Strato. Theophrastus' &lt;i&gt;De   sensu,&lt;/i&gt; a historical survey of theories of sensation and perception,   is an invaluable source of information about the pre-Socratics, but the little   that is known about his own psychological theory suggests that he   followed Aristotle in most respects. He did, however, raise questions   about the “external” origin of intellect and the manner of the   association between the active and passive intellect (Themistius, &lt;span class="italics"&gt;In De an.&lt;/span&gt; 430a 25). In this context, and for what   follows, Strato is a figure of major importance, a fact which has   not always been fully appreciated. Evidence about him is scanty, but it   reveals a thinker of the highest scientific quality. Strato departed   radically from the Platonic and Aristotelian tradition in regarding   sensa-&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 7, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;tion, perception, emotion, and thought as multiple aspects   of a single, unified consciousness (Plutarch, &lt;i&gt;De libidine et aegritudine&lt;/i&gt;   697b). This he located in a central organ (the front part of the brain)   which com- municates with the sense organs and the rest of the body   via &lt;span class="italics"&gt;pneuma&lt;/span&gt; (“fine air or breath”). Sensations occur   not in the organs themselves but in this sensorium, whence they are   projected to the particular part of the body which is affected (Aëtius,   IV 23, 3). Strato thus provided a firm physiological basis for consciousness   lacking in Aristotle's system, and com- pletely abandoned the   distinction between rational and irrational faculties, as well as the   belief in an immortal soul or a transcendent reason. Mind is not   peculiar to man; rather, it is a necessary condition of sensation and   perception, since the data of sense require “atten- tion” if they are to   be registered (Plutarch, &lt;i&gt;De sollertia animalium&lt;/i&gt; 961a). In this   theory, thought is down- graded to “consciousness,” a thoroughly   heretical no- tion in the general context of Greek philosophy. For his   physiology Strato was certainly influenced by med- ical science which, probably   shortly after his death, was revolutionized by the discovery of the   nervous system. (See F. Solmsen, “Greek Philosophy and the Discovery   of Nerves,” &lt;i&gt;Museum Helveticum,&lt;/i&gt; &lt;b&gt;18&lt;/b&gt; [1961], 150-63, 169-97.)   Strato's use of &lt;span class="italics"&gt;pneuma&lt;/span&gt; as the carrier of   “messages” (Aristotle in his biological works had already assigned to &lt;span class="italics"&gt;pneuma&lt;/span&gt; the function of trans- mitting bodily   movement) as well as his concept of a unified consciousness found   further development in the psychology of the Stoics.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;2. Stoics and Epicureans.&lt;/b&gt;&lt;/span&gt;   In spite of their scientific achievements the Peripatetics were not the   major influence on later Greek thinking in its broader sense. Epicurus   and Zeno (of Citium), who founded schools in Athens at the end of the   fourth century B.C., inaugu- rated two philosophical systems which   rapidly acquired rival adherents from a wider range of society than   Plato and Aristotle had affected. It is customary to invoke the   conquests of Alexander the Great and the collapse of the Greek   city-state in accounts of the origin of these systems. The instability   of the times and the inadequacy of traditional ethics may well help to   explain the suc- cess and motivation of Epicurus and Zeno, who both provided   a morality which stressed the self-sufficiency of the individual. But   the intellectual basis of both systems is thoroughly Greek and their   psychological theories develop ideas already discussed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;These theories may conveniently be studied in con- cert,   for Stoicism and Epicureanism possess striking similarities as well as   contrasts. Both systems are a form of materialism: for Epicurus,   following Democritus, all that exists is atoms, differing in size,   shape, and weight (this last an innovation), which by deviating from   their normal downward movement in empty space collide and form   temporary compound bodies. In living things the soul itself consists of   very fine atoms, resembling fiery air, which pervade the whole body. No   body which lacks a soul can be alive and soul cannot be sentient or   cause sensation unless it is housed in a body, a doctrine which rules   out the survival of consciousness after death (&lt;span class="italics"&gt;Letter   to Herodotus&lt;/span&gt; 63-64). The soul-atoms located in the human breast   constitute “mind,” which controls and issues instructions to the rest of   the soul (Lucretius, III, 136-44). Mind and soul are thus in permanent   contact with all parts of the body. Sensation is the result of &lt;span class="italics"&gt;eidōla&lt;/span&gt; (effluences exactly reproducing external   objects) striking the sense organs and thus setting up a movement in the   mind. And certain par- ticularly fine “idols” (e.g., from the gods)   penetrate directly to the mind. All sensations as such are true, and   the only source of knowledge; but they may be misinterpreted by the mind   and hence errors arise. General ideas are built up by the mind from   repeated presentations of the same object, and perception occurs when   individual presentations match the general idea. Scientific thought   seems to operate by the juxtaposition of two sets of atoms within the   mind, constituting different concepts (C. Bailey, &lt;span class="italics"&gt;Epicurus&lt;/span&gt;   [1926], p. 269), but the evidence for this theory is notoriously   obscure.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;In Stoicism the soul also permeates the whole body and   finds its “thinking center” in the heart. It consists not of atoms but &lt;span class="italics"&gt;pneuma&lt;/span&gt; (“fiery breath”) in a particular state of   “tension.” For the Stoics, all that exists consists of bodies   differentiated by &lt;span class="italics"&gt;pneuma,&lt;/span&gt; the active force which   binds the passive material qualities, earth and water, into individual   things according to its tension. (Like the pre-Socratics, Stoics and   Epicureans ex- plained soul in terms of the basic principle governing the   universe.) &lt;span class="italics"&gt;Pneuma&lt;/span&gt; is not merely a mechanistic concept,   like the Epicurean atom, but a dynamic, rational force which pervades   and activates the whole world, all parts of which are thus   interconnected. In perception the sense organs are acted upon by   objects, either directly or through a medium, and this sets up a   presentation (&lt;span class="italics"&gt;phantasia&lt;/span&gt;) which is reported to the central   organ by currents of &lt;span class="italics"&gt;pneuma.&lt;/span&gt; The agent has the   power to assent or not to the presentation, and his act of assent   constitutes perception or “grasping” the object. The Stoics argued that   presentations which completely reproduce the object are grasped as true by   men of normal health, and on the basis of these, general ideas are built   up by analogy, combination, etc. &lt;span style="" lang="PT-BR"&gt;(Cicero, &lt;i&gt;Academica posteriora&lt;/i&gt; I, 41-42; Sextus Empiricus, &lt;i&gt;Adversus   mathematicos&lt;/i&gt; VII, 227-60; Diogenes Laërtius, VII, 45-54). &lt;/span&gt;Presentations   can also occur without an external cause, a theory which ac- counts,   &lt;span class="italics"&gt;inter alia,&lt;/span&gt; for hallucination. Like the&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 8, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Epicureans the Stoics based their theory of knowledge entirely   on perception.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Both systems gave special attention to motivation. For   the primary impulse the Stoics took “innate attraction towards those   things which are peculiarly suited to preserve an animal's natural   well-being and avoidance of their opposites” (Cicero, &lt;i&gt;De finibus&lt;/i&gt;   III, 16ff.). All living creatures are endowed with a drive, and   this is naturally stimulated by awareness of the appropriate object.   Without this drive no action is possible, and it follows on a mental   picture stemming from something internal or external. What distinguishes man   from other animals is the possession of reason. This develops through   childhood, and in maturity ena- bles a man to control his drives and so   make responses to the environment which are rational and moral as well   as appropriate in the instinctive sense. Assent plays its part here as a   means of determining the mental attitude, which is open to the   individual's control. From God's viewpoint all events are predetermined, but   so far as human action is concerned the causal factor (as in Aristotle)   is primarily the disposition which the agent has acquired by repeatedly   acting in a certain way.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;The Stoics underrated emotions, which they regarded   as perverted judgments, except in the case of the sage. Like Strato they   unified all functions of soul. For the Epicureans, by contrast, pleasure   and avoidance of pain are the primary impulse of living creatures   and the foundation of ethics. They constitute the objects of desire by   which all action is prompted (Cicero, &lt;i&gt;De finibus&lt;/i&gt; I, 29ff.). For   any action to take place, mental images in the form of “idols” must   strike the mind and obtain its attention. Then the will is activated   and movement transferred from the mind to the limbs (Lucretius, II,   261-83). The freedom of the will in action is explained by reference to   an indeter- minate “swerve” of atoms (Lucretius, II, 250-60). This has   generally been taken to imply a spontaneous movement of soul atoms for   every voluntary act. But it has recently been argued that the swerve   explains not particular voluntary acts but merely the fact that character   is not wholly determined by antecedent causes (D. J. Furley, &lt;span class="italics"&gt;Two Studies in the Greek Atomists,&lt;/span&gt;  Princeton   [1967], pp. 169-237).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Stoicism and Epicureanism are primarily theories of ethics,   and their psychology focuses attention on the motives and processes of   human action. Both abandon completely any idea of an incorporeal mind;   mental activity is psychosomatic activity in which the soul acts &lt;span class="italics"&gt;by physical processes&lt;/span&gt; upon the body. Human behavior is   necessarily related to the environment, from which all the data used to   form concepts are derived. Such materialism and behaviorism were   completely abandoned by the last great pagan and early Christian philosophers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;PSYCHOLOGICAL DOCTRINE IN LATE ANTIQUITY:   PHILOSOPHICAL THEOLOGY&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Between the foundation of Stoicism and Epicurean- ism   and the establishment of Christianity as the official religion of the   Roman empire lies a span of some six hundred years. The early part of   this period produced a ferment of ideas in philosophy and science. But   the first two hundred years of the Roman Empire, in spite of the   achievements of the anatomist Galen and the astronomer Ptolemy, were not   a time in which original thought flourished. Much was done to   synthesize, mod- ify, or reinterpret existing theories, but the   dominance of Rome, so fruitful in many respects, was not con- ducive   to philosophical speculation. Yet there were forces at work which were   to produce figures of major importance in the history of ideas, in   particular Ploti- nus and Augustine. In them classical philosophy and the   eclecticism of the age combined with spiritual theology in a remarkable   way.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;1. Plotinus.&lt;/b&gt;&lt;/span&gt; As concern   with moral conduct became increasingly dominant among philosophers, so   interest became ever more centered on the “inner man.” Already in   Stoicism it was the attitude of mind, the internal disposition, which   mattered in ethical judg- ment, but Stoicism remained earthbound by its   denial of any existence to the incorporeal. In Neo-Platonism, as   established by Plotinus, the highest human activity is contemplation of   the transcendent Good, which is the source of various grades of being.   Lowest on the scale is the material universe, including the human body   with which the soul forms a mysterious and temporary union. This looks   similar to Platonic dualism, but in fact it is significantly different.   For Plato embodiment prevents the soul from fully grasp- ing the   Forms. But for Plotinus the body is not a necessary barrier to union   with the One or ultimate Good, the goal of human endeavor. This follows   be- cause man's soul in its highest aspect is continually engaged   in intellection of the Forms; it is “illumined” by Intellect, the   principle second only to the One or Good. In this activity the soul is   not self-conscious, since this would detract from its attention to the   object of contemplation. Plotinus notes that certain activities, such   as reading, go better if we are unconscious of ourselves as acting. What   “comes down” to the mate- rial world and joins with body is an   irradiation from the higher soul. But this lower soul is incorporeal,   and Plotinus discusses the problem of its relation to the body at   length (&lt;span class="italics"&gt;Enneads&lt;/span&gt; I, 1, 1-10; IV, 3, 9-23). He rejects   all previous explanations of this relationship in favor of an analogy   with light: soul is present to body&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;   Page 9, Volume 4&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;as light to air. The living body is “illumined” by soul. In   sensation the soul &lt;span class="italics"&gt;uses&lt;/span&gt; the body and reads impres- sions   made on it. Hence there is no action of body on soul. The two remain   “separate but in contact.” Memory and perception both belong to soul and depend   on its faculty of imaging (&lt;span class="italics"&gt;Enneads&lt;/span&gt; IV, 3, 27). The   soul sees when it looks out at externals. In thought the faculty of   imaging is acted upon by the higher soul, and this provides the   principles with which reason works. Memory is a concept of great   importance for Plotinus because it provides (or is) the continuity of self-consciousness.   Only by memory does the embodied soul possess an image of itself. It is   through desire for the lower that soul enters into body, and it is by   desire for the higher that the soul can recall memory of its activity   in the intellectual sphere and aspire eventually to forget all the lower   (including self-awareness) in contemplation of the divine.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;&lt;b&gt;2. Augustine.&lt;/b&gt;&lt;/span&gt; Plotinus   was the last great pagan philosopher of classical antiquity, but it is   no coinci- dence that he shares much with Saint Augustine. In interpreting   the scriptures Augustine was influenced by an intellectual climate   common to pagan and Christian; and inner experience as revealed by   intro- spection becomes the key to psychology. In a summary it is   impossible to do more than indicate some of Augustine's major doctrines   on the soul. In the &lt;i&gt;De quantitate animae&lt;/i&gt; problems of the soul's   relation to the body, and the nature of sensation and thought are discussed   in dialogue form. The soul is incorporeal and its substance cannot be   named; rather must it be inferred from the fact that God, its creator,   is its proper habitation (&lt;i&gt;Patrologia Latina,&lt;/i&gt; 32, 1036). The soul   shares in reason and is fitted to rule the body. By its presence it   vitalizes the body and forms this into a harmonious unity. In this doctrine   Augustine is closer to Plotinus than to Aristotle. The soul can take   note of the body's changes (and this is Augustine's definition of &lt;span class="italics"&gt;sensus&lt;/span&gt;) but these do not affect the soul itself. In   man the soul possesses various grades of being (ibid., 1074ff.), a ranking   determined by the objects of its attention. Apprehension of any kind is   a result of the mind's choosing to attend to something in its field of   internal vision. God is always present to the mind (whatever its   activity) and by His grace the souls of the faithful at their highest   possess a stable vision of the truth. It is by divine illumination that   the soul has standards of judgment “impressed” on it, for the divine   mind contains eternal truths (&lt;span class="italics"&gt;P.L.&lt;/span&gt; 42, 1052).   Like Plotinus Augustine laid great weight on “memory,” for this is not   mere reminiscence but the storehouse of experience and the mind's   knowledge of itself (ibid., 1048). In conversion the mind “remembers”   God.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Augustine, for all his indebtedness to Greek thought, looks   forward to the Middle Ages. But it is not the business of this article   to chart the subsequent history of psychology. Needless to say, modern   thinking owes more than is sometimes acknowledged to ancient psy- chology.   Between the materialism of Democritus and the extreme spirituality of   Plotinus runs a line on which intermediate positions are taken by   Descartes as well as Plato, by Gilbert Ryle as well as Aristotle. In   spite of inadequate technical knowledge the Greeks devel- oped ways   of analyzing mind and body and the re- sponse of an organism to its   environment which con- tinue to shape much of our thinking. They knew no “science”   of psychology, and were not hampered by having to confine their   attention to a neatly labeled set of “mental phenomena.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="italics"&gt;BIBLIOGRAPHY&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;For pre-philosophical psychology the best starting points are   Erwin Rhode, &lt;i&gt;Psyche: Seelenkult und Unsterblichkeits- glaube der   Griechen,&lt;/i&gt; 4th ed. (Tübingen, 1970; Engl. trans. London, 1925); Bruno   Snell, &lt;i&gt;Die Entdeckung des Geistes,&lt;/i&gt;  3rd ed. (Hamburg, 1955),   trans. as &lt;span class="italics"&gt;The Discovery of the&lt;/span&gt; &lt;span class="italics"&gt;Mind&lt;/span&gt; (Cambridge, Mass., 1953); E. R. Dodds, &lt;span class="italics"&gt;The Greeks&lt;/span&gt; &lt;span class="italics"&gt;and the Irrational&lt;/span&gt;   (Berkeley, 1951). Texts of the pre-Socratics are collected in H. Diels   and W. Kranz, &lt;i&gt;Die Fragmente der Vorsokratiker,&lt;/i&gt; 6th ed. (Berlin,   1951-52). For an extended treatment see J. I. Beare, &lt;span class="italics"&gt;Greek Theories of Elementary&lt;/span&gt; &lt;span class="italics"&gt;Cognition&lt;/span&gt;   (Oxford, 1906). W. K. C. Guthrie, &lt;span class="italics"&gt;A History of&lt;/span&gt; &lt;span class="italics"&gt;Greek Philosophy,&lt;/span&gt; Vols. I, II (Cambridge, 1962, 1965)   has extensive notes and bibliography. For Plato the most im- portant   texts are &lt;i&gt;Phaedo, Phaedrus, Philebus, Republic&lt;/i&gt; IV- VII, X; &lt;i&gt;Theaetetus,   Timaeus.&lt;/i&gt; For bibliography see H. Cherniss, &lt;span class="italics"&gt;Lustrum&lt;/span&gt;   (1961), 340-82, and for recent discussion I. M. Crombie, &lt;span class="italics"&gt;An Examination of Plato's Doctrines,&lt;/span&gt; Vol. I   (London, 1962). Aristotle's psychological theory is set out in &lt;i&gt;De   anima,&lt;/i&gt; ed. Hicks (Cambridge, 1907) and &lt;i&gt;Parva naturalia,&lt;/i&gt; ed.   W. D. Ross (Oxford, 1955); general discussion and bibliography in I.   Düring, &lt;span class="italics"&gt;Aristotles&lt;/span&gt; (Heidelberg, 1966). See   also D. W. Hamlyn, &lt;span class="italics"&gt;De anima Books II and III, with&lt;/span&gt; &lt;span class="italics"&gt;Certain Passages from Book I&lt;/span&gt; (Oxford and New York,   1968). Some basic texts for post-Aristotelian psychology are col- lected   by C. J. de Vogel, &lt;span class="italics"&gt;Greek Philosophy. A Collection&lt;/span&gt; &lt;span class="italics"&gt;of Texts with Notes and Explanations,&lt;/span&gt; Vol. III (Leiden,   1959). Relevant works of Augustine are &lt;i&gt;De trinitate, De liberio arbitrio,   De quantitate animae,&lt;/i&gt; and of Plotinus, &lt;span class="italics"&gt;Enneads&lt;/span&gt;   I, 1; IV. This period is well surveyed by E. Zeller, &lt;i&gt;Die Philos- ophie   der Griechen,&lt;/i&gt; Vol. III, 1, 5th. ed. by E. Wellmann (Leipzig, 1923),   and A. H. Armstrong, ed., &lt;span class="italics"&gt;Cambridge History&lt;/span&gt; &lt;span class="italics"&gt;of Later Greek and Early Medieval Philosophy&lt;/span&gt; (Cambridge, 1956).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;ANTHONY A. LONG&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;[See also Analogy in Early Greek Thought &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-09&lt;/a&gt;&lt;/span&gt;    ; Atomism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-21&lt;/a&gt;&lt;/span&gt;    &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-22&lt;/a&gt;&lt;/span&gt;    ; Behaviorism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-30&lt;/a&gt;&lt;/span&gt;    ; &lt;b&gt;Biological Conceptions in Antiquity &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-31&lt;/a&gt;&lt;/span&gt;    ;&lt;/b&gt; Cosmology &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-66&lt;/a&gt;&lt;/span&gt;    &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v1-67&lt;/a&gt;&lt;/span&gt;    ; Dualism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v2-05&lt;/a&gt;&lt;/span&gt;    ; Epicureanism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v2-15&lt;/a&gt;&lt;/span&gt;    ; &lt;b&gt;Imprinting &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v2-64&lt;/a&gt;&lt;/span&gt;    ;&lt;/b&gt; Neo-Platonism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v3-47&lt;/a&gt;&lt;/span&gt;    ; Platonism &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v3-63&lt;/a&gt;&lt;/span&gt;    &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v3-64&lt;/a&gt;&lt;/span&gt;    &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v3-65&lt;/a&gt;&lt;/span&gt;    ; Pythagorean... &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v4-04&lt;/a&gt;&lt;/span&gt;    &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v4-05&lt;/a&gt;&lt;/span&gt;    ; Rationality &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v4-07&lt;/a&gt;&lt;/span&gt;    ; &lt;b&gt;Stoicism. &lt;span class="xref"&gt;&lt;a href="http://etext.virginia.edu/cgi-local/DHI/dhiana.cgi?id=dv4-01"&gt;v4-41&lt;/a&gt;&lt;/span&gt;    &lt;/b&gt;]&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="display: none;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div align="center"&gt;  &lt;table class="MsoNormalTable" style="width: 80%;" border="0" cellpadding="0" width="80%"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 0.75pt;" valign="top"&gt;   &lt;p class="MsoNormal"&gt;&lt;a href="http://etext.virginia.edu/DicHist/dict.html"&gt;The   Dictionary of the History of Ideas&lt;/a&gt;  Electronic Text Center PO   Box 400148 Charlottesville VA 22904-4148 434.924.3230 | fax:   434.924.1431&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 0.75pt;" valign="top"&gt;   &lt;p class="MsoNormal" style="text-align: right;" align="right"&gt;Maintained by: &lt;a href="http://etext.virginia.edu/"&gt;The Electronic Text Center&lt;/a&gt;  at the   &lt;a href="http://www.lib.virginia.edu/"&gt;University of Virginia Library&lt;/a&gt;  ©   2003 the &lt;a href="http://www.galegroup.com/"&gt;Gale Group&lt;/a&gt;  All Rights   Reserved Last Modified: Thursday, May 1, 2003&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;p class="MsoNormal"&gt;  &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-257607156877918492?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/257607156877918492/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=257607156877918492&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/257607156877918492'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/257607156877918492'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/08/origins-of-psychology.html' title='Origins of Psychology'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-6153965300108606043</id><published>2007-08-06T19:26:00.000-07:00</published><updated>2007-08-06T19:31:00.974-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><title type='text'>video ripples</title><content type='html'>Advertising mythologies. What themes are visible here?&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/XUfH-BEBMoY"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/XUfH-BEBMoY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;or here?&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/SAMAr8y-Vtw"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/SAMAr8y-Vtw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;and here.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/uL4VzvdImWk"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/uL4VzvdImWk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;comments?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-6153965300108606043?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/6153965300108606043/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=6153965300108606043&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/6153965300108606043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/6153965300108606043'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/08/video-ripples.html' title='video ripples'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-3939966194899909310</id><published>2007-08-04T13:50:00.000-07:00</published><updated>2007-08-04T13:52:17.350-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='advertising'/><category scheme='http://www.blogger.com/atom/ns#' term='diss'/><category scheme='http://www.blogger.com/atom/ns#' term='language'/><title type='text'>Wolfe re McLuhan - what if he is right?</title><content type='html'>reproduction from : http://www.digitallantern.net/mcluhan/course/spring96/wolfe.html&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;suppose he is what he sounds like,&lt;br /&gt;the most important thinker since&lt;br /&gt;newton, darwin, freud, einstein,&lt;br /&gt;and Pavlov what if he is right?&lt;/h1&gt;  &lt;p&gt;&lt;br /&gt;-TOM WOLFE&lt;br /&gt;&lt;br /&gt;What if he's right What . . .if. . .he . . .is . . . right W-h-a-t i-f h-e i-s r-i-g-h-t &lt;/p&gt;  &lt;pre&gt;   W    IF    R   H    HE    I   A    IS    G  ?   T        H           T&lt;/pre&gt;  &lt;p&gt;&lt;br /&gt;There are currently hundreds of studs of the business world, breakfast food package designers, television net work creative department vice-presidents, advertising "media reps," lighting fixture fortune heirs, smiley patent lawyers, industrial spies, we- need vision board chairmen, all sorts of business studs who are all wondering if this man, Marshall McLuhan ... is right.... He sits in a little office off on the edge of the University of Toronto that looks like the receiving bin of a second-hand book store, grading papers, &lt;i&gt;grading papers, &lt;/i&gt;for days on end, wearing-well, he doesn't seem to care what he wears. If he feels like it, he just puts on the old striped tie with the plastic neck band. You just snap the plastic band around your neck and there the tie is, hanging down and ready to go, Pree-Tide.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;But what if-&lt;/i&gt;all sorts of huge world-mover &amp; shaker corporations are trying to put McLuhan in a box or some thing. Valuable! Ours! Suppose he is what he sounds like, the most important thinker since Newton, Darwin, Freud, Einstein, and Pavlov, studs of the intelligentsia game suppose he is the oracle of the modern times -&lt;i&gt; what if he is right? &lt;/i&gt;he'll be in there. It almost seems that way. An "undisclosed corporation" has put a huge "undis closed sum" into, McLuhan's Centre for Culture and Technology at the University of Toronto. One of &lt;i&gt;the &lt;/i&gt;big American corporations has offered him $5000 to present a closed- circuit-ours!-television lecture on-oracle!-the ways the products in its industry will be used in the future. Even before all this, IBM, General Electric, Bell Telephone were flying McLuhan in from Toronto to New York, Pittsburgh, God knows where else, to talk to their hierarchs about . . . well, about whatever this unseen world of electronic environments that only he &lt;i&gt;sees fully is &lt;/i&gt;all about.&lt;br /&gt;&lt;br /&gt;They all sit in these conference rooms, under fluorescent lights, with the right air conditioned air streaming out from behind the management-style draperies. Upward-busting hierarch executives, the real studs, the kind who have already changed over from lie- down crewcuts to brush back Eric Johnston-style Big Boy haircuts and from Oxford button-downs to Tripler broadcloth straight points and have hung it all on the line, an $80,000 mortgage in New Canaan and a couple of kids at Deerfield and Hotchkiss-hung it all on the line on knowing exactly what this corporation is all about -they sit there with the day's first bloody mary squirting through their capillaries-and this man with part of a plastic neckband showing at the edge of the collar, who just got through gradin&lt;i&gt;g papers, &lt;/i&gt;for godsake, tells them in an &lt;i&gt;of-course &lt;/i&gt;voice and with I'm being&lt;i&gt;-patient &lt;/i&gt;eyes, that, in effect, politely, they all know just about exactly . . . nothing . . . about the real business they're in-&lt;br /&gt;&lt;br /&gt;&lt;b&gt;-Gentlemen, the General Electric Company makes a considerable portion of its profits from electric light bulbs, but it is not yet discovered that it is not in the light bulb business but in the business of moving information. Quite as &lt;!-- Generation of PM publication page 2 --&gt;much as A. T. &amp;amp; T. Yes. &lt;u&gt;Of course-I-am-willing-to-be-patient. &lt;/u&gt; He pulls his chin down into his neck and looks up out of his ion' Scotch-lairdly face. Yes. The electric light is pun information it is a medium without a message as it were Yes. Light is a self- contained communications system in which the medium is the message &lt;u&gt;Just think that over for a moment-I-am-willing-to-be&lt;/u&gt; - When IBM discovered that it was not in the business of making office equipment or business machines&lt;br /&gt;&lt;br /&gt;- but that it was in the business&lt;br /&gt;&lt;br /&gt;of processing&lt;br /&gt;&lt;br /&gt;information,&lt;br /&gt;&lt;br /&gt;then it began&lt;br /&gt;&lt;br /&gt;to navigate&lt;br /&gt;&lt;br /&gt;with&lt;br /&gt;&lt;br /&gt;clear&lt;br /&gt;&lt;br /&gt;vision.&lt;br /&gt;&lt;br /&gt;Yes.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Swell! But where did &lt;i&gt;this &lt;/i&gt;guy come from? What is this-these cryptic, Delphian sayings: Th&lt;i&gt; e electric light is pure information.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Delphian! &lt;i&gt;The medium is the message. We are moving out of the age of the visual into the age of the aural and tactile . . .&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Oracle!-McLuhan sits in the conference room on the upper deck of an incredible ferry boat that Walter Landor, one of the country's top package designers, has redone at a cost of about $400,000 as an office and design center. This great package design flagship nestles there in the water at Pier 5 in San Francisco. The sun floods in from the bay onto the basket woven wall-to-wall and shines off the dials of Landor's motion picture projection con sole. Down below on the main deck is a whole simulated supermarket for bringing people in and testing package impact and all sorts of optometric wonder wards for testing visual reception of metribergiarglebargle and McLuhan says, almost by the way:&lt;br /&gt;&lt;br /&gt;"Of course, packages will be obsolete in a few years. People will want tactile experiences, they'll want to feel the product they're getting-"&lt;br /&gt;&lt;br /&gt;But!-&lt;br /&gt;&lt;br /&gt;McLuhan's chin goes down, his mouth turns down, his eyes roll up in his &lt;i&gt;of course &lt;/i&gt;expression: "Goods will be sold in &lt;i&gt;bins. &lt;/i&gt;People will go right to bins and pick things up and &lt;i&gt;feel &lt;/i&gt;them rather than just accepting a package."&lt;br /&gt;&lt;br /&gt;Landor, the package designer, doesn't lose his cool; he just looks-&lt;i&gt; what if he is right?&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;". . . The human family now exists under conditions of a global village. We live in a single constricted space resonant with tribal drums . . ." That even, even, even voice goes on-&lt;br /&gt;&lt;br /&gt;-McLuhan is sitting in the Lombardy Restaurant in New York with Gibson McCabe, president of News&lt;i&gt; week, &lt;/i&gt;and several other high-ranking communications people, and McCabe tells of the millions &lt;i&gt;Newsweek &lt;/i&gt;has put into reader surveys, market research, advertising, the editorial staff, everything, and how it paid off with a huge rise in circulation over the past five years. McLuhan listens, then down comes the chin: "Well . . . of course, your &lt;!-- Generation of PM publication page 3 --&gt;circulation would have risen about the same anyway, the new sensory balance of the people being what it is . . ."&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Print gave tribal man an eye for an ear.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;McLuhan is at the conference table in the upper room of Howard Gossage's advertising firm in San Francisco, up in what used to be a firehouse they're pretty great converters in San Francisco- and a couple of newspaper people are up there talking about how they are sure their readers want this and that to read-McLuhan pulls his chin down into his neck: "Well . . . of course, people don't actually read&lt;i&gt; &lt;/i&gt;newspapers. They get into them every morning like a hot bath."&lt;br /&gt;&lt;br /&gt;Perfect! Delphic! Cryptic! Metaphorical! Epigrammatic! With this even, even, even voice, this utter scholarly aplomb-with these pronouncements-"Art is always one technology behind. The content of the art of any age is the technology of the previous age"- with all this Nietzschean certitude McLuhan has become an intellectual star of the West. He is a word-of-mouth celebrity.&lt;br /&gt;&lt;br /&gt;Corporation executives are only the beginning of the roster of people in America who stand to be shaken up -&lt;i&gt;what if he is right? &lt;/i&gt;The university establishments, the literati-McLuhan has already earned the hostile envy of the New York literary establishment- the artists-they like him-scores of little groups of McLuhan cultists-thou sands of intellectuals are now studying McLuhan. The paperback edition of his book &lt;i&gt;Understanding Media &lt;/i&gt;has been an "underground best seller"-that is, a best seller without benefit of publicity-for six months. City planners-&lt;br /&gt;&lt;br /&gt;City planners are wondering &lt;i&gt;what if he-&lt;/i&gt;McLuhan is the prophet of the New Life Out There, the suburbs, housing developments, astrodomes, domed-over shopping centers, freeways, TV families, the whole world of the new technologies that stretches out to the West beyond the old cities of the East. To McLuhan, New York is already obsolete, on its way to becoming not much more than a Disneyland discotheque for the enjoyment-not the big business or the gawking wonder, but the playing around-of the millions out there. They are already living the new life, while New York sits here choking to death in its &lt;i&gt;old fashion.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;McLuhan has developed a theory that goes like this: The new technologies of the electronic age, notably televi sion, radio, the telephone, and computers, make up a new environment. A new environment; they are not merely &lt;i&gt;added &lt;/i&gt;to some basic human environment. The idea that these things, TV and the rest, are just tools that men can use for better or worse depending on their talents and moral strength-that idea is idiotic to McLuhan. The new technologies, such as television, have become a new environment. They radically alter the entire way people use their five senses, the way they react to things, and therefore, their entire lives and the entire society. It doesn't matter what the content of a medium like TV is. It doesn't matter if the networks show twenty hours a day of sadistic cowboys caving in people's teeth or twenty hours of Pablo Casals droning away on his cello in a pure -culture white Spanish drawing room. It doesn't matter about the content. The most pro. found effect of televi sion-its real "message," in McLuhan's terms -is the way it alters men's sensory patterns. The me&lt;i&gt; dium is the message-&lt;/i&gt;that is the best- known McLuhanism. Television steps up the auditory sense and the sense of touch and depresses the visual sense. That seems like a paradox, but McLuhan is full of paradoxes. A whole generation in America has grown up in the TV environment, and already these millions of people, twenty-five and under, have the same kind of sensory reactions as African tribesmen. The same thing is happening all over the world. The world is growing into a huge tribe, a . . . &lt;i&gt;global village, &lt;/i&gt;in a &lt;i&gt;seamless web &lt;/i&gt;of electronics.&lt;br /&gt;&lt;br /&gt;These are McLuhan metaphors. He started out as an English literature scholar. He graduated from the University of Manitoba in Canada and then got a doctorate in English at Cambridge in England. He wrote his dissertation on the rhetoric of Thomas Nashe, a sixteenth-century English playwright and essayist. In it he led up to Nashe with a massive study of rhetoric from the Greeks on up. He got interested in the way different kinds of speech, &lt;!-- Generation of PM publication page 4 --&gt;&lt;br /&gt;&lt;br /&gt;written and oral, affected the history of different civilizations. Gradually his field expanded from literature to the influence of communication, all kinds, all the media, on society. He started doing research in psychology, even physiology, sociology, history, economics everything seemed to come into it. McLuhan was sort of like John Huizinga this way. Huizinga is a historian, Medieval history, chiefly, who discovered "the play element" in history. He ended up with a rather sophisticated sociological theory, in the book &lt;i&gt;Homo Ludens, &lt;/i&gt;that in many ways is a precursor of the mathematical "game theory" that so fascinates Pentagon war strategists today. McLuhan worked on his communications theory. For about thirty years he was pretty much in obscurity in places like the University of Wisconsin, the University of St. Louis, and the University of Toronto. He published &lt;i&gt;The Mechanical Bride &lt;/i&gt;in 1951, then &lt;i&gt;The Gutenberg Galaxy &lt;/i&gt;in 1962, and with that one the McLuhan Cult really started, and &lt;i&gt;what if he-?&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;As McLuhan sees it-in the simplest terms, here is his theory step by step: People adapt to their environment, whatever it is, with a certain balance of the five senses: sight, hearing, touch, smell, and taste. If something steps up the intensity of one sense, hearing for example, the other senses will change intensity too, to try to regain a balance. A dentist, for example, can practically shut off pain-sense of touch-by putting earphones on a patient and pouring intense noise into his ear-sense of hearing.&lt;br /&gt;&lt;br /&gt;Every major technology changes the balance of the senses. One of the most explosive of these technologies was the development of the printing press in the fifteenth century. Before that, people's senses still had pretty much the old tribal balance. That is to say, the sense of hearing was dominant. People got their information mainly by hearing it from other people. People who get their information that way are necessarily drawn closer together, in the tribal way. They have to be close to each other in order to get information. And they have to believe what people tell them, by and large, because that is the only kind of information they can get. They are interdependent.&lt;br /&gt;&lt;br /&gt;They are also more emotional. The spoken word is more emotional than the written word. It carries emotion as well as meaning. The intonation can convey anger, sorrow, approval, panic, joy, sarcasm, and so forth. This &lt;i&gt;aural&lt;/i&gt; man, the tribal man, reacts more emotionally to information. He is more easily upset by rumors. His and every body else's emotions-a collective unconscious-lie very near the surface.&lt;br /&gt;&lt;br /&gt;The printing press brought about a radical change. People began getting their information primarily by seeing it -the printed word. The visual sense became dominant. Print translates one sense-hearing, the spoken word-into another sense sight, the printed word. Print also converts sounds into abstract symbols, the letters. Print is or derly progression of abstract, visual symbols. Print led to the habit of categorizing-putting everything in order, into categories, "jobs," "prices," "departments," "bureaus," "specialties." Print led, ultimately, to the creation of the modern economy, to bureaucracy, to the modern army, to nationalism itself.&lt;br /&gt;&lt;br /&gt;People today think of print as if it were a technology that has been around forever. Actually, the widespread use of print is only about two hundred years old. Today new technologies-television, radio, the telephone, the computer-are causing another revolution. Print caused an "explosion"-breaking society up into categories. The electronic media, on the other hand, are causing an "implosion," forcing people back together in a tribal unity.&lt;br /&gt;&lt;br /&gt;The aural sense is becoming dominant again. People are getting their information primarily by hearing it. They are literate, but their primary source is the radio, the telephone, the TV set. The radio and the telephone are obviously aural media, but so is television, in McLuhan's theory. The American TV picture has very low defini tion. It is not three-dimensional, like a movie or a photograph, but two-dimensional, like a Japanese print or a cartoon. The viewer fills in the spaces and the contours with his mind, as he does with a cartoon. Therefore, the TV &lt;!-- Generation of PM publication page 5 --&gt;viewer is more involved in the TV image than in the movie image, he is so busy running over the image with his eye, filling in this and that. He practically reaches out and &lt;i&gt;touches &lt;/i&gt;it. He &lt;i&gt;participates; &lt;/i&gt;and he likes that.&lt;br /&gt;&lt;br /&gt;Studies of TV children-children of all social classes who are used to getting their information primarily by television-studies of this new generation show that they do not focus on the whole picture, the way literate adults do when they watch a movie. They scan the screen for details; their eyes run all over the screen, focusing on holsters, horses' heads, hats, all sorts of little things, even in the fiercest gun battles. They watch a TV show the way a nonliterate African tribesman watches a movie&lt;br /&gt;&lt;br /&gt;But exactly! The TV children, a whole generation of Americans, the oldest ones are now twenty-five years old-they are the new tribesmen. They have tribal sensory balances. They have the tribal habit of responding emotionally to the spoken word, they are "hot," they want to participate, to &lt;i&gt;touch&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;to be involved. On the one hand, they can be more easily swayed by things like demagoguery. The &lt;i&gt;visual &lt;/i&gt;or &lt;i&gt;print &lt;/i&gt;man is an individualist; he is "cooler," with built-in safeguards. He always has the feeling that no matter what anybody says, he can go check it out. The necessary information is filed away somewhere, categorized. He can &lt;i&gt;look &lt;/i&gt;it up. Even if it is something he can't &lt;i&gt;look up &lt;/i&gt;and check out-for example, some rumor like "the Chinese are going to bomb us tomorrow"-his habit of mind is established. He has the feeling: All this can be investigated-&lt;i&gt; looked &lt;/i&gt;into. The aural man is not so much of an individualist; he is more a part of the collective consciousness; he &lt;i&gt;believes.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;To the literate, visual, &lt;i&gt;print &lt;/i&gt;man, that seems like a negative quality, but to the aural, tribal man, it seems natural and good. McLuhan is not interested in values, but if anything, he gives the worst of it to the literate man who is smug in the belief that his sensibility is the only proper one. The tribal man-the new TV generation-is far more apt at patt&lt;i&gt;ern recognition, &lt;/i&gt;which is the basis of computers. The child will learn a foreign language faster than a literate adult because he absorbs the whole pattern of the language, the intonations and the rhythms, as well as the meaning. The literate man is slowed down by the way he tries to convert the sounds to print in his mind and takes the words one by one, categorizing them and translating them in a plodding sequence.&lt;br /&gt;&lt;br /&gt;In formal learning, in schools, that is, the new TV-tribal man is at a great disadvantage, however, given the current teaching methods. As McLuhan sees it-if people think there is a bad drop- out problem in American schools today, it is nothing compared to what it is going to be like in another ten or fifteen years. There will be a whole nation of young psychic drop- outs-out of it-from the wealthy suburbs no less than the city slums. The thing is, all these TV-tribal children are aural people, tactile people, they're used to learning by pattern recogni tion. They go into classrooms, and there up in front of them are visual, literate, print-minded teachers. They are up there teaching classes by subjects, that is, categories; they've broken learning down into compartments -mathematics, history, geography, Latin, biology-it doesn't make sense to the tribal kids, it's like trying to study a flood by counting the trees going by, it's unnatural.&lt;br /&gt;&lt;br /&gt;It's the same way with these cities the print-minded rulers keep on piling up around them, more skyscrapers, more freeways pouring into them, more people piling into them. Cities are still based on the old idea of using space efficiently, of putting as many activities into a single swath of ground as possible to make it easier for people to move around and do business with each other. To the new drop-out generation and the drop-out genera tions to come, this idea of lateral space and of moving people around in it doesn't seem very important. Even visual people have begun to lose a little of the old idea of space because of the airplane. When somebody gets on a jet in New York and flies to San Francisco in four hours, the time is so short, the idea of the space, the three thousand miles, loses its meaning. It is just like taking a "horizontal elevator," McLuhan says. In Los Angeles, with everybody traveling by car on freeways, nobody talks about "miles" anymore, they just say "that's four minutes from here," "that's twenty minutes from here," and so on. The actual straight-line distance doesn't matter. It may be faster to go by a curved route. All anybody cares about is the time.&lt;!-- Generation of PM publication page 6 --&gt;&lt;br /&gt;&lt;br /&gt;For that matter-the drop-out generations will even get rid of the cars, says McLuhan. The car is still largely tied to the idea of space, but the TV-tribal kids aren't. It even shows up in their dances. The new American dances, the twist, the frug, and all that, ignore the geography of the dance floor. The dancers stay in one place and create their own space. They jerk, spasm, hump, and bob around in one place with the sound turned up-aural! tribal!-up into the hot-jolly hyperaesthetic decibels. Eventually, says McLuhan, they will use the same sort of pattern in the way they work. They will work at home, connected to the corporation, the boss, not by roads or railroads, but by television. They will relay information by closed-circuit two-way TV and by computer systems. The great massive American rush-hour flow over all that asphalt surface, going to and from work every day, will be over. The hell with all that driving. Even shopping will be done via TV. All those grinding work-a-daddy cars will disappear. The only cars left will be playthings, sports cars. They'll be just like horses&lt;i&gt; &lt;/i&gt;are today, a &lt;i&gt;sport. &lt;/i&gt;Somebody over at General Motors is saying-What if&lt;i&gt; he is right?&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Whole cities, and especially New York, will end too just like cars, no longer vital to the nation but . . . just playthings. People will come to New York solely to amuse themselves, &lt;i&gt;do &lt;/i&gt;things, not marvel at the magnitude of the city or its riches, but just eat in the restaurants, go to the discotheques, browse through the galleries-&lt;br /&gt;&lt;br /&gt;-McLuhan is having lunch at Lutece, a French restaurant at 249 East 50th Street, with four of his admirers, three journalists and a movie star. Lutece is one of the real high-powered, gleaming toothed places in New York where the culturati, the fashionati, literati, and illuminati of all sorts have lunch. The Big Boys go there. It has real wine stewards. It is so expensive, only the man who has to pay is shown the prices. Everybody else at the table gets a menu with just the dishes listed. Eat 'em up, gleaming teeth. So these people with gleaming teeth, glissando voices, lazenge-shape cuff links, peacock-colored Pucci-print dresses signed "Emilio" turn the gleams on each other and sit in there and laugh, cozzen, whisper, bat the eyes, look knowingly, slosh their jowls around at each other in the old fight to make it or make it bigger in the biggest city in the world-and McLuhan just sits out in the garden at Lutece smiling slightly, oblivious to the roiling, wearing a seersucker jacket and the plastic neckband tie, looking ahead as if . . . he were looking through walls.&lt;br /&gt;&lt;br /&gt;Well, of course he is! The city-&lt;br /&gt;&lt;br /&gt;"Well, of course, a city like New York is obsolete," he says. And all the gleaming teeth and glissando voices are still going &lt;i&gt;grack gack grack &lt;/i&gt;in the same old way all around, all trying to get to the top of the city that will disappear.&lt;br /&gt;&lt;br /&gt;McLuhan was in New York that time because two rather extraordinary men from San Francisco, Howard Gossage and Gerry Feigen, had just begun their ongoing "McLuhan Festival." The original McLuhan Festival was a kind of "happening" or "environment" in an armory at the University of British Columbia, put on by some teachers there. They were part of what is sometimes called "The McLuhan Cult"-esoteric groups of intellectuals who have . . . &lt;i&gt;discovered &lt;/i&gt;McLuhan, in Canada and in the United States, most of them over the past three years, since &lt;i&gt;The Gutenberg Galaxy &lt;/i&gt;came out. In the armory they suspended sheets of plastic from the ceiling, forming a maze. Operators aimed light projections at the plastic sheets and at the people walking through them, a movie projector showed a long, meaningless movie of the interior of the empty armory, goofy noises poured out of the loudspeakers, bells rang, somebody banged blocks of wood together up on a podium, somebody else spewed perfume around, dancers flipped around through the crowds, and behind a stretch fabric wall-a frame with a stretch fabric across it-there was a girl, pressed against the stretch fabric wall, like a whole wall made of stretch pants, and &lt;i&gt;undulating &lt;/i&gt;and humping around back there. Everybody was supposed to come up and &lt;i&gt;feel it-&lt;/i&gt;the girl up against the stretch fabric -to understand this "tactile communication" McLuhan talks about. &lt;!-- Generation of PM publication page 7 --&gt;&lt;br /&gt;&lt;br /&gt;McLuhan Temple! McLuhan in church-the Rev. William Glenesk brings McLuhan into the pulpit of his church, Spencer Memorial, on Remsen Street in Brooklyn Heights, one week night in a kind of . . . apotheosis of McLuhan cultism. Glenesk is the "hip" Presbyterian minister who has had jazz combos, dancers, sculpture graven images!-in church. He brought McLuhan in one night and put him in the pulpit and it became . . . cult! like a meeting of all the solitary souls, from the cubicles of the NYU Bronx campus to the lofts of East 10th Street, who had discovered McLuhan on their own. All these artists came in there in the great carved oak insides of the church and sat in the pews, Stanley Vander Beeck the "underground" movie-maker in an orange shirt and red polka dot tic&lt;br /&gt;&lt;br /&gt;"It is a hot night," says McLuhan, speaking from the pulpit. "Therefore, I invite you to move forward. Heat obliterates the distance between the speaker and the audience . . ."&lt;br /&gt;&lt;br /&gt;But of course! The heat steps up the tactile sense, diminishes the visual; the audience is no longer at ease sitting back and watching the speaker as though he is separated from them like the usual . . . &lt;i&gt;visual spectacle. &lt;/i&gt;The artists, Vander Beeck, Larry Rivers the painter, John Cage the composer-they are all fo&lt;i&gt; r &lt;/i&gt;McLuhan, even though McLuhan has a paradoxical attitude toward the "modern" arts. On the one hand, he says artists are geniuses who serve as "early warning systems" for changes in society's sensory balance. But at the same time, he says so -called "modern" art is always one technology behind. In the early nineteenth century the Industrial Revolution came in-the MACHINE age. The artist didn't realize that this was a new age, but they se&lt;i&gt; nsed &lt;/i&gt;that some kind of change was taking place, and they resented it-damned machine-cog life -so they reacted by coming up with the modern art of the early nineteenth century: NATURE, all those landscapes, grazing sheep -the content of the previous technology, namely, agriculture. Modern! All these modern artists, Constable and Turner, couldn't understand why nobody had even painted these great spewy albumen cloud banks and shaggy green horizons before. In the early twentieth century the ELECTRONIC age began, and the artists, only fifty or seventy-five years behind, as usual, suddenly discovered cubism and other abstract forms, breaking up objects into planes, spheres, component parts-the content of the MACHINE age, the industrial technology of the nineteenth century. But in any case, the artist's immediately obsolete "modernism" is a sign that somethin&lt;i&gt; g is &lt;/i&gt;changing in society's sensory balance. The artists seem to like this idea that they are the "early warning," the avant- garde, even if they are moving forward backwards.&lt;br /&gt;&lt;br /&gt;They also like his general "culture" orientation. McLuhan started out as an English scholar, after all, and still laces his work with references to Marlowe, Rabelais, Whitman, Cervantes, Francis Bacon, Shakespeare, Joyce. McLuhan's work is really squarely in the area of biology and sociology now, but artists can take to him-he talks their language. It was the same with Freud. Pavlov never caught on with the culturati-all those damned endless clinical descriptions of dog brains. But Freud was "cultural," a lot of great business from Sophocles, Aeschylus, da Vinci, King Oedipus running around, bare-breasted Electra, all those classical lovelies. Freud wrote like an art dealer prospecting in the forbidden lands of brain physiology.&lt;br /&gt;&lt;br /&gt;McLuhan talks the same language, and people are willing to undertake massive artistic expressions of his new science of the senses. In the Royal Ontario Museum in Toronto, a McLuhanite named Harley Parker is designing a "pure McLuhan" gallery for displaying invertebrate paleontology, fishes and things, "a gallery of total sensory involvement," Harley Parker says, with the smell of the sea piped in, the tape-recorded sound of waves, colored lights simulating the fuzzy-plankton undersea green, "not just a gallery of data, but a total experience." In New York, Father John Culkin of Fordham University is considering sort of the same thing, a McLuhan architectural envi&lt;i&gt;ronment, &lt;/i&gt;only on a much larger scale, a whole communications center at Lincoln Center, the big culture temple.&lt;br /&gt;&lt;br /&gt;But with the standard old line romantic-reactionary literati of New York-that is another story. Old doggies like &lt;!-- Generation of PM publication page 8 --&gt;Dwight Macdonald re&lt;i&gt;coil &lt;/i&gt;from McLuhan. This man, this pop Guru McLuhan, asserts he supremacy of technol ogy, the environment, over the romantic ego. McLuhan says man succumbs to the new technologies, the new sensory balance the technologies impose, no matter how hard he fights it, even if he doesn't watch the idiot box -&lt;i&gt;and I don't pay attention to ads-&lt;/i&gt;no matter what. The old doggies put their faces up in the air, with their eyeballs rolled back, looking for God, and moan a few howls there inside their parlor-floor brownstones at this big red fire siren going by, Marshall McLuhan.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Get this man. &lt;/i&gt;But if they want to get at McLuhan, they ought to forget the sanctity of the romantic ego, the last godhead of the literati, and go after him where he is actually vulnerable; one place is his idea of the sensory balance of man and the dominance of one sense over another and so forth. McLuhan is talking straight physiol ogy here, science and he has not proved that the five senses are actually set up that way. Maybe it can't be proved. As yet, there is no apparatus for measuring just how intensely the human mind is attuned to this or that sense. Knowledge about three of the senses, smell, taste, and touch, is still absolutely primitive. The sense of smell, for example, cannot be measured at all, currently. Perfume makers have to use people they call "noses" to get the right combination for different scents. They put a white smock on THE NOSE and squirt one test batch of hair spray in a tin closet and THE NOSE jumps in there, and then he jumps out of there, and they squirt another batch in the next closet, and THE NOSE jumps in there, and so on and on, with this NOSE in a white smock leaping and diving in tin cubicles-this is sensory me&lt;i&gt;asurement &lt;/i&gt;in the modern age.&lt;br /&gt;&lt;br /&gt;The other place they might get McLuhan is in his crazy daredevil weakness for making analogies. He loves the things. He soars around making analogies. The Russians still have a basically aural, tribal sensory balance, and they like to do their spying by ear, hiding microphones in wooden American eagle seals in the American Em bassy and so forth. That seems perfectly all right to them, that's natural, but they are scandalized by something like the American U-2 flights-that is vi&lt;i&gt;sual &lt;/i&gt;spying, spying by eye. Americans, on the other hand, are basically a visual people; the U-2 flights seem like the natural way to spy, but a mike in the eagle that's a scandal to the visual Americans. Beautiful McLuhan rubric -but . . .&lt;br /&gt;&lt;br /&gt;But, all right, he may have missed the mark on this or that, but McLuhan will remain a major figure in the social sciences if for no other reason than that he has opened up the whole subject of the way the new technologies are changing people's thinking, reactions, life styles, everything. One means, well, one is in a supermarket and here comes some Adam's-apply carbuncled kid with bad hair pushing a rolling hamper full of All Detergent Man Mountain Giant Bonus boxes, and he is not looking where he is going; he is not lo&lt;i&gt; oking &lt;/i&gt;at anything; his eyes are turned off and screened over, and there is a plug in his skull leading to the transistor radio in the breast pocket of his shirt, and he is blamming his free hand on the Giant All boxes, &lt;i&gt;blam blam ble-blam blam, &lt;/i&gt;keeping time to the Rolling Stones, &lt;i&gt;Hey You Get Offa My Cloud; &lt;/i&gt;somewhere inside of his skull, &lt;i&gt;blam blam, &lt;/i&gt;plugged into some kind of electronic circuit out there, another world-and one knows, instinctively, that all this is changing people in some kind of way. Sociologists and physiologists have done practically nothing on the subject. They have done practically nothing on the way the automobile has changed Americans, as long as cars have been around. Every time sociologists have a meeting, somebody gets up and says, why doesn't somebody make a real study of the American automobile? Not just the stuff about how they're choking our cities or how they made the big housing developments possible, but how they . . . well, change people.&lt;br /&gt;&lt;br /&gt;Not even with cars! Much less with television, radio, computers -McLuhan comes on like the only man to reach a huge, hitherto unknown planet or something, and there is so much ground to cover and so little time, all this unknown ground, mothering earthquake, swallowing everybody up and they don't even know it. That is the way McLuhan thinks of it, and he exasperates&lt;br /&gt;&lt;br /&gt;A television executive is up in Howard Gossage's office in the firehouse in San Francisco, talking to McLuhan &lt;!-- Generation of PM publication page 9 --&gt;and saying how a couple of things he said don't fit together, they don't hold up; maybe it is the part about the Russian hidden microphones or something. McLuhan pulls his chin down into his neck and opens his right hand like a century plant-&lt;br /&gt;&lt;br /&gt;"I'm not offering this as a self-contained theory; I'm making probes. Probes. There is so much here that hasn't even been gone into, I have no interest in debating it point by point along the way. There is so much that hasn't even been explor&lt;i&gt;ed."&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Rather grand manner. He won't argue, he just keeps &lt;i&gt;probing, &lt;/i&gt;he spins off theories and leaves them there for somebody else to debate, moving on all the time on his single track . . . but, of course. The prophet.&lt;br /&gt;&lt;br /&gt;A lot of McLuhanites have started speaking of him as a prophet. It is only partly his visions of the future. It is more his extraordinary attitude, his demeanor, his qualities of monomania, of mission-He do&lt;i&gt; esn't &lt;/i&gt;debate other scholars, much less TV executives. He is not competing for status; he is . . . alone on a vast unseen terrain, the walker through walls, the X-ray eye . . . TV executives. McLuhan even characterizes General Sarnoff, Generalis simo of RCA and NBC, the most powerful man in American communications, a &lt;i&gt;god &lt;/i&gt;in the TV world, and the eyes of the government, too, for that matter-McLuhan characterizes the good General as one of the "technologi cal idiots." Sarnoff is one of those people who thinks that television is merely a wonderful tool whose impact is merely what a man chooses to do with it.&lt;br /&gt;&lt;br /&gt;McLuhan flies all over Canada and the United States to talk to groups of five, six, twelve, well, not twelve, fourteen . . . disciples. Numbers mean nothing to him. If a thousand people suddenly turned up, it might be a bad sign-McLuhan sits in the upper room at the firehouse at a round table with six or eight people, Gossage, Feigen, Mike Robbins of Young &amp; Rubicam, the advertising agency, Herbert Gold, the novelist, Edward Keating, editor of Ramp&lt;i&gt;arts &lt;/i&gt;magazine, not disciples-But what if he is right-and somebody asks McLuhan what he thinks of the big communications conference going on in San Francisco at that very moment, at the Hilton Hotel, a thousand people, headed by the great semanticist, S. I. Hayakawa.&lt;br /&gt;&lt;br /&gt;"Well . . . they're all working from very obsolete premises, of course. Almost by definition."&lt;br /&gt;&lt;br /&gt;By definition?&lt;br /&gt;&lt;br /&gt;"Certainly. By the time you can get a thousand people to agree on enough principles to hold such a meeting, conditions will already have changed, the principles will be useless."&lt;br /&gt;&lt;br /&gt;McLuhan pulls his chin down into his neck. The Hayakawa conference . . . disappears.&lt;br /&gt;&lt;br /&gt;McLuhan may get some of the normal chuckly human satisfaction out of putting down the General Sarnoffs and the Hayakawas of this world and bringing to package design moguls the news that packages have had it and so forth-it is hard to say. More likely, though, he is simply oblivious to the stake other people have in the things he is talking about. He seems oblivious to all the more obvious signs of status where he himself is involved. He just snaps on that Pree-Tide plastic neckband necktie in the morning and resumes his position, at the monoma niacal center of the unseen world . . .&lt;br /&gt;&lt;br /&gt;Unseen scholars. McLuhan comes out of a world that few people know about, the world of the liberal arts scholars, the graduate schools, the ca&lt;i&gt;rrels. &lt;/i&gt;It is a far more detached and isolated life than any garret life of the artists. Garret life? Artists today spend all their time calling up Bloomingdale's to see if the yellow velvet Milo Laducci chairs they ordered are in yet. Liberal arts scholars, especially in McLuhan's field, English literature, &lt;!-- Generation of PM publication page 10 --&gt;&lt;br /&gt;&lt;br /&gt;start out in graduate school in little cubicles, known as carrels, in the stacks of the university libraries with nothing but a couple of metal Klampiton shelves of books to sustain them, sitting there making scholarly analo gies-detecting signs of Rabelais in Sterne, signs of Byron- would you believe it? in Thoreau, signs of Ovid in Pound, signs of -analogies-hunched over in silence with only the far-off sound of Maggie, a Girl of the Stacks, a townie who puts books back on the shelves-now she is all right, a little lower-class-puffy in the nose, but-only the sound of her to inject some stray, sport thoughts into this intensely isolated regimen. In effect, the graduate school scholar settles down to a life of little cubicles, little journals, little money, little chance of notice by the outside world-unless his intense exercises in analogies, mental combinations, bust out with something so . . . electrifying as Marshall McLuhan's.&lt;br /&gt;&lt;br /&gt;Even then there is no one in the . . . outside world able to scout scholarly stars, it is all so esoteric. But McLuhan has had Gossage and Feigen, two of the most imaginative characters in San Francisco. Gossage is a tall, pale advertising man with one of the great heads of gray hair in the USA, flowing back like John Barrymore's. Feigen is a psychiatrist who became a surgeon; he is dark and has these big eyes and a gong-kicker mustache like Jerry Colonna, the comedian. He is also a ventriloquist and carries around a morbid looking dummy named Becky and is able to get into great psychological duels with strangers, speaking through the dummy. Gossage and Feigen started a firm called Generalists, Inc., acting as consultants to people who can't get what they need from special ists because what they need is the big picture. One thing that drew them to McLuhan was his belief in "generalism" -pattern recognition. McLuhan, for example, dismisses the idea of university "departments," history, political science, sociology, and so forth; he considers all that obsolete and works in four or five of the old "fields" at once. It is all one field to him. So Gossage and Feigen invested about $6000 into just taking McLuhan around to talk to people, Big Boys, all sorts, outside the academic world, on both coasts. Gossage says they had nothing particular in mind, no special goal, they just wanted to play it "fat, dumb and happy" and see what would happen.&lt;br /&gt;&lt;br /&gt;It all turned out kind of like the way the architect in Evelyn Waugh's Decline and Fall describes life as being like one of those whirling discs at the old amusement parks. You get on the disc and it starts spinning and the faster it goes, the more centrifugal force builds up to throw you off it. The speed on the outer edge of the disc is so fast, you have to hold on for dear life just to stay on but you get a hell of a ride. The closer you can get to the center of the disc, the slower the speed is and the easier it is to stand up. In fact, theoretically, at the very center there is a point that is completely motionless. In life, some people won't get on the disc at all.&lt;br /&gt;&lt;br /&gt;They just sit in the stands and watch. Some people like to get on the outer edge and hang on and ride like hell-that would be Gossage and Feigen. Others are standing up and falling down, staggering, lurching toward the center. And a few, a very few, reach the middle, that perfect motionless point, and stand up in the dead center of the roaring whirligig as if nothing could be clearer and less confused-That would be McLuhan.&lt;br /&gt;&lt;br /&gt;Gossage and Feigen were bringing McLuhan to New York last May, and McLuhan was two days late getting there. He was in Toronto grading papers for two days.&lt;br /&gt;&lt;br /&gt;"Grading papers?" says Gossage. Gossage can see the New York panoply of lunches at the Lombardy, lunches at Lutece, men like Gibson McCabe, and God knows who all else high in the world of communications waiting for McLuhan-and McLuhan holed up imperturbably grading papers. "Listen," says Gossage. "There are so many people willing to invest money in your work now, you'll never have to grade papers again."&lt;br /&gt;&lt;br /&gt;"You mean it's going to be fun from now on?" says McLuhan.&lt;br /&gt;&lt;br /&gt;"Everything's coming up roses," says Gossage. &lt;!-- Generation of PM publication page 11 --&gt;&lt;br /&gt;&lt;br /&gt;In San Francisco, Gossage and Feigen take McLuhan to a "topless waitress" restaurant, the Off Broadway, at the request of some writer from New York in a loud checked suit. Herb Caen, the columnist, is also along. Everybody is a little taken aback. There they all are in the black-light gloom of the Off Broadway with waitresses walking around wearing nothing but high-heel shoes and bikini underpants, and nobody knows quite how to react, what to say, except for McLuhan. Finally, Caen says that this girl over here is good looking-&lt;br /&gt;&lt;br /&gt;"Do you know what you said?" says McLuhan, "Good look&lt;i&gt; ing. &lt;/i&gt;That's a visual orientation. You're separating yourself from the girls. You are sitting back and &lt;i&gt;looking. &lt;/i&gt;Actually, the lights are dim in here, this is meant as a &lt;i&gt;tactile &lt;/i&gt;experience, but visual man doesn't react that way."&lt;br /&gt;&lt;br /&gt;And everyone looks to McLuhan to see if he is joking, but it is impossible to tell there in the gloom. All that is clear is that . . . yes, McLuhan has already absorbed the whole roaring whirligig into his motionless center. And later in the day, Gossage presents the &lt;i&gt;piece de resistance &lt;/i&gt;of the McLuhan Festival, a party in the firehouse. The first floor of the firehouse, now the lobby, is filled, and yet in there Gossage has put a twelve-piece mariachi band, with trumpets . . . &lt;i&gt;En la Bodega &lt;/i&gt;and the mariachi players stand on the tile in their piped powder blue suits blasting away on the trumpets and &lt;i&gt;Tout San Francisco is &lt;/i&gt;filing into the firehouse into the face of the what the hell is Gossage up to now, &lt;i&gt;Santa Barranza, &lt;/i&gt;mariachi trumpets, the trumpet announcement of the new Darwin-Freud Einstein, &lt;i&gt;Grack, En la Bodega. &lt;/i&gt;Then McLuhan himself arrives, filing into the firehouse, and there before him is a field of powder blue and . . . yaaaaaaaaaaaagggghhhhhhh trumpets-and Gossage sits on the stairway with his head thrown back, laughing over the spectacle, but McLuhan-well, let one see here, or, actually, not see, the auditory sense is sharply stepped up, the visual fades, just the slightest haze of powder blue-of course! one need only stop struggling with one's eyes, roil, roil, well, of course, it is clear and . . why not? serene, the new world. &lt;/p&gt;    &lt;hr /&gt;  &lt;p&gt;from &lt;i&gt;The New Life Out There&lt;/i&gt; by Tom Wolfe (c) 1965 &lt;i&gt;The New York Herald Tribune&lt;/i&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-3939966194899909310?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/3939966194899909310/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=3939966194899909310&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/3939966194899909310'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/3939966194899909310'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/08/wolfe-re-mcluhan-what-if-he-is-right.html' title='Wolfe re McLuhan - what if he is right?'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-7793739770142706836</id><published>2007-07-07T12:52:00.000-07:00</published><updated>2007-07-07T12:55:57.431-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='phenomenology'/><category scheme='http://www.blogger.com/atom/ns#' term='definition'/><category scheme='http://www.blogger.com/atom/ns#' term='language'/><category scheme='http://www.blogger.com/atom/ns#' term='archetypalpsychology'/><title type='text'>Come now, be sensible.</title><content type='html'>&lt;div style="text-align: center;"&gt;Sensible&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;("sEnsIb(@)l) Also 4–6 sencyble, sensyble, 5 sensibill, -yll, censible, 6 sensybul, sensibil, 6–7 sencible, (sensable, 8 senceible). [a. F. sensible, ad. late L. sensibilis, f. sens- (:—*sentt-), ppl. stem of sentWre to perceive, feel: see -ible. Cf. Sp. sensible, Pg. sensivel, It. sensibile.]&lt;br /&gt;  &lt;br /&gt;A. adj.&lt;br /&gt;&lt;br /&gt;   I. That can be felt or perceived.&lt;br /&gt;   1. a. Perceptible by the senses. (In Philos., opposed to intelligible 3: in this use now rare.). b. Const. to.   c. Specific collocations in scientific use. sensible horizon: see horizon 1. sensible heat (†caloric): used in contradistinction to latent heat: see heat n. 2c. sensible perspiration: sweat as distinguished from the emission of vapour through the pores.   †d. Of or pertaining to the senses or sensation.   †e. quasi-adv. Perceptibly. Obs.&lt;br /&gt;   2. Perceptible by the mind or the inward feelings.&lt;br /&gt;   3. Easy to perceive, evident.&lt;br /&gt;   4. Large enough to be perceived or to be worth considering; appreciable, considerable. Now only of immaterial things (as quantities, magnitudes, etc.).&lt;br /&gt;   †5. Of discourse, etc.: Easily understood; suited to make a strong impression on the mind; striking, effective. Obs.&lt;br /&gt;   †6. Such as is acutely felt; markedly painful or pleasurable. Const. to. Obs.&lt;br /&gt;&lt;br /&gt;   II. Capable of feeling or perceiving.&lt;br /&gt;   7. Endowed with the faculty of sensation.  †a. Of living beings, their nature or mode of existence.   b. of organs, tissues, or parts of the body.   †c. sensible virtue, wit, later sensible faculty, capacity: faculty of sensation. Obs.&lt;br /&gt;   †8.  a. Having (more or less) acute power of sensation; sensitive. Obs.   †b. Liable to be quickly or acutely affected by (some object of sensation); sensitive to or of. Obs.&lt;br /&gt;   9. Capable of or liable to mental emotion.  †a. Having sensibility; capable of delicate or tender feeling. Obs.   †b. Sensitive; easily hurt or offended. Obs.&lt;br /&gt;   c. Sensitive or readily accessible to some specified emotional influence. Also const. of. Now rare.&lt;br /&gt;   10. transf.  a. Of material things or substances, esp. of instruments of measurement, as a balance, a thermometer: Readily affected by physical impressions or influences, sensitive. Const. to. Now rare.   Also in †sensible plant, weed = sensitive plant, where the adj. has, strictly speaking, sense 8, the movements of the plant having been formerly regarded as evidence of real sensation.   †b. Music. sensible note. [tr. F. note sensible.] = leading note (see leading ppl. a.). Cf. sensitive. Obs.&lt;br /&gt;&lt;br /&gt;   III. Actually perceiving or feeling.&lt;br /&gt;   11. a. Cognizant, conscious, aware of something. Often with some tinge of emotional sense: Cognizant of something as a ground for pleasure or regret. Const. of, †to; also with clause. Now somewhat rare.   †b. Mindful of a person. Obs.&lt;br /&gt;   12. a. Emotionally conscious; having a pleasurable, painful, grateful or resentful sense of something. In later use almost exclusively: Gratefully conscious of (kindness, etc.). Also const. to (? obs.), †for, and with clause.   †b. Without const. Obs.&lt;br /&gt;   13. Conscious, free from physical insensibility or delirium.&lt;br /&gt;&lt;br /&gt;   IV. 14.  a. Endowed with good sense; intelligent, reasonable, judicious.   b. Of action, behaviour, discourse, etc.: Marked by, exhibiting, or proceeding from good sense.   c. Of clothing, footwear, etc.: practical rather than attractive or fashionable.&lt;br /&gt;&lt;br /&gt;   B. absol. and n.&lt;br /&gt;   1. That which produces sensation; that which is perceptible; an object of sense, or of any one of the senses.   †2. A being that is capable of sensation. Obs.   †3. The element (in a spiritual being) that is capable of feeling. Obs.   4. One possessing good sense, a judicious person.&lt;br /&gt;   1747 W. Horsley Fool (1748) II. 323 The Sensibles are desired to confine theirs to Masquerades and Playhouses.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-7793739770142706836?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/7793739770142706836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=7793739770142706836&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7793739770142706836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/7793739770142706836'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/07/come-now-be-sensible.html' title='Come now, be sensible.'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-1574513338847027000</id><published>2007-07-01T19:08:00.000-07:00</published><updated>2007-08-08T12:32:34.862-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reproduction'/><category scheme='http://www.blogger.com/atom/ns#' term='shamanism'/><category scheme='http://www.blogger.com/atom/ns#' term='metashamanism'/><title type='text'>The Role of Fear in Traditional and Contemporary Shamanism</title><content type='html'>reproduction of: http://www2.ull.es/congresos/conmirel/YORK.html&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;&lt;span style="font-size:85%;"&gt;MILLENNIUM: FEAR AND RELIGION&lt;/span&gt;&lt;/b&gt;.&lt;/center&gt;  &lt;center&gt;&lt;b&gt;&lt;span style="font-size:85%;"&gt;MILENIO: MIEDO Y RELIGIÓN.&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;  &lt;center&gt;&lt;b&gt;&lt;span style="font-size:85%;"&gt;MILLÉNNAIRE: PEUR ET RELIGION.&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;  &lt;center&gt; &lt;hr width="100%"&gt;&lt;b&gt;&lt;span style="font-size:78%;"&gt;   COMMUNICATIONS (pour discussion)&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;  &lt;center&gt;&lt;b&gt;&lt;span style="font-size:78%;"&gt;PAPERS (for discussion)&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;  &lt;center&gt;&lt;b&gt;&lt;span style="font-size:78%;"&gt;PONENCIAS (para discusión)&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;  &lt;center&gt; &lt;hr width="100%"&gt;&lt;/center&gt;  &lt;center&gt;Envoyez vos commentaires à; send your commentaries to;envíe sus comentarios a: &lt;a href="mailto:conmirel@ull.es"&gt;conmirel@ull.es&lt;/a&gt;&lt;/center&gt;  &lt;center&gt; &lt;hr width="100%"&gt;&lt;/center&gt;   &lt;p&gt;&lt;b&gt;The Role of Fear in Traditional and Contemporary Shamanism&lt;/b&gt;  &lt;/p&gt;&lt;p&gt;Copyright: Michael York. Bath Spa University College&lt;br /&gt;                                                                                     volver a la página principal (&lt;a href="http://www2.ull.es/congresos/conmirel/index.HTM"&gt;pulse aquí&lt;/a&gt;)&lt;br /&gt;&lt;/p&gt;&lt;hr width="100%"&gt;  &lt;p&gt;Strictly speaking, shamanism is a religious technique which is practiced by the Evenki or Tungusic tribes in the north-eastern regions of Siberia. Therefore, to apply the term `shamanism’ to medicine-people and witch-doctor practices belonging to ethnic identities further afield, such as among African tribalists or indigenious Indians in both North and South America, is an Euro-centric misnomer which carries an artificiality akin to the British colonial labelling of the diverse &lt;i&gt;dharma&lt;/i&gt; practices of India under the single rubric of `Hinduism’. Nevertheless, the term `shamanism’ provides religious studies scholars a convenient generic designation for an animistic worldview in which special medium technicians link the visible world with the otherworld of gods and spirits for the benefit of the local community. Consequently, it is with reference to a broadly detectable similarity of religious belief and practice pertaining to an active mediumship involving spirits conceived as autonomous entities and for the purposes of healing, divination, control over natural events, and the like that I employ the terms `shaman’ and `shamanism’ in this paper.  &lt;/p&gt;&lt;p&gt;The shaman is a combination healer, priest and magician whose speciality is controlling or gaining aid of supernatural agencies. Among the devices the shaman employs, we find hypnotism, ventriloquism, sleight of hand, and, above all, trance-like states. These last are achieved through dance, music, fasting, meditation, drug-taking and/or self-hypnosis. In other words, the shaman is one who has mastered what Mircea Eliade designates `techniques of ecstasy’. It is in the ecstatic state that the shaman’s soul is believed to leave the body and travel great distances – including the heavens and the underworlds. The dangers of the otherworld are always present, but through the shaman’s initiatory preparation, and fortified with the aid of acquired guardian spirits, the shaman alone is able to brave the challenge.  &lt;/p&gt;&lt;p&gt;For traditional societies, out-of-body shamanic projection has specific purposes. The primary goal is to cure illness including `loss of soul’. He or she also functions as a psychopomp who escorts the souls of the dead to the otherworld. In the shaman’s capacity to direct communal ceremonies along with the propensity to commune with extra-terrestrial regions, he/she functions as a kind of `psychic safety-valve’ for the host community. The shaman may also practice divination and clairvoyance and thereby serve to locate lost objects, animals or people for the benefit of other members of his/her society or for the social collective as a whole.  &lt;/p&gt;&lt;p&gt;The most crucial factor for the indigenous shaman, therefore, is his/her social role. The shaman is the specialist who explores the outer reaches of the mind, the realms of fearsome archetypes, the dimensions of schizophrenia. It is the vitally important social duties of the shaman which serve as the psychic-explorer’s anchor. In other word’s, it is the shaman’s society and his or her obligations to it which constitute the source of security and support in the specialist’s explorations of madness and the ability to return from what might otherwise amount to a permanent state of insanity.  &lt;/p&gt;&lt;p&gt;It is through the shaman’s ability to divine the future that the shaman becomes most similar to the prophet. However, the traditional prophet operates in times of prosperity. The apocalyptist, on the other hand, is one who predicts in times of distress. Millennialism is the belief that personal and socio-political life will change for the better at the end of a specific period of time. The awaited `millennium’ is often expected to follow a transitional phase of radical and cataclysmic upheaval in which `enemies’ and oppressors are eliminated. The apocalyptic `birthing-time’ of the coming new world order in which good triumphs over evil is nevertheless an interval of terror for all involved.  &lt;/p&gt;&lt;p&gt;In general, shamanism is not associated with millenarianism, and any detectable element of fear has more to do with the individual shaman’s challenges in the otherworld than with collective devastations pertaining to this one. However, in America, the early nineteenth century Handsome Lake revival and Ghost Dance movements of the 1870s and 1890s which celebrated the imminent disappearance of the European descendants, the restoration of traditional lands and ways of life, and the return of revivified ancestors were predicted and launched by mediumistic shamans. Consequently, while indigenous shamanism is primarily concerned with maintaining the status quo of society, in times of colonial oppression or extreme stress, the shaman may inspire a millenarian movement which provokes fear and the necessity to follow strict codes of conduct as a means to prepare for – and remain safe in - the anticipated change.  &lt;/p&gt;&lt;p&gt;The New Age Millennium  &lt;/p&gt;&lt;p&gt;Essentially, for the New Age Movement, the anticipated `New Age’ paradigm is a metaphor for salvational change. The movement itself is a complex and loosely organised confederation of contrasting beliefs, techniques and practices that blend Eastern mystical philosophies, occult-psychic phenomena and pagan religious practices together in an often haphazard and uncoordinated manner. There is no centralisation within New Age which could either speak for the movement as a whole, supply membership lists, or even ascertain who and who is not a member. The New Age Movement is largely a perpetually shifting and &lt;i&gt;ad hoc&lt;/i&gt; alliance of exegetical individuals and groups, audience gatherings, client services, and various new religious movements that range between the cultic, sectarian and denominational. Even when viewed externally, such as in sociological observation, there is little agreement concerning what constitutes New Age and who is and who is not to be included.  &lt;/p&gt;&lt;p&gt;However, the establishment of a new supernatural world order is the defining or essential thrust of New Age expectation. Within its broad confederacy of belief and identity, we find three ideal-type New Age orientations: the occult, the spiritual and the social (York, 1995 pp. 36f). It is the occult dimension of New Age which exhibits the greatest parallels with the contemporary Pentecostal/charismatic revival. Both are primarily concerned with spiritual and physical healing largely outside the confines of standard medical science; both seek guidance from spirits along with direct experience of the sacred – through glossalia for the one and channelling for the other; and both find the world on the verge of radical spiritual transformation. For occult New Agers, the New Age is often understood to come about through the operation of an external supernatural agent.  &lt;/p&gt;&lt;p&gt;Consequently, despite the more pervasive understanding of the `New Age millennium’ as a metaphor of change, any careful survey of holders of the New Age paradigm reveals a sizeable number of `adherents’ who understand the New Age as a literal event. Many of these even expect the advent of the New Age to be apocalyptic and characterised by terrestrial and social upheaval. This more `Christian wing’ of New Age thought – exemplified in the writings of Edgar Cayce and Ruth Montgomery – adopts a premillennial form of Christian millenarianism. Jesus’ physical return follows a period of earth catastrophes but inaugurates the New Age millennium. It contrasts with the more `postmillennial’ position of most New Agers which, if not necessarily expecting a second coming to occur at the end of a `thousand years’ of New Age righteousness, at least argues for worldly activism and reform as the incumbent process necessary `to make the millennium’. A leading spokesperson for this vision as a product of human effort rather than supernatural intervention has been Marilyn Ferguson, author of the 1987 best-seller, &lt;i&gt;The Aquarian Conspiracy&lt;/i&gt;. A third position between the more canonical Christian on the one hand and the essentially `New Age’ Christian and non-Christian on the other is represented by the Eastern mysticism and Christian mix that we find expressed by the Montana-based Church Universal and Triumphant’s Elizabeth Claire Prophet. Mrs. Prophet, claiming not to be a channeler but one who follows in the old tradition of the prophets, argues for spiritual and physical preparation according to the guidance she has received from higher beings.  &lt;/p&gt;&lt;p&gt;New Age identity  &lt;/p&gt;&lt;p&gt;What tends to distinguish New Age thought from that of the major world religions is its theodicy. New Age, by and large, and with such exceptions as Montgomery and Prophet, tends to deny the reality of evil. As a corollary to this, New Age also denies the validity of fear. With its doctrine of reincarnation, whatever negativity that one perceives to encounter is simply an opportunity to learn and progress in self-development. The New Age affirms the potential powers of the individual, and it believes that a person can re-create the cosmos according to his or her wishes.  &lt;/p&gt;&lt;p&gt;A typical New Age technical practice is that of neuro-linguistic programming (NLP). NLP advances itself as a new science of the mind in which one trains (programs) one’s neural impulses toward positive expectation. The technique is believed to develop power to influence others, shape one’s own destiny, heal past wounds, create one’s dream future, overcome obstacles and cure phobias. In essence, NLP is a modern recasting of the earlier principle of `positive thinking’. In its consideration of a fundamental dynamics between mind and affirmative language, it develops an epistemological theory concerning how their interplay creatively affects our bodies and behaviours. Consequently, NLP will not countenance the possibility of the negative or a failed outcome. More broadly, its essential affirmation of unlimited human potential is a &lt;i&gt;sine qua non&lt;/i&gt; of New Age theory and practice.  &lt;/p&gt;&lt;p&gt;At times, this ability to create one’s own universe veers toward the solipsistic – as witnessed with Shirley MacLaine’s new year’s eve New Age ceremony in which she realises her total responsibility and power for all world events (MacLaine, 1987:173-75; &lt;i&gt;vide&lt;/i&gt; York, 1995:78). That humans feel terror is seen by Ms. MacLaine as simply the fact that she herself feels terror. It is on the earth-plane level that we each experience fear, pain and difficulties as realities, whereas the `loving’ spiritual level of infinite wisdom guarantees that it alone is the sole reality and all else an illusion. Nevertheless, regarding both the physical and spiritual realities, "We create them both" (MacLaine, 1987:333). Consequently, this underlying New Age conviction that we are ourselves the authors of spiritual reality and that the material world is a valueless illusion betrays the New Age’s Gnostic inheritance. In its ultimate rejection of the physical, New Age is simply a modern updating of a longstanding transcendental-gnostic-theosophical tradition.  &lt;/p&gt;&lt;p&gt;The New Age/Neo-pagan dichotomy  &lt;/p&gt;&lt;p&gt;But this `nature is an illusion’ stance of New Age reveals the movement’s own internal and unresolved dichotomy. New Age is frequently assessed by sociologists and other scholars of religion as well as by itself to include elements of pagan spirituality. Contemporary Western paganism, often referred to as `Neo-paganism’, has instead increasingly come to distance itself from the New Age. Instead, the basic theological perspective of paganism pictures the godhead as immanent and not something `wholly other’ from the tangible. Nature is understood as real and sacred rather than a delusional &lt;i&gt;mâyâ&lt;/i&gt; or veil that requires penetration and piercing to reach the spiritual truth it obscures.  &lt;/p&gt;&lt;p&gt;This spiritual dichotomy remains, in part, an unresolved tension and dialogue within New Age, though increasingly as each diverging worldview finds its own articulating voice, a polarisation emerges in which the New Age assumes the `nature as illusion’ position, while Neo-paganism centres on `nature as real’ and something to be centrally cherished. But if gnosticism and paganism are to be seen as polar opposites, they are also, vis-à-vis the mainstream Judaeo-Christian orthodoxy, natural allies. Both movement’s place the burden of spiritual decision on the individual alone. Both eschew the imposition of any ecclesiastical authority or body in determining what one should or should not believe. In this respect, both New Age and Neo-pagan `seekers’ become the typical spiritual consumers in what sociology often labels the contemporary religious supermarket. In our modern/postmodern era, beliefs and practices have tended to become commodities sampled, accepted or rejected by the religious consumer. The exegetical and hermeneutical decision belongs to the individual alone in predominant New Age and Neo-pagan conviction. Whereas paganism tends, however, to delve into and keep more within the parameters of a specific tradition (e.g., Wicca, Druidry, Santería, Egyptian Mysteries, etc.), the New Age by-line more typically and unencumberedly is: `If it works for you, then it is right’.  &lt;/p&gt;&lt;p&gt;New Age/Neo-pagan similarities and distinctions  &lt;/p&gt;&lt;p&gt;The biggest contrast between New Age and Neo-paganism, apart from the reality of nature and `location’ of the godhead question, concerns millennialism. As this last is, in the West, essentially a Christian or at least Christian-derived concept, it has little place in contemporary Western paganism. For New Age, by contrast, it constitutes a centrally defining feature – whether literal and/or apocalyptic, or whether metaphorical and an insistent goad for social activism. Whether the New Age is to be a quantum shift in collective consciousness, whether a golden age of peace and love, whether imminent or a defining objective, the Age of Aquarius is its catalyst and identifying point of reference.  &lt;/p&gt;&lt;p&gt;In the current re-emergence of paganism in the West, there is little co-ordinated use of the millennium symbol. While Bryan Wilson (1973) finds that thaumaturgy and millenarianism often go hand-in-hand among undeveloped peoples in the third world, this linking of magic and adventism is absent for present-day pagans in the Western world. This absence, however, does not preclude concern with the environment, ecology, anti-pollution efforts or, even occasionally, pro-Luddite sentiment. In fact, in contrast to the frequent narcissistic and &lt;i&gt;laissez-faire&lt;/i&gt; criticisms of New Age, Neo-paganism is by-and-large fully committed to activist campaigns against litter, road and highway construction, and desecration of ancient and sacred sites.  &lt;/p&gt;&lt;p&gt;New Age too, however, may frequently share with paganism the notion of `stewardship of the earth’ – a concern which tends to draw both movements behind the `Green Movement’ as a primary political expression. Other similarities "between New Age and Neo-paganism include eco-humanism or some variant, the belief in the intrinsic divinity of the individual, epistemological individualism, and exploratory use of theonymic metaphors not traditionally associated with the Judeo-Christian mainstream" (York, 1995:145). The foremost emerging symbol for the godhead is that of `the Goddess’, and after Wicca/witchcraft, this single construct is perhaps more frequently encountered in New Age than it is among the remaining contemporary Western pagan practices. As a whole, however, both movements clearly recognise what they consider a need for a spiritual idiom in feminine terms.  &lt;/p&gt;&lt;p&gt;Apart from contrasts between a hierarchical understanding of the godhead vis-à-vis a more `democratic’ structuring of the supernatural, the primacy of the invisible spiritual world versus the precedence of the material, &lt;i&gt;ad hoc&lt;/i&gt; and simplistic ceremony in contrast to intricate and elaborate ritual, the New Age and Neo-pagan unite in their mutual acceptance of belief in reincarnation. Though the &lt;i&gt;raison d’être&lt;/i&gt; may often be different, i.e., `spiritual development’ through progressive shedding of karma with the goal of final re-emergence with the godhead as ultimate source vis-à-vis simply pure participation in the great cosmic round of nature encompassing the eternal cycle of birth-death-rebirth, the notion of rebirth is something which is entertained largely, if not exclusively, throughout both movements. The occupation by the soul of a new body after the death of the former body is a New Age and Neo-pagan belief which sets both movements apart from the prevailing Judaeo-Christian understanding of the West.  &lt;/p&gt;&lt;p&gt;But if reincarnation, Gaia consciousness, the sharing of the same sacred sites and ecological restoration link the two movements, another major overlap between New Age and Neo-paganism is to be found in the incorporation of what are hailed as `shamanic techniques’. The appropriation of these along with Native American spirituality is among the more contested issues which arise from the dynamics of the religious Western consumer market. As the market is itself a feature of the modern/postmodern transition, so too is the employment of shamanic tools – one which pits Western interpretative shamanism vis-à-vis traditional, indigenous forms of shamanism. Nevertheless, when guided imagery is used to replace shamanic journeying, the emphasis is then placed on the `imaginal' (as opposed both to the imaginary and to Jung's archetypal). What this amounts to is that the power and process of imagining becomes a workable way &lt;i&gt;not&lt;/i&gt; to appropriate from other cultures.  &lt;/p&gt;&lt;p&gt;   &lt;/p&gt;&lt;p&gt;Neo-shamanism  &lt;/p&gt;&lt;p&gt;All forms of shamanism as a religious belief rely on an animistic assumption concerning the world. In animism, natural objects are perceived as imbued (animated) with inherent vitality. Everything in the cosmos - humans, animals, plants, stones, emotions, dreams, ideas – possesses an independent, individual and conscious life principle. The indwelling spirit could be benign and benevolent, indifferent and neutral, or dangerous and a cause of fear. But the very idea that spiritual beings exist which can separate from their resident bodies allows the notion of shamanism that one’s soul can encounter these entities and that this encounter might be beneficial or harmful – depending on the nature of the spirit and the precaution and strengths of the `soul-traveller’.  &lt;/p&gt;&lt;p&gt;Animism is connected with fetishism, totemism, idolatry, notions of taboo, ancestor worship, the use of charms, amulets and talismans, and, of course, shamanism. The conscious personalities inherent in objects and which may be encountered in the otherworld as independent spirits require propitiation or manipulation. It is chiefly the function of the shaman to outwit whatever negative forces that are confronted and are serving as obstacles to collective and individual well-being.  &lt;/p&gt;&lt;p&gt;The basic idea of shamanism appears to be the institutionalisation of a socially recognised intermediary who liaisons between the world of pragmatic realities and the more subtle realm of spirit. &lt;span style="font-family:CG Times,Times New Roman;"&gt;While the construct `shamanism' is of course a Western, largely academic fiction, thanks principally to the influence of Carlos Castaneda, Michael Harner and, retroactively, Mircea Eliade (see Daniel Noel, 1997), there is currently also a burgeoning of interest in what is typically called neo-shamanism, sometimes New Age shamanism. In fact, in a 1980 work entitled &lt;i&gt;The Way of the Shaman&lt;/i&gt;, Michael Harner has led the way to an acceptance of what is now known as `core shamanism' as representing the essential features of shamanic transformation and experience of ecstasy. It is important to recognise, however, that `core shamanism' is also a Western and, in many respects, an artificial creation which has little if anything to do with traditional shamanic practices in indigenous or Asian cultures.&lt;/span&gt;  &lt;/p&gt;&lt;p&gt;While Noel concedes that it was Castaneda who inspired the West's `shabby imitation' of indigenous shamanisms, neo-shamanism is nonetheless a new religious movement which may be spreading rapidly in the West. Among the salient features of neo-shamanism is the orientation toward personal and spiritual empowerment among its practitioners. Certainly as a neo-colonial intrusion, it is seen to be a `fake' practice from the Native American perspective. Dreamwork itself is largely absent in Harner's development or `creation’ of core-shamanism which follows in the wake of Eliade's `construction' of shamanism and Castaneda's incorporation of a great deal of fantasy in his works. Consequently, while Harner originally did some solid anthropological ethnographic work in South America, his subsequent development of the concept of `core shamanism' is essentially a creative and imaginative work. What occurs in a typical Harner workshop, in which he replaces shamanic journeying with guided imagery, will not, in fact, be found in any single indigenous tribe.  &lt;/p&gt;&lt;p&gt;Core shamanism defines itself as "the universal and near universal basic methods of the shaman to enter nonordinary reality for problem solving, well-being, and healing" (&lt;i&gt;Common Ground&lt;/i&gt; 100, Summer 1999, p. 108). Harner’s workshops, weekend intensives and experiential courses in shamanic training have spawned numerous centres on the North American West Coast, throughout North America in general and in Europe: e.g., The Foundation for Shamanic Studies (Mill Valley, California), Friends Landing International Centers for Conscious Living (&lt;a href="http://www.friendshipslanding.net%29/"&gt;http://www.friendshipslanding.net)&lt;/a&gt;, Sacred Circles Institute (Mukilteo, Washington), Inward Journeys – Laeh Maggie Garfield &amp; Edwin Knight (British Columbia and Eugene, Oregon), Dance of the Deer Foundation Center for Shamanic Studies (Soquel, California), and Leo Rutherford’s White Eagle Lodge (London).  &lt;/p&gt;&lt;p&gt;The Foundation for Shamanic Studies places particular emphasis on the `classic shamanic journey’ as an awe-inspiring visionary method for exploring `the hidden universe’ of myth and dream. Friends Landing combines shamanic orientation with hypnotherapy and the ideokinetic study of how imagery affects movement. Sacred Circles Institute, Inward Journeys and Dance of the Deer Foundation hold camping retreats, Mount Shasta pilgrimages, wilderness treks and/or similar experiential encounters with nature in order to attain personal and spiritual transformation. According to Garfield and Knight (&lt;i&gt;Common Ground&lt;/i&gt; 100, Summer 1999, p. 47), "Shamanic development is a pathway that brings understanding and meaning to your life through mastery and cooperation with the natural world." It includes stargazing, interconnection of the soul’s different parts, mastery of elements, use of yoga, herbs and power sites, and `Vision Quests’. One is encouraged to become the person one always knew he or she was born to be. One is reputedly "provided with methods for journeying to discover and study with [his or her] own individual spiritual teachers in nonordinary reality" (ibid. p. 108). The purpose of New Age `core’ shamanism, therefore, is to restore spiritual power and health into contemporary daily life for the healing of oneself, others and the planet.  &lt;/p&gt;&lt;p&gt;Using the `magic of focused attention’, neo-shamanism endeavours to help its practitioners secure habit and lifestyle changes for both oneself and one’s clients in order to transmute suffering, relieve stress, gain personal understanding and locate a core of wellness that can implement one’s life’s dream. While part of its effort is to train the would-be aspirant to supply fee-providing healing and training services to others, the main concentration of neo-shamanic activity is directed toward the self. In this sense, it is in full accord with the essential thrust of New Age concerns with personal transformation. This use of shamanic techniques as a `quick fix’ and human potential tool, however, is at complete variance with traditional tribal shamanisms in which rarely does an individual choose on his or her own accord to become a shaman. In the indigenous context, the long and arduous training which leads one into being a shaman is something which &lt;i&gt;befalls&lt;/i&gt; an individual – usually after the experience of an unwanted and major trauma.  &lt;/p&gt;&lt;p&gt;Shamanism and neo-shamanism compared  &lt;/p&gt;&lt;p&gt;Unlike indigenous shamanisms, in core shamanism knowledge becomes exoteric rather than esoteric. As a commodity, it is essentially something which is bought and sold. There is also little attempt to master the spirits. In fact, the aim is give power directly back to the people and thereby eliminate the shamanic specialist altogether. In Jonathan Horwitz's explanation during the 1998 `Shamanism in Contemporary Society' conference sponsored by the University of Newcastle upon Tyne, the `new shamanism' is a spiritual discipline which enables one directly to contact and use the spiritual dimension of the universe - one which is based on the animistic understanding that everything that exists in the physical plane contains spirit power. Horwitz prefers to see this process as a shamanic revival rather than as `neo-shamanism', though he recognises that there is much confusion in making the peak experience the goal rather than simply the doorway.  &lt;/p&gt;&lt;p&gt;However, a key weakness in neo-shamanism would appear to be its over-emphasis on the self without a community framework. Horwitz argues that the shaman is only a vehicle, not so that the shaman can become more powerful, for this is the endeavour of the sorcerer, but to discover the shaman’s very humanity by surrendering to the spirits in an act of discovery. Though Horwitz recognises that such a surrendering is also to one's own personal responsibility, there is little if any recognition that the shaman must negotiate a dangerous and threatening path and this in addition not on behalf of himself/herself but for the community he/she serves.  &lt;/p&gt;&lt;p&gt;In traditional shamanisms, the shaman's entire endeavour is shaped by his or her role vis-à-vis the community. Deliberately sending forth one's free-soul, exploring the spiritual realms of the otherworld, being beyond the boundaries of the norm and of normal behaviour in a Western cultural context is to be mad, insane or schizoid. In the traditional understanding of a soul-duality comprising both a life or body soul and a free or dream soul, if a person's dream-soul does not return to the waking body, the person is understood to be mentally ill and eventually physical illness inevitably follows. For the ordinary person, soul-loss is an accident or misfortune. For the shaman, by contrast, the very propensity for entering an altered state of consciousness is his or her trade. But it is still not the &lt;i&gt;raison d'être&lt;/i&gt;. The purpose instead is the community welfare.  &lt;/p&gt;&lt;p&gt;In navigating the dangers of the world of spirit, within the condition of an altered state of consciousness, even for the experienced shaman there is the risk of soul-loss through the sheer terror of encountering the &lt;i&gt;mysterium tremendum&lt;/i&gt;. It is the very social function of the shaman which provides his or her link back to this world. Community service becomes the grounding link which prevents the shaman from becoming permanently lost in the otherworld. So while the mediumship of the shaman is what allows a community an access to the spiritual without which there is the danger of collective madness, it is the community itself and the shaman's duty to serve it which provides the shamanic safeguard against the specialist becoming imprisoned perpetually in the world of purely analogical and magical effervesence. It is this aspect which is essential in all indigenous forms of shamanism but which currently in contemporary creations of `core-shamanism' - as simply altered states of consciousness without a developed sense of social responsibility - is only incipient.  &lt;/p&gt;&lt;p&gt;The full New Age inclination of core or Neo-shamanism, however, remains detectable in its theodicean denial of the negative as real and/or as evil. This is New Age holism as opposed to more traditional dualistic understandings of good and evil. New Age theodicy "tends more simply to devalue or transvalue the reality of suffering than to attempt a formal explanation for its existence" (Wuthnow, 1976 p. 128 on the mystical meaning system). But by denying the reality of the negative – whether fear or evil, New Age shamanism employs a technical tool with perhaps a misunderstanding of the context in which to use it. In traditional shamanism, the shaman’s flight of the soul takes him or her into a psychic realm of infinite terrors, and it is the technician’s acquired ability to cope with fear and the trickster element of the supernatural that allows the shaman to return to the everyday world when the task is completed and not become a lost victim in an unending dimension of enchantment. From the viewpoint of its critics, Neo-shamanism, by contrast, is a foolish playing with fire.  &lt;/p&gt;&lt;p&gt;Neo-shamanism belongs to New Age’s concern with anxiety and phobia treatment. Its primary focus is upon personal anxiety disorder which people may perceive as impairing their ability to function. Shortness of breath, dizziness, racing heart, trembling, depersonalisation, paralysing terrors, panic attacks and fear of dying are recognised as various symptoms of anxiety which human potential, New Age techniques and Neo-shamanism claim to eradicate. The alleged superficiality and lack of in-depth study which many see as endemic to the New Age throw into question its often and seemingly willy-nilly appropriation of cultural artefacts without a mature and guarded wariness on how to use them.  &lt;/p&gt;&lt;p&gt;Conclusion  &lt;/p&gt;&lt;p&gt;As a whole, Neo-shamanism may be seen as a polyglot, pluralistic movement that parallels the eclectic and multicultural/multiperspectival developments of contemporary Western spiritual proliferation. It is basically only in its more New Age emphasis that it tends to deny the reality of intrinsically nefarious spirits. During the 1988 Newcastle conference, Horwitz expressed this typically New Age perspective when he proclaimed that the spirits of cancer and Aids might be encountered as revoltingly ugly but are not evil and can be appealed to as respectable entities in the process of extrication. From an opposite viewpoint, Denmant Jakobsen at the same conference pointed out that in their environments of origin, shamanic practices tend to approach a spirit of illness as something to be killed and destroyed or at least boomeranged back for the destruction of its sender.  &lt;/p&gt;&lt;p&gt;Contemporary Western shamanistic practices are, of course, not only New Age. In the increasingly complex and varied fabric of Western society, indigenous spiritualities are steadily to be found – often with creative and innovative adaptations for fitting into an urban environment as opposed to the more rural conditions of their original homelands. Foremost in this respect are the Afro-Atlantic faiths of Macumba, Santería, Voodoo and so forth. The Santerían &lt;i&gt;santeros&lt;/i&gt;, however, is less a shaman as he or she is a medium. The differentiation between the shaman and the medium is often subtle and fluid. In general, however, the medium is an individual who is &lt;i&gt;occupied&lt;/i&gt; by a spirit while in a trance. The medium acts as a channel for the words of a by-standing spirit or the ghost of a deceased person. In this sense, the medium is closer to the oracle. The shaman, by contrast, travels to the afterlife - whether the netherworlds or the celestial. Soul-travel is the shaman's speciality, and in this sense, though frequently classified as shamans, the Yoruban &lt;i&gt;elegun&lt;/i&gt; and Japanese &lt;i&gt;miko&lt;/i&gt; are closer to mediums since they undergo spirit possession. The Amerindian Algonquin is also similar in this last: he or she conjures a vision-questing spirit into himself/herself rather than send out a soul in ecstatic trance. Moreover, in this vein, the religiosity of the North American Plains peoples has been described as a democratised form of spirituality inasmuch as everyone participates in vision quest - not just the religious specialist.  &lt;/p&gt;&lt;p&gt;Native American and Afro-Latin religiosities are both traditionally pagan and in this sense have more affinity with contemporary Western forms of paganism than with New Age spirituality. If shamanism is one of the major bridges between New Age and Neo-paganism, there are also important differences between how the two orientations respectively practice shamanic techniques. If Western paganism too tends to disallow the intrinsic existence of evil, it nevertheless allows more than New Age for the possibility of `operative’ evil. It also more fully recognises the dynamics of fear.  &lt;/p&gt;&lt;p&gt;While Wicca/witchcraft is the more dominant form at present within contemporary Western paganism, another residual school surviving as a legacy of the counterculture of the 1960s we may designate as psychonautica. In traditional shamanism, the use of drug-induced trance states is a major avenue through which the shaman achieves `flight of the soul’. Modern Western psychonauts comprise a quasi-scholarly and quasi-experimental alliance of explorers in `entheogenic’ experience. Not all this pursuit is conducted as a religious or spiritual undertaking, but much of it is, and most of what is is pagan. Present-day psychonauts eschew hallucinogenic use in any form of recreational tourism. The purpose, instead, is self-discovery and imaginal exploration. But while the more traditional understanding of community to be served might be absent and the present-day community for Western psychonauts is generally the psychonautic community itself, the psychedelic experience of mental archetypes and the mind’s antipodes allows a cognizance of fear itself as a profound reality – betokening a frightening emotion which, as Rudolf Otto (1928:19) recognised "must be gravely disturbing to those persons who will recognize nothing in the divine nature but goodness, gentleness, love, and a sort of confidential intimacy."  &lt;/p&gt;&lt;p&gt;The &lt;i&gt;ira deorum&lt;/i&gt;, the fear or wrath of the gods, is something New Age by-and-large cannot and will not countenance. The sociologist of religion cannot judge this as wrong in itself. The New Age presents a different worldview – one which contrasts sharply with those of most major world religions as well as with traditional paganism and its contemporary Western varieties. In New Age theodicy, evil is largely understood as ignorant behaviour, that which arises from a state of ignorance. The antidote of sin for the New Ager is not atonement but &lt;i&gt;gnosis&lt;/i&gt;. Knowledge, wisdom and understanding are the means by which evil can be transformed and transcended.  &lt;/p&gt;&lt;p&gt;From a more purely pagan perspective, evil is extrinsic rather than intrinsic and is essentially a disease. As something which invades or disrupts an organism’s natural equilibrium, the negative is to be cured. While both New Age and Neo-paganism speak in terms of healing metaphors, for the former this is a state of mind, an enlightenment, while for the latter, it is a re-gaining of the natural balance, a `disinfection’ and removal of disruption. If Eliade saw shamanism as comprising various techniques of ecstasy, the Russian Shirogokorov in the 1930s tended to associate shamanism with spiritual healing as its most salient feature. We might assess that both were correct. What is interesting in our ambivalent and confusing times, however, is that two forms of contemporary shamanism are taking root in today’s world: the New Age variety which seeks to move beyond fear toward a state of complete spiritual and emotional freedom, and the pagan variety which endeavours to manage or outwit fear in the process of bringing benefit to the individual and community.  &lt;/p&gt;&lt;p&gt;It is within the area of pyschonautica that the New Age and Neo-pagan branches of contemporary Western shamanism might come closest together. Psychomimesis, &lt;i&gt;entheoi&lt;/i&gt; or catalepsis is variously induced through different hallucinogenic substances. Following from Brazilian and other South American practices, Michael Harner has employed &lt;i&gt;ayahuasca &lt;/i&gt;as a medium by which to experience a world of spirit and vision. Carlos Castaneda's preferences included use of jimson weed, peyote and &lt;i&gt;Datura stramonium&lt;/i&gt;. We know that first century Thracian shamans resorted to hashish, while the Vedic peoples' medium of choice was &lt;i&gt;soma&lt;/i&gt; - possibly the eastern Mediterranean pine &lt;i&gt;Ephedra fragilia&lt;/i&gt; or the fly agaric mushroom traditionally associated with the Lapps. Alcohol is always another possibility, while Ecuador's Jivaro Indians employ tobacco and Surinamers, the takini plant. Pythagoras apparently used &lt;i&gt;kykeon&lt;/i&gt; which translates as `disorder'.  &lt;/p&gt;&lt;p&gt;The a&lt;i&gt;yahuasca&lt;/i&gt; which Harner has used as his preferred vehicle into ecstatic experience is known in South America as &lt;i&gt;la purga&lt;/i&gt;. While &lt;i&gt;ayahuasca&lt;/i&gt; is a central feature in the Brazilian Pentecostal sects of Santo Daime and Unio de la Vegetal, it is more widely known for its medicinal/healing properties than for its hallucinogenic ones. This connects the psychonautic tradition which follows in Harner’s footsteps (e.g., Alan Schumacher, Wilfred Van Dorp, etc.) more with the idea of shamanism as first perceived by Shirogokorov. While still conforming essentially to the ideas of `core shamanism’, this particular entheogenic practice re-opens New Age shamanism to pagan dimensions.  &lt;/p&gt;&lt;p&gt;The contrast between New Age shamanism and pagan shamanism in a modern Western context revolves around the role of fear. In traditional shamanism, the shaman’s initiation is an ordeal involving pain, hardship and terror. In its classic version, the shaman experiences death, often dis-membership or skeletalisation, before undergoing reconstitution and rebirth. New Age, by contrast is a religious perspective that denies the ultimately reality of the negative, and this would devalue the role of fear as well. But in seeking to dismiss the fearsome, New Age also has the propensity to eliminate a central feature of religion &lt;i&gt;qua&lt;/i&gt; religion, namely, the experience of awe. The encounter with the &lt;i&gt;mysterium tremendum et fascinans&lt;/i&gt; engenders a mixed emotion of fear, reverence and wonder. If, however, all becomes `sweetness and light’ through a New Age agenda, there is no dread. But without the experience of fear, there can then be no real experience of the awesome. New Age shamanism would then seem to constitute an incomplete form of shamanism – one which does not include the central feature of shamanic initiation, and one which also does not include a central feature of religion.  &lt;/p&gt;&lt;p&gt;   &lt;/p&gt;&lt;p&gt;  &lt;/p&gt;&lt;center&gt;References&lt;/center&gt;  &lt;dir&gt; &lt;dir&gt;Mircea Eliade (1972), &lt;i&gt;Shamanism: Archaic Techniques of Ecstasy&lt;/i&gt; (tr. W.R. Trask), Princeton, University Press.  &lt;p&gt;Marilyn Ferguson (1987), &lt;i&gt;The Aquarian Conspiracy: Personal and Social Transformation in Our Time&lt;/i&gt;, Los Angeles: J.P. Tarcher.  &lt;/p&gt;&lt;p&gt;Shirley MacLaine (1987), &lt;i&gt;It’s All in the Playing&lt;/i&gt;, New York &amp;amp; London: Bantam.  &lt;/p&gt;&lt;p&gt;Daniel C. Noel, &lt;i&gt;The Soul of Shamanism: Western Fantasies, Imaginal Realities&lt;/i&gt; (New York: Continuum, 1997).  &lt;/p&gt;&lt;p&gt;Rudolf Otto (1928), &lt;i&gt;The Idea of the Holy&lt;/i&gt; (tr. John W. Harvey), London: Oxford U.P.  &lt;/p&gt;&lt;p&gt;Bryan R. Wilson (1973), &lt;i&gt;Magic and the Millennium: A Sociological Study of Religious Movements of Protest Among Tribal and Third-World Peoples&lt;/i&gt;, London: Heinemann.  &lt;/p&gt;&lt;p&gt;Robert Wuthnow (1976), &lt;i&gt;The Consciousness Reformation&lt;/i&gt;, Berkeley: University of California Press.  &lt;/p&gt;&lt;p&gt;Michael York (1995), &lt;i&gt;The Emerging Network: A Sociology of the New Age and Neo-pagan Movements&lt;/i&gt;, Lanham, Maryland: Rowman &amp;amp; Littlefield.&lt;/p&gt;&lt;/dir&gt;&lt;/dir&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-1574513338847027000?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/1574513338847027000/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=1574513338847027000&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/1574513338847027000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/1574513338847027000'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/07/role-of-fear-in-traditional-and.html' title='The Role of Fear in Traditional and Contemporary Shamanism'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-4868072178645362336</id><published>2007-07-01T18:30:00.000-07:00</published><updated>2009-01-26T17:46:59.448-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='shamanism'/><category scheme='http://www.blogger.com/atom/ns#' term='story'/><category scheme='http://www.blogger.com/atom/ns#' term='metashamanism'/><category scheme='http://www.blogger.com/atom/ns#' term='diss'/><title type='text'>Metashamanism</title><content type='html'>I hope to develop Daniel C. Noel's idea which he referred to as &lt;a href="http://en.wikipedia.org/wiki/Neoshamanism"&gt;neoshamanism&lt;/a&gt; in contradistinction to the creations of folks currently using that term.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;A big part of the dissertation I'm writing and &lt;a href="http://processarts.net/"&gt;community we are building&lt;/a&gt; has to do with shifting in perception back and forth between the literal (myths of Progress, Science, and mechanized Industrialism) and the metaphorical (myths of Soul, Humanities, Poetics). Dr. Dan Noel was convinced that the contemporary search with which many folks are identifying themselves as "spiritual but not religious" has to do with a desire for a more conscious metaphoricality in relationship to spirit and soul realms, a more purposeful fiction-consciousness that acknowledges the overlaps of the poetic, psychological, literary, (spiritualigious?spiritualicious :) , and the fundamental systemic presupposition of unconsciousness - that which may be related to through imagination but never fully known - shared by all these approaches.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;In wondering in mystery, I am interested in a transition from both the power-base clergy authenticated by apostles of a dominating idea and the "native medicine man" sprung fully clad from the head of a colonizing Nostalgia. Both are invested by the contemporary scientistic imagination in knowing some&lt;span style="font-style: italic;"&gt;thing&lt;/span&gt;, some sympathetic prestidigitation, that gives access to some place inaccessible to "normal" people, the existence of whom I find dubious at best. (See Ernest Becker "&lt;span style="font-style: italic;"&gt;Everyman as Pervert: an essay on the pathology of normalcy&lt;/span&gt;" if at all possible - in his "&lt;span style="font-style: italic;"&gt;Angel in Armor&lt;/span&gt;").&lt;br /&gt;&lt;br /&gt;I wonder if &lt;a href="http://culturopoiesis.blogspot.com/2007/06/neoshamanism-ala-dan-noel.html"&gt;Noel meant to imply&lt;/a&gt; not a neoshamanism, though that is the word he chose, but something less Nouveau that follows our revisioning of what is native to the spirit and soul in a contemporary contextlessness seriously lacking in nativity. I thought about referring to this imagination in creative motion as post-shamanism but heard &lt;a href="http://en.wikipedia.org/wiki/Thomas_Holcroft"&gt;Thomas Holcroft&lt;/a&gt;'s admonition ringing in my ears that "&lt;i&gt;The past is a guidepost, not a hitching post.&lt;/i&gt;"Still post-shamanism might work, or how about metashamanism? The metashaman is certain to know some things that I don't, but the reverse is also guaranteed to be true. What attracts me is that she knows differently some how, in some way that I can feel at first and then understand, but which requires some sustained practice to continue deeply enough to apply. It is the way of her knowing, the art in her process that I find compelling. She moves by way of the imagination, making fiction, making community that is aware of itself dreaming its own consciousness, identity, purpose, and culture.&lt;/div&gt;&lt;br /&gt;Here is a place metashamanism was mentioned before me with a different but parallel inflection. I'll have to look for where Joseph Campbell used the phrase  &lt;span style="font-family:verdana,arial,helvetica;"&gt;"shaman of shaman"&lt;/span&gt;. This piece is from an excellent article on storytelling and writing. I recommend it to your attention.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;center&gt;&lt;table border="0" cellpadding="4" cellspacing="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td bg=""  style="color:black;"&gt;&lt;table border="0" cellpadding="8" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td bg="" style="color: rgb(0, 0, 0);" valign="top" width="480"&gt;&lt;span style="color: rgb(255, 255, 255);font-family:verdana,arial,helvetica;font-size:78%;"  &gt;&lt;strong&gt;Further Reading on the Craft of Storytelling  &lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;&lt;td background="pix/tile.jpg" bgcolor="white" valign="top"&gt;  &lt;span style="font-family:verdana,arial,helvetica;"&gt; Okay, so you've decided that you want to get serious about learning the craft of storytelling. Maybe you've even set your sights on creating an epic myth, in the tradition of &lt;strong&gt;Star Wars&lt;/strong&gt;, &lt;strong&gt;Dune&lt;/strong&gt;, &lt;strong&gt;The Lord of the Rings&lt;/strong&gt;, &lt;strong&gt;The Matrix&lt;/strong&gt;, or even &lt;strong&gt;The Odyssey&lt;/strong&gt; or &lt;strong&gt;Gilgamesh&lt;/strong&gt;. Now what? Part of your motivation involves personal goals, like proving your value to yourself and the world, or earning a living doing something you care about. Those are valid goals! Part of your motivation involves more communal goals, like finding the most productive way for you to give back to the world, or to create a story that nourishes young people the way your favorite stories nourished you. How do you entwine those goals together, to create a &lt;a href="http://en.wikipedia.org/wiki/Synergy"&gt;synergy&lt;/a&gt; between your animal and spiritual/artistic impulses? How do you create a story which heals those pieces of you which aren't yet as healthy as they might be, then share that recipe for self-healing with the world?&lt;br /&gt;&lt;br /&gt;Joseph Campbell (1904-1987) observed that virtually all "precivilized" tribal people have a witch-doctor, or &lt;em&gt;shaman&lt;/em&gt;, who functions as the intermediary between the known and the unknown (especially the divine). We modern "civilized" people like to flatter ourselves by imagining that we have outgrown the primitive need for a shaman, but Campbell argues that the reverse is true, that the "shamanic function" has vastly proliferated, splintering into two main groups: the scientist/engineer deals with the "&lt;a href="http://en.wikipedia.org/wiki/Logos"&gt;logos&lt;/a&gt;," or rational use of symbols, while priests and artists deal with the "&lt;a href="http://en.wikipedia.org/wiki/Mythos"&gt;mythos&lt;/a&gt;," or intuitive/divine use of symbols. Homer, Thomas Edison, Isadora Duncan, Albert Einstein and George Lucas can all be understood in the context of serving the shamanic function in society - providing useful new patterns for our relationship with each other and the world.&lt;br /&gt;&lt;br /&gt;For scientist- and engineer-shaman, the path to gaining shamanic strength is fairly well-defined: both scientists and engineers ground themselves in &lt;a href="http://en.wikipedia.org/wiki/Logic"&gt;logic&lt;/a&gt;, which is the basic set of rules that governs the physical universe (like 1 apple + 1 apple = 2 apples). People learn logic mostly by solving logical problems, typically using math, &lt;a href="http://en.wikipedia.org/wiki/Syllogisms"&gt;syllogisms&lt;/a&gt; or computer programming.  Every technological innovation in the world is created using a combination of logic and the &lt;a href="http://en.wikipedia.org/wiki/Scientific_method"&gt;scientific method&lt;/a&gt;, which is really just a systematic way of testing educated guesses to discover if they work or not in reality. But what about us aspiring storyteller-shaman? We typically learn our craft primarily by intuition, starting out by imitating our favorite stories, then slowly venturing into increasingly original territory as we gain a &lt;em&gt;feel&lt;/em&gt; for what makes stories entertaining and valuable. But what if we want to draw on more than just intuition, and approach our craft with the same methodic rigour scientists and engineers find so empowering? Where would we begin?&lt;br /&gt;&lt;br /&gt;Because he spent his life identifying the root patterns followed by storyteller-shaman, Campbell sometimes referred to himself a "shaman of shaman," which might be abbreviated as "metashaman." Three of the most significant metashaman of the past several hundred years were Max Müller (1823-1900), Sigmund Freud (1856-1939) and Carl Jung (1875-1961). Müller practically invented both comparative linguistics and comparative mythology, providing the first rough "map" of mankind's relationship with divinity and divine symbols which derived from the scientific method applied to several belief systems (before Müller mankind's ideas of the divine were almost always discovered through what might be called "divine intuition" within a single religious tradition). Freud coined the modern use of the word "unconscious," meaning the part of our mind which makes decisions beyond our conscious control; this gave us our first scientific vocabulary for the "territory" inside us where the motifs used by both dreams and mythic stories operate. Jung was the first to organize these motifs into useful categories, such as "shadow" (the embodiment of all our fears) and "anima" (the archetypal feminine). Joseph Campbell extended Jung's idea of the archetype by using them to map the basic pattern of all stories, the &lt;a href="http://en.wikipedia.org/wiki/Monomyth"&gt;monomyth&lt;/a&gt;, and also the common element behind all religions and spiritual ideas, which he named the transcendent.&lt;br /&gt;&lt;br /&gt;If we aspiring storytellers are one modern form of the tribal shaman, then one way to approach our task is to educate ourselves toward a solid understanding of shamanism and the shamanic role in society. What exactly makes a gifted shaman so valuable to other people? What does it take to become a shaman? The two strongest sources of this "metashamanic" information might be (1) serious anthropological overviews of shamanism and (2) nonfiction essays by the most powerful modern shaman explaining their methods and goals. Both Jung and Campbell were set on the "shamanic path" by asking themselves the same question: "By what myth do I live?" Here are some powerful starting places for asking yourself the same question:&lt;br /&gt;&lt;/span&gt;&lt;ul&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;li&gt; &lt;a href="http://en.wikipedia.org/wiki/Poetics"&gt;Poetics&lt;/a&gt; by Aristotle (383-322 BC) might be the oldest "metashamanic" work, an attempt to systematically explain and categorize various forms of fiction. Poetics didn't make a big splash when it was first released, but has since become a classic and staple of literary theory. Aristotle apparently coined the term &lt;a href="http://en.wikipedia.org/wiki/Catharsis"&gt;catharsis&lt;/a&gt;, which literally means "to cleanse" but in context refers to the emotional cleansing we experience while vicariously experiencing horrible or forbidden things.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; "&lt;a href="http://www.orwell.ru/library/essays/politics/english/e_polit"&gt;Politics and the English Language&lt;/a&gt;" (1946) by George Orwell (1903-1950) is a concentrated burst of mentoring on how to use language with power and honesty.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; &lt;strong&gt;Story: Substance, Structure, Style and The Principles of Screenwriting&lt;/strong&gt; by Robert McKee is one of the best no-nonsense books describing the basic building blocks and mechanics of stories.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; Joseph Campbell's &lt;strong&gt;The Hero With a Thousand Faces&lt;/strong&gt; (1949) is short, entertaining, and essential. Campbell is one of the most powerful "metashaman" of all time, and all his books are worth reading. He's even more engaging in video than print, so you might start with his videotapes, particularly &lt;strong&gt;The Power of Myth&lt;/strong&gt;, available at many libraries.  Christopher Vogler's &lt;strong&gt;The Writer's Journey: Mythic Structure for Writers&lt;/strong&gt; does more than simplify Campbell's book for screenwriters; he also makes well-reasoned criticisms and suggests improvements to the monomyth pattern.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; &lt;strong&gt;The Portable Jung&lt;/strong&gt;, edited by Joseph Campbell, is among the best starting places on Jung. Jung himself summarized his ideas for non-psychologists in the book &lt;strong&gt;Man and His Symbols&lt;/strong&gt; (1961). It's important to understand the basics of Freud, but he's terribly long-winded, so you might start with a summary of his main ideas written by someone else. Also helpful is Freud's essay "An Autobiographical Study" (1924), which he wrote towards the end of his life as a summary of his goals, methods and discoveries (available in &lt;strong&gt;The Freud Reader&lt;/strong&gt;).&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; A huge number of books on shamanism are available, but unfortunately most of them tend to be so fluffy, or contain so much wishful thinking and misinformation, that they aren't of much practical use. The two most well-known, exhaustive and helpful meat-and-potatoes anthropological overviews of shamanism are probably &lt;a href="http://www.sacred-texts.com/pag/frazer/"&gt;The Golden Bough&lt;/a&gt; (1922) by Sir &lt;a href="http://en.wikipedia.org/wiki/James_Frazer"&gt;James Frazer&lt;/a&gt; (1854-1941) and &lt;strong&gt;Shamanism: Archaic Techniques of Ecstasy&lt;/strong&gt; (1964, originally published as &lt;em&gt;Le Chamanisme&lt;/em&gt;, 1951) by &lt;a href="http://en.wikipedia.org/wiki/Mircea_Eliade"&gt;Mircea Eliade&lt;/a&gt; (1907-1986).&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; As I understand the craft of storyteller-shamanism (distinct from metashaman like Jung and Campbell), Tolkien is the most powerful shaman of the past 100+ years. The closest he ever came to explaining what he was up to is his essay "On Fairy-Stories" (1938).&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; &lt;strong&gt;The Essential Max Müller; On Language, Mythology, and Religion&lt;/strong&gt; (2002), edited by Jon R. Stone, may be the best starting place on Müller. While honoring Müller and presenting some of his strongest work, the introduction also acknowledges Müller's flaws and the inevitable partial out-dating of any pioneering work into a new field. Müller is also placed in the correct historical context, helping us understand how revolutionary his idea of "comparative mythology" was when it swept Europe in the late 19th century.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; &lt;strong&gt;King Solomon's Mines&lt;/strong&gt; (1885) and &lt;strong&gt;She&lt;/strong&gt; (1886), both by H. Rider Haggard (1856-1925), were a powerful direct influence on &lt;strong&gt;The Hobbit&lt;/strong&gt;, &lt;strong&gt;Lord of the Rings&lt;/strong&gt;, Anne Rice's vampire books, Jung's theory of the anima, H.P. Lovecraft (particularly "The Call of Cthulhu," 1926), Edgar Rice Burroughs (John Carter of Mars and Tarzan), Robert E. Howard (Conan) and countless others. These books launched the "lost race" genre, a strong common parent of both science fiction and modern fantasy. Indiana Jones is based primarily on stories which were based primarily on Haggard's Allan Quatermain character. No matter which modern wonder stories or adventure stories you enjoy, they almost certainly have roots tracing back to Haggard.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; Always be reading. Try spending a minimum of 200% as much time reading as watching TV and films combined. Read at least 50% outside your favorite genres, and at least 30% of your reading should ideally be books from outside your immediate culture (that means books originally written in modern non-English-speaking cultures, books written 100 or more years ago, or both). When a story grips you strongly, make a practice of tracing that story's sources: read interviews with the author, biographies and literate criticism. Try and build an intuitive feel for the creative methods of your favorite artists.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; Figure out what you love (by trying a lot of things), and become an expert at it. Give special consideration to learning a musical instrument. Poets have been around for longer than recorded history, but up until just a few hundred years ago calling someone a "poet" automatically meant that they knew how to play a musical instrument. Performing musically will give you a feel for what sounds good that will carry over into your writing.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; An epic is a compression of everything that's worth considering in life strung together into a single narrative. To write an epic, you need to develop your own idea of which things are most important, or worth considering. For instance, you'll probably have birth and death in there. Night and day. War and love. What else? The seasons? Different personality types, or social roles? Good vs. Evil? The afterlife? Look at the world around you - what is it everyone is struggling so hard for? Us shamanic wannabees earn our keep when we identify and communicate better ways for people to fulfill their needs and dreams.&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt; Don't limit your sources to other stories: keep an eye out for ideas from music, art, your personal life and especially the natural world which you can import into your stories, expanding our idea of what a story can be. The most powerful shaman are to a degree metashaman, questioning the very nature of stories and consciousness. What is it that draws you to stories in the first place? Who are you? Why are you here? &lt;/li&gt;&lt;/span&gt;&lt;/ul&gt;  &lt;!------------*------------&gt;  &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/center&gt;  &lt;!-------------END further reading table ------------&gt;  &lt;!--------------signature-------------------&gt;  &lt;hr /&gt;  &lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.geocities.com/%7Etaoofearth/rants/D21-96.html"&gt;Here is another place it was mentioned - probably before me and before Kristen Brennan.&lt;br /&gt;&lt;/a&gt;reproduction from&lt;br /&gt;http://www.geocities.com/~taoofearth/rants/D21-96.html&lt;br /&gt;&lt;br /&gt;Sat. December 21st., 1996, 1:05am&lt;br /&gt;&lt;br /&gt;Trendy Techno-Shamans Take the Web&lt;br /&gt;&lt;br /&gt;Here I sit, in the “small bedroom” of the apartment that we have turned into the computer room, and I spend endless hours staring at a screen and typing on a keyboard. There is a new trend on television about "web-addiction", and I can see where it might come from, for I think I have it...but not in the sence that most do... I sit here, in Durham, North Carolina, and through this piece of electronic equipment, I can send my consciousness out at any part of the planet, and find information on anything that I could ever imagine. Do shamans not do this to find cures and remedies by sending their consciousness through the astral plane? But now I am not only an observer in this world beyond the physical point of my “computer room”, I can also tell others of my ideas and beliefs by leaving “temporal footprints” in cyber-space and spread the things that I have learned and the things that I believe in...could this be a new state of being...maybe, metashamanism? Being able to be in all places and in no place all at once? The term “Techno-Shaman” has being picked-up by every person that has experience with a computer and a bit of psychedelic drugs, it is no longer a term that fits with those that have been calling themselves this for many years. There are now probably hundreds that claim they came up with the term “techno-shaman”, and they/we all believe in our definitions of the word, they may all be right. But thousands of years ago, who knew the exact definition of a Christian, or a Taoist, or a Buddhist? These are but definitions that society has come up with to lump groups into their social structures, and I have no problem with anyone calling themselves a Techno-Shaman, as long as they always stay open to the goals of Nature and peace, and can allow their thoughts and beliefs to flow from their homes into cyber-space to spread the ideas that there can be a balance between Nature and Technology, and that we must treat both with the respect that they deserve. And if one wishes to become a metashaman, they need to learn to be in all places and in no place all at once. But then again, the word metashaman is something that I just came up with tonight, and by next year, it could be just another buzz word...&lt;br /&gt;&lt;br /&gt;Peace and light to all&lt;br /&gt;&lt;br /&gt;Tao of Earth&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;  &lt;!-------------END further reading table ------------&gt;  &lt;!--------------signature-------------------&gt;  &lt;hr /&gt;  &lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Earlier even than that:&lt;br /&gt;&lt;br /&gt;http://www.google.com/url?sa=t&amp;amp;source=web&amp;amp;ct=html&amp;amp;cd=9&amp;amp;url=http%3A%2F%2F209.85.173.132%2Fsearch%3Fq%3Dcache%3A5T8vHVbof9gJ%3Awebdelprofesor.ula.ve%2Fhumanidades%2Felicap%2Fes%2Fuploads%2FBiblioteca%2Fmetashammanism.pdf%2Bmetashaman%26hl%3Den%26ct%3Dclnk%26cd%3D9%26gl%3Dus&amp;amp;ei=bmJ-SebmKZGksQPJkoHzAw&amp;amp;usg=AFQjCNHwEa-7PXxbhKmsjg4082141BgkSw&amp;amp;sig2=Twpc-1hV4BCdXxSu225J2g&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;SCIENCE, SHAMANISM AND METASHAMANISM&lt;br /&gt;Paper Read at the&lt;br /&gt;Second Venezuelan Seminar on Ethnomedicine and Religion&lt;br /&gt;(Mérida, Venezuela, March 26-30, 1990)&lt;br /&gt;Elías Capriles&lt;br /&gt;1.- «Scientific» and Shamanistic Vision&lt;br /&gt;We shall begin by reviewing two main approaches to life, health, illness and healing: the «primitive», shamanistic one prevailing in tribal communities, and the «modern», scientific one prevailing in industrial societies and their followers.&lt;br /&gt;The «scientific» approach characteristic of industrial societies and their followers regards the environment as a cumulus of objects lacking subjectivity to be manipulated, and studies the generation of «physiological disease» overlooking the state of the «patient»s network of significant relationships and the effects that the problems arising in that net could have on the development of «illness».&lt;br /&gt;In general, the «scientific» approach only considers the patient’s significant relationships in the case of imbalances deemed to be «psychological», and only recently—as a result of research such as the one carried out by Bateson, Haley, Weakland and Johnson on the genesis of «schizophrenia» or as the one carried out by Winnicott on the genesis of autism, of the development of the understanding of family dynamics1, and of the development of Antipsychiatry2— has managed to understand part of the social dynamics at the root of such «imbalances».&lt;br /&gt;Whereas the «scientific» approach causes human subjects to relate instrumentally to their environment, the shamanistic approach, which regards the latter as a cumulus of subjective phenomena (or even as a living whole) leads human subjects to relate to it communicatively. In other works I have attempted to show that, in so far as we are possessed by instrumental relations, there is no way for us to confine them to the field of our relationships to the environment and thus we necessarily treat other people as things, and also that, given our technical might, instrumental dealings with the natural environment necessarily result in the destruction of the physical basis of our existence, giving rise to the ecological crisis that threatens us with destruction. Therefore, we must not accept&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;1Please consult the Bibliography at the end of this article.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;2Although the term «Antipsychiatry» was coined by David Cooper (see the Bibliography), Ronald Laing is also considered as an antipsychiatrist, and the same may be said of Aaron Esterson, Lee, Philipson, Berke, Szchazman and other members of Laing’s original group. The precedents of Antipsychiatry are to be found in the Jungian interpretation of neurosis as a potentially healing process, in Kazimierz Dabrowski’s book Positive Disintegration and in the research by Gregory Bateson (in particular, in various of the works in the book Steps to an Ecology of Mind and in the book Perceval’s Narrative). According to Antipsychiatry, psychosis may be a spontaneous self-healing process that, unless institutionally aborted, may put an end to alienated, pathological normality (that is, of the pathological result of adaptation to a sick society).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;Habermas’ thesis that the relations between human beings should be communicative and that the relations between human beings and their environment should be instrumental3.&lt;br /&gt;Now, what we are concerned with here is that the shamanistic approach searches for the root of imbalances or illness in a pathology of the intersubjective relationships of the «diseased» person. Among the sharanahua, the cashinahua and the members of other South American tribes, the shaman consumes a psychedelic substance in order to discover and treat the communicative pathology that supposedly produced the imbalance4. As noted by Marlene Dobkin de Ríos5:&lt;br /&gt;«The use of ayahuasca for healing does not require the conceptualization of the hallucinogenic as a healing agent per se. Rather, the vine is regarded as a substance that activates a powerful means for achieving an intended result: it gives the healer access to the culturally important zone of the causality of illness, allowing him or her to identify the nature of the illness... in order to later on neutralize or drive away the magic ill that is regarded as the cause of the disease. In regard to the successes attributed to the healer, we find that in general terms there has been a process of selection whereby the healers only accept the patients whom they believe they may successfully treat... Only the patients suffering given kinds of illness take ayahuasca—normally those suffering ills often classified as psychosomatic.»&lt;br /&gt;We should not think that shamans only treat maladies imaginaires. Recent research has dug out the psychological roots of many illness that until very recently were regarded by the prevailing «medical science» as physiological diseases having no connection to the psyche—and in particular of illness still deemed «incurable» or difficult to cure, such as cancer6.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;3See Elías Capriles, Las aventuras del fabuloso hombre-máquina. Contra Habermas y la ratio technica.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;4See Michael J. Harner, Alucinógenos y chamanismo.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;5Marlene Dobkin de Ríos (Spanish, 1976), Curas con ayahuasca en un barrio bajo urbano. In Michael J. Harner, opere citato.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;6As noted by Fritjof Capra in his book The Turning Point:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;«The Simontons fully recognize the role or carcinogenic substances and environmental influences in the formation of cancer cells, and they strongly advocate the implementation of appropriate social policies to eliminate these health hazards. However, they have also come to realize that neither carcinogenic substances, nor radiation, nor genetic predisposition alone will provide an adequate explanation of what causes cancer. No understanding of cancer will be complete without addressing the crucial question: What inhibits a person’s immune system, at a particular time, from recognizing and destroying abnormal cells and thus allows them to grow into a life-threatening tumor? This is the question on which the Simontons have concentrated in their research and therapeutic practice, and they have found that it can be answered only by carefully considering the mental end emotional aspects of health and illness.&lt;br /&gt;«The emerging picture of cancer is consistent with the general model of illness we have been developing. A state of imbalance is generated by prolonged stress which is channeled through a particular personality configuration to give rise to specific disorders. In cancer the crucial stresses appear to be those that threaten some role or relationship that is central to the person’s identity, or set up a situation from which there is apparently no escapea. Several studies suggest that these critical stresses typically occur six to eighteen months before the diagnosis of cancerb. They are likely to generate feelings of despair, helplessness, and hopelessness. Because of these feelings, serious illness, and even death, may become consciously or unconsciouslyc acceptable as a potential solution.&lt;br /&gt;«The Simontons and other researchers have developed a psychosomatic model of cancer that shows how psychological and physical states work together in the onset of the disease. Although many details of this process still need to be clarified, it has become clear that the emotional stress has two principal effects. It suppresses the body’s immune system and, at the same time, leads to hormonal imbalances that result in an increased production of abnormal cells. Thus optimal conditions for cancer growth are created. The production of malignant cells is enhanced precisely at a time when the body is least capable of destroying them...&lt;br /&gt;In ancient Tibet, shamanistic and metashamanistic Bönpo medicine asserted that in order to heal the patient it was necessary to heal the environment, for it was believed that many illness were caused by the subjective entities who animate—or who live in—natural phenomena, as the result of a provocation in which the diseased person or other human beings (often intimately related to the diseased) had incurred7.&lt;br /&gt;In regard to «mental illness», the shamanistic approach is, also, radically different from the «scientific» one. States that modern science deems «pathological» and which it tries to «heal» by means of countless inefficacious and destructive treatments were intentionally induced by the shaman as means of initiation to a sacred reality, capable of leading the individual to a state of greater personal realization and communicative integration.&lt;br /&gt;In fact, in the last three decades a series of students of the human mind have insisted that certain psychotic episodes could be spontaneous self-healing processes that are aborted by the environment in the family, the asylum and other institutions, and transformed into processes of self-destruction, of which the former also contain an element8. As noted by&lt;br /&gt;«...Lawrence LeShan studied more than five hundred cancer patients and identified the following significant components in their life historiesd: feelings of isolation, neglect, and despair during youth, with intense interpersonal relationships appearing difficult or dangerous; a strong relationship with a person or great satisfaction with a role in early adulthood, which becomes the center of the individual’s life; loss of the relationship or role, resulting in despair; internalizing of the despair to the extent that individuals are unable to let other people know when they feel hurt, angry, or hostile. This basic pattern has been confirmed as typical of cancer patients by a number of researchers.&lt;br /&gt;«The basic philosophy of the Simonton approach affirms that the development of cancer involves a number of interdependent psychological and biological processes, that these processes can be recognized and understood, and that the sequence of events that leads to illness can be reversed to lead the organism back into a healthy state. As in any holistic therapy, the first step toward initiating the healing cycle consists of making patients aware of the wider context of their illness. Establishing the context of cancer begins by by asking patients to identify the major stresses occurring in their lives six to eighteen months prior to their diagnosis. The list of these stresses is then used as a basis for discussing the patients’ participation in the onset of their disease. The purpose of the concept of patient participation is not to evoke guilt, but rather to create the basis for reversing the cycle of psychosomatic processes that led to the state of ill health.»&lt;br /&gt;___________________________________________________________________&lt;br /&gt;a) For example, situations such as those that Ronald Laing called «untenable», defined as those in which we cannot stay and, however, we cannot leave.&lt;br /&gt;b) See Simonton, Mathews-Simonton y Creighton, Getting Well Again, p. 57 et seq.&lt;br /&gt;c) Personally, I cannot accept the hypothesis of the «unconscious», unless it be understood as the result of that which Sartre called «bad faith». Therefore, I cannot accept this distinction between «consciously acceptable» e «unconsciously acceptable». Nonetheless, I agree that insisting that the illness is the result of a conscious decision that is then concealed could produce a feeling of guilt that in turn could aggravate the illness or difficult healing.&lt;br /&gt;d) See Lawrence LeShan (1977), You Can Fight for Your Life, p. 49 et seq.&lt;br /&gt;___________________________________________________________________________&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;7See the work by John Meredith Reynolds quoted in the Bibliography and the various works by Namkhai Norbu Rinpoche, as well as the transcriptions of his talks.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;8In Perceval’s Narrative, Gregory Bateson wrote about «schizophrenic» psychosis:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;«It would appear that once precipitated into psychosis the patient has a course to run. He is, as it were, embarked upon a voyage of discovery which is only completed by his return to the normal world, to which he comes back with insights different from those of the inhabitants who never embarked on such a voyage. Once begun, a schizophrenic episode would appear to have as definite a course as an initiation ceremony—a death and a rebirth—into which the novice may have been precipitated by his family life or by adventitious circumstances, but which in its course is largely steered by endogenous process.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;«In terms of this picture, spontaneous remission is no problem. This is only the final and natural outcome of the total process. What needs to be explained is the failure of many who embark upon this voyage&lt;br /&gt;Michel Foucault, in the European «Classical Age» madness was often thought to have a divine character; it has been rather recently that Europeans have begun to regard all kinds of madness as diseases to be «healed» by re-establishing normality9.&lt;br /&gt;In any case, there is no doubt that the shamanistic vision is ecologically healthier than the «scientific» vision, for by leading human beings to relate communicatively to their natural environment, the latter is protected and preserved10. The instrumental attitude&lt;br /&gt;to return from it. Do these encounter circumstances either in family life or in institutional care so grossly maladaptive that even the richest and best organized hallucinatory experience cannot save them?&lt;br /&gt;In turn, in The Politics of Experience Ronald Laing wrote:&lt;br /&gt;«There is a great deal that urgently needs to be written about this and similar experiences. But I am going to confine myself to a few matters of fundamental orientation.&lt;br /&gt;«We can no longer assume that such a voyage is an illness that has to be treated. Yet the padded cell is now outdated by the «improved» methods of treatment now in use.&lt;br /&gt;«If we can demystify ourselves, we see «treatment» (electro-shocks, tranquilizers, deep-freezing—some times even psychoanalysis) as ways of stopping this sequence from occurring.&lt;br /&gt;«Can we not see that this voyage is not what we need to be cured of, but that it is itself a natural way of healing our own appalling state of alienation called normality?&lt;br /&gt;«In other times people intentionally embarked upon this voyage.&lt;br /&gt;«Or if they found themselves already embarked, willy-nilly, they gave thanks, as for a special grace.»&lt;br /&gt;And also:&lt;br /&gt;«From the alienated starting point of our pseudo-sanity, everything is equivocal. Our sanity is not «true» sanity. Their madness is not «true» madness. The madness of our patients is an artefact of the destruction wreaked on them by us, and by them on themselves. Let no one suppose that we meet «true» madness any more than we are truly sane. The madness that we encounter in «patients» is a gross travesty, a mockery, a grotesque caricature of what the natural healing of that stranged integration we call sanity may be. True sanity entails in one way or another the dissolution of the normal ego, that false self competently adjusted to our alienated social reality: the emergence of the «inner» archetypical mediators of divine power, and through this death a rebirth, and the eventual re-establishment of a new kind of ego-functioning, the ego now being the servant of the divine, no longer its betrayer.»&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;9See Michel Foucault, Histoire de la folie à l’age classique.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;10American Indians, like pre-Buddhist Tibetans and the aboriginals of many regions, were still in the communicative stage and therefore related to natural phenomena as though these were persons rather than mere things lacking subjectivity: all of their relations were communicative. And, as shown by the prophetic statements of several Indian sages (among which it is best known the answer of chief Seattle to the proposal of the U. S. President to buy the lands of his tribe), having been in contact with the Anglo-saxon invaders and perceived the latter’s attitude toward Nature, North American Indians predicted the ecological crisis that currently threatens us with destruction.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;In general, American Indians were masters in the art of ecological conservation. As noted by Arturo Eichler in his book S.O.S. Planeta Tierraa:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;«The ancient Lacandones of Mexico used to grow 70 different products in a single hectare and, even today, those Amazonian aborigines... who have not yet been exterminated... grow up to 80 varied products in their small chacras, which they never over-exploited, so that after millennia they have not degraded their natural environment. They know that many «undesirable» weeds are indicators reflecting the quality of the soil or some specific lack. When the balance of the soil is restored, the weed disappears on its own.»&lt;br /&gt;A group of anthropologists that in Peru restored a pre-Columbian system of irrigation channels that also works as natural fertilizer and used it for growing crops obtained with its help, and without chemical fertilizers, a much higher productivity per hectare than the average productivity achieved elsewhere with the help of chemical fertilizers. In the same way, as Dr. Eichler notes in the above-mentioned booka:&lt;br /&gt;«Already in the thirteenth century Marco Polo observed that Asian peasants used to leave aside small lots sown with grain for insect-eating birds, and he was astonished when he observed that the birds... used to&lt;br /&gt;toward the natural environment that characterizes the «scientific» vision, instead, has produced an ecological crisis that threatens to cause our extinction before the first half of the next century, or even during the last decade of the present one.&lt;br /&gt;In the same way, the shamanistic approach to illness and «delirium», and the shamanistic treatment of imbalances, is no doubt less dangerous and harmful—and, in many cases, more effective—than that of the prevailing «medical science».&lt;br /&gt;2.- A Third Approach, Different from the «Scientific» and the «Shamanistic»: the Metashamanistic, Liberating and Genuinely Religious11&lt;br /&gt;As noted by Michael J. Harner, South American shamans think that the «reality» to which the hallucinogenic substance gives them access is the «true reality», and that the every day vision free of the effect of drugs is a «false reality». Available information about shamanistic cultures of other regions suggests that Harner’s statement about South American shamanism may apply to shamanism in general: although different shamanistic cultures may attribute a greater or lesser reality to the every day vision of the «normal» individual, all shamanistic cultures attribute a high degree of reality—in general higher than that of the «every day reality»—to the shamanistic experiences induced with the help of psychedelics or by other means12.&lt;br /&gt;learn (to eat only that which had been destined to them). Today, whichever species competes with us for food is our deadly enemy.»&lt;br /&gt;Possessed to such an extent by instrumental relations and by the lack of systemic wisdom that Buddhists call avidya, modern Westerners only know how to destroy the world with the technological tools that they developed for that purpose. Thus, the transformation of the human psyche that would allow us to survive and that would give rise to a new Golden Age must, on the one hand, put an end to instrumental primary process relations and, on the other hand, provide us with a wider range of vision free of conceptual overvaluation that will not set us in opposition to Nature and other human beings.&lt;br /&gt;____________________________________________________________&lt;br /&gt;a) Arturo Eichler, work mentioned in the Bibliography.&lt;br /&gt;____________________________________________________________&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;11The word «religious» comes from the Latin religare, meaning «to re-establish the link»: religion is the re-establishment of the link with the divinity or, in other words, with Unity, Wholeness, Plenitude, Perfection, etc. Now, in so far as we feel separate of that which religions call «divinity», any link we may establish with it will necessarily break sooner or later. This is why, far more «religious» than the temporary re-establishment of a link with something that we consider external to ourselves is the discovery of our primordial nature, which is precisely that which theistic religions understand as an «external divinity» and that constitutes the true nature of all appearances and of the whole universe.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;Furthermore, leaving aside etymological considerations, in the life-histories of most founders of those religions that we call «great» we find stories telling us how they had experiences of the «supernatural reality» in which shamans work, and were Enlightened precisely because they recognize them as illusory and managed to avoid its enchantment. Shakyamuni, the historical Buddha, was first attacked with arrows and other weapons by Mara (the demon) and his retinue and then was object to the seduction of the Apsaras (Mara’s daughters), yet remained undisturbed and thus attained Enlightenment. Jesus was tempted in the desert, yet did not succumb to the false appearances and thus achieved his spiritual majesty. Milarepa was attacked by the goddess Tseringma and a retinue of demons; having given up the protection of self and recognized that all experiencia is illusory, he attained Enlightenment. An so on and on.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;12See the works mentioned in the Bibliography; in particular, those by Mircea Eliade, that by Gary Doore (Ed.) and that by Ronny Velásquez.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;In Tibet and its zone of cultural influence, popular culture contains important shamanistic elements13, which the representatives of the two most important religious systems do not discourage. Both Bönpo and Buddhist Lamas refer to local spirits and demons as self-existent entities that may cause great harm and, in general, encourage the belief in supernatural entities that may be noxious or helpful to human beings. Nonetheless, to gifted disciples who wish to attain liberation from error and delusion, obtaining that which both Buddhists and Bönpos call «Enlightenment», Lamas of both systems teach very dangerous practices that may eventually allow them to recognize the «supernatural» reality as illusory and free themselves from its influence and power. Repetition of the practice progressively neutralizes the propensity to experience the «supernatural» reality to which the practitioner gains access by yogic-shamanistic means as something self-existent, independent of the practitioner’s mental processes, and absolutely true.&lt;br /&gt;The point is that Tibetan spiritual systems regard as delusive, both the every day experience of human beings and the «supernatural» experience to which practitioners gain access by yogic and shamanistic means. This is not to say that both realms of experience are considered to be merely hallucinatory. Tibetan Teachings acknowledge that there is a given that, upon being processed by our mental processes, is experienced as the world in which we live, with its countless entities. Delusion arises when we are unable to see that entities do not have inherent, absolute existence, but depend both on the existence of other entities and on the functioning of our mental process in order to exist in the way they exist for us. Thus, delusion is a confusion about the mode of existence of entities, including the human subject: when we believe that ourselves and other entities exist inherently and substantially (in the sense of being self-existent and not needing anything other to itself in order to exist), that the relative is absolute, we are under delusion.&lt;br /&gt;Delusion produces countless emotional responses that generate constant dissatisfaction and recurring frustration and suffering. If we believe in the supposedly inherent existence of «supernatural reality», we may become victims of demons and spirits, just as has happened to so many Tibetans; if we believe in the supposedly inherent existence of the entities, values and beliefs of every day reality, we will struggle in order to maintain our identities, possessions, etc., and thus will give rise to constant discomfort and dissatisfaction as well as to recurring frustration and pain.&lt;br /&gt;However, by simply telling ourselves that the «supernatural» reality does not exist in truth, we would change nothing: the propensities to experience it and become its victims would still be there and, besides, we would continues to experience the everyday reality as self-existent. This is why it is necessary to do the practice in which, beginning from shamanistic belief, we experience the «supernatural» reality with its demons and spirits and, while we experience that «reality», we apply the instructions received from the Teacher or Lama in order to recognize it as illusory and free ourselves from its influence and power.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;13Modern anthropologists would say that it has «conserved» shamanistic elements, and would imagine that the metashamanistic approach developed out of shamanism. This is precisely the opposite of what Idries Shah asserts in his book The Sufis: according to Shah, shamanism is a degeneration of metashamanism. This thesis fits into the Indian-Greek-Roman schema of processes of temporality—aeons or kalpa—that are divided into eras of increasing degeneration. The reader may find a description of the some versions of this schema as well as a critique of Hegel’s opposite schema in my book Mind-Society-Ecosystem: Transformation for Survival, in a forthcoming book I have written with Mayda Hocevar and three other post-graduate students of philosophy, and also in my paper Wisdom, Equity and Peace and in my book Qué somos y adónde vamos.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;If we are successful in this and we repeat the practice again and again, also in daily life we shall recognize to an ever greater extent the delusive character of our projections and therefore we shall experience ever increasing plenitude and ever decreasing dissatisfaction, frustration and suffering.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;3.- Illness, Tibetan Ethnomedicine and the Practice of gCod.&lt;br /&gt;Among the means applied by Tibetans in order to achieve the above, the famous practice of gcod is of the greatest importance.&lt;br /&gt;According to the Bönpo ethnomedicine of ancient Tibet, many illness were the result of the revenge of spirits, demons and other «supernatural» entities who had been harmed by the plowing of the soil, the building of dams, the construction of houses, etc., by the harmed individual, by members of her or his family and/or by other human beings. Ancient Bönpo medicine attempted to cure the disease by healing the natural environment, on the premises that, if the dwelling and environment of the «supernatural» entities were healed and therefore the entities themselves would heal, they would cease taking revenge by inflicting illness on those responsible and on other human beings14.&lt;br /&gt;In the practice of gcod, the practitioner starts from the basis of the belief in demons, spirits and other supposedly objective entities who inflict illness on human beings, bringing to bear the principle of ancient Bönpo medicine that requires that the natural environment be healed if human beings are to be healed. Nonetheless, instead of encouraging the practitioner to protect her or himself from demons and spirits regarded as «objective» in order to forestall harm, she or he is told to face them, because they are her or his own overvalued thoughts which she or he must recognize as such and liberate. Yet it is not enough to know intellectually that demons and spirits are only overvalued thoughts; the practitioner must carry out the practice spending the nights of waning moon in the charnel grounds where Tibetans dismember the corpses of their dead and offer them to the wild beasts15, for it is widely believed that such places are inhabited by most noxious «supernatural» beings and that whoever spends the night in them will meet the most horrible death one can imagine.&lt;br /&gt;During the practice, by yogic-shamanistic means the yogi must gain access to the dangerous «supernatural» reality that is proper to the charnel ground and that, according to popular belief, is bound to destroy her or him. Then, faced with dreadful demons and other noxious beings, she or he must realize that these are but projections of her or his own mind and thus apply the instructions that will lead to the spontaneous dissolution of the tensions at the root of the illusion of inherent existence and of the dread begotten by that illusion, and thus to the realization of Truth, understood as the dissolution of delusion and error: the realization of the unreality of the visions that appear in the practice and of all experiences—those of daily life and those of the «supernatural» realm.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;14See Note 7.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;15In this way, human corpses can be more directly and immediately useful to other sentient beings than they would be if they were buried or cremated. Moreover, this custom may serve as a medicine against the illness of wanting to keep and protect one’s own body, even beyond one’s death.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;Some practitioners who, during the practice, have failed to attain liberation from delusion, have met death, being «devoured» by the «supernatural», noxious beings inhabiting the charnel ground. One could ask how can the beings of the practitioner’s imagination kill her or him. There is the story of a practitioner of gcod who had a knife with him while doing the practice; upon being assailed by demons and other noxious beings, panic overtook him, and he took out his knife in order to defend himself. Fortunately, when he was about to stick the knife into the demon’s belly, a flash of clarity caused him to check and see where was he going to stick it—upon which he realized that he directed it to his own belly. Had he stuck the knife, he would have died and his corpse would have found half-devoured or fully devoured by the beasts who feed on corpses.&lt;br /&gt;The practitioner must offer her or his body to the demons, visualizing it as an ambrosia that gives access to wisdom and liberation16 and thus causes the beings who eat it to cease suffering and to stop inflicting suffering to other beings. This will induce a dreadful «supernatural» experience in which the noxious beings devour her or him. If her or his practice is effective, she or he will recognize the illusory character of the experience, and the psychophysical tensions at its root will spontaneously dissolve, putting an end to fear and forestalling harm.&lt;br /&gt;Repetition of the experience will cause the practitioner to become immune to the influence of illness-inflicting demons, which results in a most «real» immunity to infectious diseases—so «real» that, during epidemics, the experienced practitioners of gcod were in charge of disposing of the corpses and dismembering them to feed the beasts, but none of those who were in such an intimate contact with the illness would contract it: the practitioners of gcod who had obtained the result of the practice had become immune to all infectious diseases17. Furthermore, in many cases lepers and other people suffering illness then deemed «incurable» set out to practice gcod as a preparation to face death and, as a result, were «miraculously» cured and, moreover, became immune to all infections18.&lt;br /&gt;Tibetans also believe that the realized practitioners of gcod have the ability to cure the diseases of others when they are caused by demons and other «supernatural» entities. In fact, practitioners of gcod often perform the gcod ritual for the ill and, although many Lamas insist that those rituals are mere superstition, in most cases the diseased person heals as a result of the ritual.&lt;br /&gt;Of course, Tibetans only resort to such rituals when remission cannot be achieved by other means and it is suspected that the cause of the illness is the provocation of noxious «supernatural» beings. In other occasions, Tibetan doctors prescribe: (1) pills made with different vegetable products, (2) products that often contain such chemicals as mercury, sulfur and gold, and even gems; (3) cauterization, and (4) acupuncture. I have with me different kinds of Tibetan pills that I can show to those interested.&lt;br /&gt;In the case of that which Tibetans call «energy disturbances» and which we call «mental illness», Tibetan doctors also prescribe various medicines featuring different vegetable products. However, according to Tibetan medicine, such disturbances are often the result of the provocations of «supernatural» beings, and therefore it is common to ask the practitioners of gcod to perform the therapeutic ritual. Again, in many cases, this results in the remission of the disturbance.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;16Sanskrit: amrta; Tibetan: bdud-rtsi (dütsi).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;17See Giuseppe Tucci, work mentioned in the Bibliography.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;18Ibidem. See also the various works in which Alexandra David-Neel recounts her experiences in Tibet.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;Nevertheless, both Tibetan Buddhists and Bönpos insist that the only true mental illness is delusion and the passions associated to it: delusion and the passions are called nyon-mongs (nyonmong), whereas crazy people are called nyon-pa (nyonpa), which means «the one who is under the power of the nyon-mongs». Therefore, both Buddhist and Bönpos affirm that the mind is truly healed only when the individual is freed from delusion. For example, when she or he has successfully completed the practice of gcod and the subsequent practices of thod-rgal (togel) and/or of the yang-thik (yangthik).&lt;br /&gt;Besides—preferably before undertaking the practice of gcod—the yogi or yogini must practise for some time a set of other disciplines, among which I will refer to the practice of dreams. If delusion consists in being confused in regard to the mode of existence of reality, when we dream and believe that our dream is part of the «real life» of wakefulness, unaware that it is only a dream, we are also under delusion. Therefore, the practice of dream is deemed very important. In it, we must recognize the dream as such and yet keep dreaming19 and direct the dream according to the traditional instructions provided by the Teacher20. Among these, I want to mention the following: (1) to jump into abysses, into the fangs of wild beasts, into torrents and, in general, to face situations that in the «real life» of wakefulness would destroy our body, in order to taste the inseparability of insubstantiality and pleasure when the «body of dream» is not destroyed as a «real body» would be during wakefulness; (2) to practise the «alchemy of transformation», transforming our own body into water in order to put off fires, into fire in order to burn wood, and so on; (3) to transform demons and other noxious entities appearing in our dreams into tutelar deities21 such as those that are visualized in the practices of bskyed-rim (kyerim) and rdzogs-rim (dzogrim), etc. In order to carry out these practices successfully, the Teachings prescribe other practices to be performed during wakefulness, such as that of the «illusory body»22 and that of imagining that the experiences of wakefulness are sequences of a dream23. In the same way, although celibacy is not recommended, the practitioner must keep the precepts of anuyogatantra that forbid the emission of sexual fluids24. Success in recognizing dreams as such and in carrying out the various activities prescribed will prepare the practitioner to succeed in the practice of gcod and forestall the potential harm of failing to recognize the «supernatural» experience as illusory and thus failing to dissolve the tensions at the root of the illusory experience and of the dread it begets.&lt;br /&gt;4.- Conclusion&lt;br /&gt;Although the vision of shamanism is less harmful than that of modern «science», it is still a vision that imprisons and enslaves human beings. The aim of Tibetan methods is to&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;19Both Descartes and Sartre (see Bibliography) claimed that this was impossible. As the experience of any practitioner of this yoga proves, they were both totally wrong in this respect.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;20See Namkhai Norbu, Dreamwork. Also, see Elías Capriles, Autoliberación de los seis bardo o «modos de experiencia».&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;21In Sanskrit, devata; in Tibetan, yi-dam (yidam).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;22Practice performed with a mirror, with one’s own echo, etc. See Herbert V. Guenther, work mentioned in the Bibliography, and Elías Capriles, Auto-liberación de los seis bardo o «modos de experiencia» .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;23See Elías Capriles (1986), Autoliberación de los seis bardo o «modos de experiencia».&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;24See Elías Capriles: (1) The Direct Path. Providing a Background for Approaching the Practice of rDzogs-chen. (2) Introducción a la teoría y práctica del budismo tántrico. (3) Qué somos y adónde vamos.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;allow individuals to achieve liberation in regard to all possible visions: to the daily, everyday vision—whether «scientific» or «tribal»—and to the «supernatural» vision proper to shamanism. Upon attaining that liberation, the individual obtains a complete mastery of the «supernatural forces» that affect human beings, precisely because the sensation that the «I» as a separate entity is mastering something different from and external to itself has dissolved.&lt;br /&gt;Thus, Tibetan systems are not normal shamanistic systems, but metashamanistic ones: systems that employ the principles of shamanism in order to free the individual, not only of the supernatural beliefs that enslave her or him, but also of the belief in self-existence of everyday reality that causes him to face constant dissatisfaction and recurring suffering.&lt;br /&gt;Although in the West some traditions and isolated individuals are aware that the supreme aim of yogic and shamanistic tools is the liberation of all experiences rather than the mere production of extraordinary ones, and some have even attained to the self-liberation of experience, in general most members of Western civilization who have experimented with different means of access to the «supernatural reality» proper of shamanism—including most psychologists and psychiatrists who have done so—have contented themselves to induce extraordinary experiences, without knowing how—and in general without even trying—to liberate those experiences. Thus, the bulk of Westerners has had no access to genuine metashamanistic systems25.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;25It was due to the lack of direct metashamanistic instruction and transmission, and to the influence of shamanistic and protoshamanistic ideologists such as Timothy Leary, that the hippy movement fell apart, that many of its members were «psychiatrycized», that many others destroyed themselves through hard drugs or adapted to the system and, leaving aside their spiritual search, set out to achieve a high position in that system, and that still others enslaved themselves with the help of false spiritual masters and systems.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;br /&gt;The mistake of hippies was to have given themselves to the induction of «altered states» unaware that these states were experiences conditioned by delusion to which it was a major mistake to cling and that it was necessary to interrupt and liberate, not knowing the methods for interrupting and liberating them and lacking the capacity to apply them. Thus, they clung to the experiences of greater space-time-knowledgea and the pleasure resulting from the increase in the bioenergetic inputb induced by the substances in question, and came to depend on those substances in order to obtain extraordinary experiences—which, as we have seen, in general were conditioned and delusive and did not represent a true liberation.&lt;br /&gt;Therefore, sooner or later many of the seekers of «altered states» had to face the «bad trip» or «psychotomimetic experience» that may obtain after the widening and permeabilization of the focus of conscious attention. This widening and permeabilization—produced by the effect of psychedelic substances, by kundalini yoga and by other spiritual practices—may allow «ego-asyntonic» contents to slip into the consciousness, which in turn may face the individual with a tremendous conflict. It may also reveal the insubstantiality of the «I» and of all that we consider substantial, producing enormous anguish in those who have been conditioned to dread insubstantiality and «nothingness» and to flee from that dread by clinging to the «I» and to the illusion of substantiality. In the same way, if during the state produced by the increase of bioenergetic input passions based on aversion happen to manifest, the high bioenergetic input and the widening and permeabilization of consciousness may cause us to experience them as a veritable hell.&lt;br /&gt;No matter how anguish and tensions arise, the high bioenergetic input will not allow the individual to remain unaware of them by means of the phenomenological double negation or «bad faith»c: the limits of conscious attention have become wider and more permeable, no longer allowing the individual to keep unaware of whatever she or he does not want to see. And, since the individual reacts to an increased suffering with increased rejection, the anguish becomes a veritable hell which—in case the individual does not manage to act on her or his experience so that it will cease contradicting his self-image and false sense of substantiality—may last far beyond the normal effect of the drug, becoming «psychosis».&lt;br /&gt;This is not to say that metashamanism has only been easily accessible in Central Asia and, to a lesser degree, in the rest of the East. We cannot discard the possibility that some nations of pre-Hispanic America may have had wide and easy access to metashamanistic systems. If it were proved that they are not mere fiction, the works by Carlos Castañeda would show, at least, that some systems of aboriginal America contain elements of the kind that I have called «liberating» or «metashamanistic».&lt;br /&gt;If the individual is unprepared, she or he will not manage to descend, like Dante, to the bottom of Hell, in order to enter Purgatory and, going through it, reach the Open Spaced of liberation. Instead, she or he will take the descent to Hell as a dead end and will try by all means to return to the Limbo of «normality». However, unable to manage, she or he will remain in a state of despair, with her or his ego-function and capacity to socialize impaired.&lt;br /&gt;During the sixties, many of those who faced the above problem recurred to the consumption of cocaine, to false spiritual systems and teachers, to heroine and to other means of inflating their deflates egos and/or recover their capacity to socialize. In particular, many of those who became habituated to cocaine integrated themselves into the system and set out to work hard in it in order to afford the costly habit, helping the system to temporarily prosper. Heroine addicts, instead, «gave themselves up to death»: whereas cocaine may produce a false «heroism of victory», heroine may produce a false «heroism of defeat».&lt;br /&gt;____________________________________________________________&lt;br /&gt;a) When our focus of conscious attention widens, our spatial perspective widens and our subjective sensation of temporality slows down. The focus of attention widens to the extent that the bioenergetic input increases. For an explanation of the concept of space-time-knowledge see Tarthang Tulku, work mentioned in the Bibliography.&lt;br /&gt;b) In Sanskrit, kundalini; in Tibetan, thig-le (tigley). Western science explains in terms of the concept of «alterations of brain biochemistry» the alterations that ancient Eastern traditions explain in terms of the concept of «increase of bioenergetic input». Both explanations are partly valid and must be taken into account.&lt;br /&gt;c) I.e., self-deceit. See J. P. Sartre, Being and Nothingness. In several of my works I have explained how the Freudian hypothesis of the unconscious and the Sartrean theory of «bad faith».&lt;br /&gt;d) In Tibetan, nam-’’mkha (namk’a), meaning «space», «sky» or «heavens» (the latter, not in the sense of the conditioned state of temporary, illusory happiness that Buddhism calls deva loka or deva gati).&lt;br /&gt;BIBLIOGRAFY&lt;br /&gt;1.- Shamanism, Tribal and Eastern Cultures, Anthropology, History of Shamanistic Catalysts&lt;br /&gt;Baker, Richard (1986), Oriental Thought—The Japanese Perspective. Washington, D. C., ReVISION magazine, Vol. 9, Nº 1, summer/fall 1986.&lt;br /&gt;Bateson, Gregory (recopilación 1979), Steps to an Ecology of Mind. New York, Ballantine; London, Paladin.&lt;br /&gt;Bateson, Gregory, Bali: The Value System of a Steady State. In Bateson, opere citato.&lt;br /&gt;Brau, Jean-Louis (1968; Spanish 1974), Historia de las drogas. Barcelona, Bruguera.&lt;br /&gt;Castañeda, Carlos, The Teachings of Don Juan.&lt;br /&gt;Castañeda, Carlos, A Separate Reality.&lt;br /&gt;Castañeda, Carlos, Journey to Ixlan.&lt;br /&gt;Castañeda, Carlos, Tales of Power.&lt;br /&gt;Castañeda, Carlos, The Second Ring of Power.&lt;br /&gt;Castañeda, Carlos, The Gift of the Eagle.&lt;br /&gt;Castañeda, Carlos, The Internal Fire.&lt;br /&gt;Castañeda, Carlos, The Silent Knowledge.&lt;br /&gt;Cauvin, Jacques (1987), L’ apparition des premières divinités. In La Recherche , N° 195, December 1987.&lt;br /&gt;Dobkin de Ríos, Marlene, Curas con ayahuasca en un barrio bajo urbano. In Harner, M. I. opere citato.&lt;br /&gt;Donner, Florinda, Shabono.&lt;br /&gt;Doore, Gary (Ed.), The Shaman’s Path. Healing, Personal Growth and Empowerment. Boulder and London, Shambhala Publications.&lt;br /&gt;Eichler, Arturo (1987), S.O.S. Planeta Tierra. Caracas, Guardia Nacional de Venezuela.&lt;br /&gt;Eliade, Mircea, Shamanism: Archaic Techniques of Ecstasy. New York, Harper &amp;amp; Row.&lt;br /&gt;Eliade, Mircea, Myths, Dreams and Mysteries. New York, Harper &amp;amp; Row.&lt;br /&gt;Eliade, Mircea, Myth and Reality. New York, Harper &amp;amp; Row.&lt;br /&gt;Eliade, Mircea (1951; Spanish 1962; Alianza 1972), El mito del eterno retorno. Arquetipos y repetición. Madrid, Alianza Editorial, El libro de bolsillo.&lt;br /&gt;Eliade, Mircea (1957; Spanish 1967), Lo sagrado y lo profano. Barcelona, Editorial Labor.&lt;br /&gt;Eliade, Mircea, Mito y realidad. Barcelona, Guadarrama, Colección Punto Omega.&lt;br /&gt;Gunn Allen, Paula (1986), Tribal Cultures. Washington, D. C., ReVISION magazine, Vol. 9, Nº 1, summer/fall 1986.&lt;br /&gt;Harner, Michael J. (Spanish, 1973), Alucinógenos y chamanismo. Madrid, Editorial Labor. In English, Hallucinogens and Shammanism. London, Oxford University Press.&lt;br /&gt;Heim, Roger (1963), Les champignons toxiques et hallucinogènes. Paris, Éditions N. Boubée &amp;amp; Cie.&lt;br /&gt;Heim, Roger (1959), Les investigations anciennes et récentes propres aux Agarics hallucinogènes du Mexique, à leur action et aux substances qui en sont responsables. Paris, Masson.&lt;br /&gt;Heim, Roger and R. Gordon Wasson (1958/9), Les Champignons hallucinogènes du Mexique. Paris, Archives du Muséum National d’Histoire naturelle.&lt;br /&gt;Huxley, Aldous (1953), The Doors of Perception. London, Chatto &amp;amp; Windus.&lt;br /&gt;Huxley, Aldous (1956), Heaven &amp;amp; Hell. London, Chatto &amp;amp; Windus.&lt;br /&gt;Kissinger, Kenneth M. El uso del «Banisteriopsis» entre los cashinahua del Perú. In Harner, M. I. opere citato.&lt;br /&gt;Leary, Thimoty, High Priest. Cambridge, Harvard University Press.&lt;br /&gt;Leary, Timothy, The Politics of Ecstasy.&lt;br /&gt;Lommel, Andreas, El arte prehistórico y primitivo (El mundo del Arte—Las artes plásticas de sus orígenes a la actualidad, Vol. I. Aggs Industrias Gráficas S.A., Brasil).&lt;br /&gt;Norberg-Hodge, Helena (1986), Experiences in Ladakh. Washington, D. C., ReVISION magazine, Vol. 9, Nº 1, verano/otoño de 1986.&lt;br /&gt;Reynolds, John Meredith (1988; publisht in 1989), The Nagas—Ancient Bönpo Teaching and the Nagas. In Rivista Meri Gar/Meri Gar Review, Arcidosso, Grosseto, Italia.&lt;br /&gt;Seattle, Indian Chief, Letter to the President of the USA.&lt;br /&gt;Siskind, Janet, Visiones y curas entre los sharanahua. In Harner, M. I. opere citato.&lt;br /&gt;Velásquez, Ronny (1987), Chamanismo, mito y religión en cuatro naciones étnicas de América aborigen. Caracas, Academia Nacional de la Historia.&lt;br /&gt;Wasson, R. Gordon (1962), The Hallucinogenic mushrooms of Mexico and Psilocybin: a bibliography. Cambridge, Mass., Harvard University Press.&lt;br /&gt;Watts, Alan W., The Joyous Cosmology. New York, Pantheon.&lt;br /&gt;2.- Madness as a Healing Process, Antipsychiatry, Psychedelic Therapy&lt;br /&gt;Bateson, Gregory (recopilación 1979), Steps to an Ecology of Mind. New York, Ballantine; London, Paladin.&lt;br /&gt;Bateson, Gregory, Perceval’s Narrative. Stanford, Stanford University Press.&lt;br /&gt;Berke, Joseph and Mary Barnes, Two Accounts of a Journey Through Madness. Harmondsworth, Pelican.&lt;br /&gt;Cooper, David, Psychiatry and Antipsychiatry .&lt;br /&gt;Cooper, David, The Death of the Family. Hardmonsworth, Pelican.&lt;br /&gt;Cooper, David, The Grammar of Life. Hardmonsworth, Pelican.&lt;br /&gt;Dabrowski, Kazimierz (1964), Positive Disintegration. London, Little Brown &amp;amp; Co.&lt;br /&gt;Dabrowski, Kazimierz (1964), Personality Shaping Through Positive Disintegration. London, Little Brown &amp;amp; Co.&lt;br /&gt;Dabrowski, Kazimierz, con A. Kawczak and M. M. Piechowski (1964), Mental Growth Through Positive Disintegration. London, Gryf Publications.&lt;br /&gt;Dabrowski, Kazimierz (1972; Spanish 1980), La psiconeurosis no es una enfermedad. Lima, Ediciones Unife.&lt;br /&gt;Dante Alighieri (this edition, 1979/83), La divina commedia. Milan, Ulrico Hoepli.&lt;br /&gt;Esterson, Aaron, The Leaves of Spring. Hardmonsworth, Pelican.&lt;br /&gt;Foucault, Michel (French, 1964/1972; Spanish 1967/1986), Historia de la locura en la época clásica (2 volumes). México, Fondo de Cultura Económica (Breviarios).&lt;br /&gt;Freud, Sigmund (1895; published individually in Spanish: 1974), Proyecto de una psicología para neurólogos. Madrid, Alianza Editorial (Libro de Bolsillo). English: Project for a Scientific Psychology. This work should not be classified here, except in so far as it is essential to Bateson’s theories.&lt;br /&gt;Grof, Stanislav (1976), Realms of the Human Unconscious. New York, Dutton.&lt;br /&gt;Grof, Stanislav (1980), LSD Psychotherapy. Pomona, Calif., Hunter House.&lt;br /&gt;Grof, Stanislav, Journeys Beyond the Brain.&lt;br /&gt;Grof, Stanislav (1986), Psychology and Consciousness Research. Washington, D. C., ReVISION magazine, Vol. 9, Nº 1, summer/fall 1986.&lt;br /&gt;Laing, Ronald David (1968), The Politics of Experience and the Bird of Paradise. Hard cover: London, Tavistock; paperback: Harmondsworth, Pelican.&lt;br /&gt;Leary, Timothy and Richard Alpert, The Psychedelic Experience.&lt;br /&gt;Ruitenbeek, H. M. (Ed.) (1972), Going Crazy: The Radical Therapy of R. D. Laing and Others. New York, Bantam.&lt;br /&gt;3.- Pathology of Relationships and «Schizophrenia»&lt;br /&gt;Bateson, Gregory (recopilation 1979), Steps to an Ecology of Mind. New York, Ballantine; London, Paladin.&lt;br /&gt;Bateson, Haley, Weakland and Johnson, Toward a Theory of Schizophrenia. In Bateson, opere citato.&lt;br /&gt;Goffman, Ervin, Asylums. Harmondsworth, Pelican Books.&lt;br /&gt;Haley, Jay, The Family of the Schizophrenic: A Model System.&lt;br /&gt;Laing, R. D., Self and Others. London, Tavistock; Harmondsworth, Pelican.&lt;br /&gt;Laing, R. D., The Politics of the Family. London, Tavistock; Harmondsworth, Pelican.&lt;br /&gt;Laing, R. D. and Aaron Esterson, Sanity, Madness and the Family . Harmondsworth, Pelican.&lt;br /&gt;Laing, Lee, Philipson, Interpersonal Perception.&lt;br /&gt;Scheff, T. J. (Ed.), Mental Illness and Social Process. New York, Harper &amp;amp; Row.&lt;br /&gt;Speck, Ross V. Psychotherapy of the Social Network of a Schizophrenic Family.&lt;br /&gt;Szasz, Thomas, The Myth of Mental Illness. Harmondsworth, Pelican.&lt;br /&gt;Szasz, Thomas, Ideology and Insanity . Harmondsworth, Pelican.&lt;br /&gt;Szchazman, Morton, Soul Murder. Hardmonsworth, Pelican.&lt;br /&gt;Winnincot, D. W., Play and Reality. Harmondsworth, Pelican Books.&lt;br /&gt;Zuk, Gerald and Ivan Borszormenyi-Nagy, Family Therapy and Disturbed Families.&lt;br /&gt;4.- Critique of Modern «Official» Medicine, Alternatives and Proposals&lt;br /&gt;Capra, Fritjof (1982), The Turning Point. New York, Bantam Books.&lt;br /&gt;Capra, Fritjof (1986), Uncommon Wisdom. New York, Simon &amp;amp; Schuster.&lt;br /&gt;Carlson, J., The End of Medicine.&lt;br /&gt;Corea, Gena (1977), The Hidden Malpractice. New York, Morrow.&lt;br /&gt;Dossey, M.D., Larry, Space, Time and Medicine. Boulder, Shambhala Publications.&lt;br /&gt;Dossey, M.D., Larry, Beyond Illness. Boulder, Shambhala Publications.&lt;br /&gt;Dubos, René (1978), Man, Medicine and Environment. New York, Praeger.&lt;br /&gt;Dubos, René (1979), Hippocrates in Modern Dress. In Sobel, David S., opere citato.&lt;br /&gt;Dumont, Jacques and Jean Latouche, L’ hospitalisation, malade du profit.&lt;br /&gt;Dumont, Jacques and Jean Latouche, L’ hôpital, environnement, organisation, gestion.&lt;br /&gt;Foss, Laurence and Kenneth Rothenberg, The Second Medical Revolution.&lt;br /&gt;Fuchs, Victor (1974), Who Shall Live. New York, Basic Books.&lt;br /&gt;Goldsmith, Edouard and Pierre-Marie Brunet, La médicine à la question.&lt;br /&gt;Illich, Ivan D. Némesis Médica. Barcelona, Barral.&lt;br /&gt;Laporte, J. R. and G. Tognoni, Principios de epidemiología del medicamento.&lt;br /&gt;LeShan, Laurence (1977), You Can Fight for Your Life, p. 49 et seq. New York, Evans.&lt;br /&gt;McKeown, Thomas, The Role of Medicine, Dream, Mirage or Nemesis. London, Nuffield Provincial Hospital Trust.&lt;br /&gt;Navarro, Vicente (English 1977), La medicina bajo el capitalismo/Medicine Under Capitalism. English: New York, Prodist.&lt;br /&gt;Navarro, Vicente (Ed.), Salud e imperialismo.&lt;br /&gt;Regnier, Dr. François, La médicine: pour ou contre les hommes?&lt;br /&gt;Simonton, Mathews-Simonton and Creighton (1978), Getting Well Again, p. 57 et seq. Los Angeles, Tarcher.&lt;br /&gt;Sobel, David, Ways of Health.&lt;br /&gt;Thomas, Lewis (1975), The Lives of a Cell. New York, Bantam.&lt;br /&gt;Thomas, Lewis (1977), On the Science and Technology of Medicine. In Knowles, John H., Doing Better and Feeling Worse. New York, Norton.&lt;br /&gt;Thomas, Lewis (1979), The Medusa and the Snail. New York, Viking.&lt;br /&gt;Waitzkin, H. B. and B. Waterman, La explotación de la enfermedad en la sociedad capitalista.&lt;br /&gt;5.- Tibetan and Eastern Religion and Medicine&lt;br /&gt;and its Relation to ModernWestern Disciplines&lt;br /&gt;Capriles, Elías (1976), The Direct Path. Providing a Background for Approaching the Practice of rDzogs-chen. Kathmandú, Nepal, Mudra Publishing.&lt;br /&gt;Capriles, Elías (1985), Introducción a la teoría y práctica del budismo tántrico. Caracas, Centro Dzogchén.&lt;br /&gt;Capriles, Elías (1986), Qué somos y adónde vamos. Caracas, Unidad de Extensión de la Facultad de Humanidades y Educación de la Universidad Central de Venezuela.&lt;br /&gt;Capriles, Elías (as yet unpublished), Mind, Society, Ecosystem—Transformation for Survival.&lt;br /&gt;Capriles, Elías (1986, Spanish as yet unpublished), Sabiduría, equidad y paz. Paper read at the First International Encounter for Peace, Disarmament and Peace held in Mérida, Venezuela, in 1986. To be published in Actual , magazine of La Universidad de Los Andes, in 1990. Shorter version published in English and Italian on October 1, 1988, in Rivista MeriGar/MeriGar Review, Arcidosso, Grosseto, Italia.&lt;br /&gt;Capriles, Elías (1986; published in 1990), Las aventuras del fabuloso hombre-máquina. Contra Habermas y la ratio technica. Mérida, Actual (magazine of La Universidad de Los Andes), 1st issue of 1990 (which should have been the last of 1989).&lt;br /&gt;Capriles, Elías (1978; revised several times and finally published in 1990), The Source of Danger is Fear. Mérida, Editorial Reflejos. (Sale restricted.)&lt;br /&gt;Capriles, Elías (based on the original text by Karma Lingpa and on the instructions given by Dudllom Yeshe Dorlle Rinpoché and Lama Thubten Yeshe) (1986), Autoliberación de los seis bardo o «modos de experiencia». Caracas, Ediciones Tigre, León, Garuda y Dragón. (Sale restricted.)&lt;br /&gt;Clifford, Terry (1987), Tibetan Buddhist Medicine and Psychiatry. London, Wisdom.&lt;br /&gt;Dash, Bhagwan (1976), Tibetan Medicine. With Special Reference to Yoga Sataka. Dharamsala, Dist. Kangra, H. P., India, Library of Tibetan Works and Archives.&lt;br /&gt;David-Neel, Alexandra, several works about her experiences in Tibet.&lt;br /&gt;Donden, Yeshi (1987), Health Through Balance: An Introduction to Tibetan Medicine. Ithaca, N. Y., Snow Lion.&lt;br /&gt;Dorje, Namchos Mingyur (Italian 1988), Zhi Khro (introduction, translation and commentary by Namkhai Norbu Rinpoché). Arcidosso, Grosseto, Italia, Shang- Shung edizioni.&lt;br /&gt;Finckh, Elisabeh (1988), Foundations of Tibetan Medicine.&lt;br /&gt;Finckh, Elisabeh (1988), Studies in Tibetan Medicine. Ithaca, N. Y., Snow Lion.&lt;br /&gt;Guénon, René (1945), Le règne de la quantité et les signes des temps. Paris, Gallimard Idées NRF.&lt;br /&gt;Guenther, Herbert V., Life and Teachings of Naropa. Oxford, Oxford University Press, and Boulder, Shambhala Publications.&lt;br /&gt;Karma Ling, Center of Buddhic Meditation, Ed. (Featuring papers by Lama Denis- Toendroup, Dr. Jean-Pierre Schnetzler, Dr. Georges Verne, Mrs. Janine Kiss.) (1983), Bouddhisme et Psychologie Moderne. Actes du Colloque de Karma Ling. Arvillard, Savoie, Éditions Prajna&lt;br /&gt;Lock, Margaret (1980), East Asian Medicine in Urban Japan. Berkeley, University of California Press.&lt;br /&gt;Norbu Rinpoché, Namkhai (1983), On Birth and Life. A Treatise on Tibetan Medicine. Arcidosso, Grosseto, Italia, Shang-Shung Edizioni.&lt;br /&gt;Norbu Rinpoché, Namkhai (1988), gCod. Arcidosso, Grosseto, Italia, Shang-Shung edizioni.&lt;br /&gt;Norbu Rinpoché, Namkhai (Ed.) (1983), Il libro tibetano dei morti. L’antica sapienza dell’Oriente di fronte al Morire e al Rinascere. Roma, Newton Compton.&lt;br /&gt;Norbu Rinpoché, Namkhai (compiled by Manianne Zwollo) (1989), Dreamwork. Amsterdam, Stichting Dzogchen.&lt;br /&gt;Norbu Rinpoché, Namkhai (1986), Lo stato di autoperfezione. Ubaldini Edizioni.&lt;br /&gt;Norbu, Dawa (Ed.) (1976), An Introduction to Tibetan Medicine. New Delhi, Tibetan Review Publications.&lt;br /&gt;Ragpay, Dr. Lobsang, Ph.D. (1987), Tibetan Medicine: A Holistic Approach To Better Health.&lt;br /&gt;Reynolds, John Meredith (1988; publicado en 1989), The Nagas—Ancient Bönpo Teaching and the Nagas. In Rivista Meri Gar/Meri Gar Review, Arcidosso, Grosseto, Italia.&lt;br /&gt;Shah, Idries, Los sufíes (traducción: Pilar Giralt Gorina). Barcelona, Luis de Caralt Editor. English: The Sufis.&lt;br /&gt;Tarthang Tulku (1977), Time, Space and Knowledge. A New Vision of Reality. Emmeryville, Calif., Dharma Publishing.&lt;br /&gt;Tarthang Tulku, Ed. (Featuring papers by Tarthang Tulku, Gay Gaer Luce, Claudio Naranjo, Charles T. Tart, Arthur Sherman, Ralph Davis, Theodore M. Jasnos, Kendra Smith, Peggy Lippitt, James L. Gauer, James Schultz and Tilden H. Edwards, Jr.) (1975), Reflections of Mind. Western Psychology Meets Tibetan Buddhism. Emmeriville, Ca., Dharma Publishing.&lt;br /&gt;Trungpa Rinpoché, Chöguiam, and Francesca Fremantle (1975), The Tibetan Book of the Dead. The Great Liberation Through Hearing in the Bardo. Boulder, Shambhala Publications.&lt;br /&gt;Tsarong, T. J. (1987), Handbook of Traditional Tibetan Drugs: Their Nomenclature, Composition, Use and Dosage.&lt;br /&gt;Tucci, Giuseppe (German 1970; English 1980), The Religions of Tibet. London, Boston and Henley, Routledge &amp;amp; Kegan Paul; Bombay, New Delhi, Calcutta, Madras and Bangalore, Allied Publishers Private Limited.&lt;br /&gt;6.- Reference to Western Philosophical Works&lt;br /&gt;Descartes, René (translation by Manuel García Morente) (this Spanish version, 1976), Discurso del método and Meditaciones metafísicas. Madrid, Espasa-Calpe S. A.&lt;br /&gt;Habermas, Jürgen (1968; Spanish 1982), Conocimiento e interés. Madrid, Taurus.&lt;br /&gt;Sartre, Jean-Paul (31st French edition, 1980), L’être et le néant. Essai d’ontologie phénoménologique. Paris, Editorial Gallimard, Collection Idées.&lt;br /&gt;Sartre, Jean-Paul, Psychologie de l’imagination. Paris, Gallimard.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;  &lt;!-------------END further reading table ------------&gt;  &lt;!--------------signature-------------------&gt;  &lt;hr /&gt;  &lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt;&lt;span style="font-family:verdana,arial,helvetica;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Also...&lt;br /&gt;from&lt;br /&gt;G r a h a m   H a r v e y' s      &lt;span style="font-style: italic;"&gt;S h a m a n i s m&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Yez8DXg3sYY/SX5kqQZUShI/AAAAAAAAAcg/cuwOvxzBdBI/s1600-h/Harvey+Graham+-+Shamanism+p282.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 508px; height: 683px;" src="http://2.bp.blogspot.com/_Yez8DXg3sYY/SX5kqQZUShI/AAAAAAAAAcg/cuwOvxzBdBI/s400/Harvey+Graham+-+Shamanism+p282.jpg" alt="" id="BLOGGER_PHOTO_ID_5295780888952719890" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Yez8DXg3sYY/SX5kzz67gOI/AAAAAAAAAco/RKUXYcYhRjg/s1600-h/Harvey+Graham+-+Shamanism+p283.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 482px; height: 650px;" src="http://3.bp.blogspot.com/_Yez8DXg3sYY/SX5kzz67gOI/AAAAAAAAAco/RKUXYcYhRjg/s400/Harvey+Graham+-+Shamanism+p283.jpg" alt="" id="BLOGGER_PHOTO_ID_5295781053107765474" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8995423735786556411-4868072178645362336?l=culturopoiesis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://culturopoiesis.blogspot.com/feeds/4868072178645362336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8995423735786556411&amp;postID=4868072178645362336&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4868072178645362336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995423735786556411/posts/default/4868072178645362336'/><link rel='alternate' type='text/html' href='http://culturopoiesis.blogspot.com/2007/07/metashamanism.html' title='Metashamanism'/><author><name>bdwc</name><uri>http://www.blogger.com/profile/00783831236168073660</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://1.bp.blogspot.com/_Yez8DXg3sYY/TP8fbQmGDFI/AAAAAAAAAlc/-Q5CmhPAvG0/S220/bdwc01avatar80px.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Yez8DXg3sYY/SX5kqQZUShI/AAAAAAAAAcg/cuwOvxzBdBI/s72-c/Harvey+Graham+-+Shamanism+p282.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8995423735786556411.post-6534326418671292795</id><published>2007-06-30T15:38:00.001-07:00</published><updated>2007-06-30T15:42:48.697-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='processarts'/><title type='text'>Ch 1 Process Arts - pre-pre-rough draft of the first part</title><content type='html'>&lt;div style="text-align: right;"&gt;Not EVEN a rough draft yet. I have done NO editing.&lt;br /&gt;I'm looking for feedback about sense and idea flow.&lt;br /&gt;Please leave comments.&lt;br /&gt;I'll respond as I make and fail to make changes.&lt;br /&gt;This page will get updated as I go.&lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Ch 1 Process Arts&lt;/span&gt;&lt;br /&gt;&lt;/div&gt; Clear Boundaries&lt;br /&gt;Origins in unconsciousness&lt;br /&gt;Definition&lt;br /&gt;Location&lt;br /&gt;      Coming into concert&lt;br /&gt;      Coming into conflict&lt;br /&gt;      Coming to consciousness&lt;br /&gt;Exclusions&lt;br /&gt;Effect&lt;br /&gt;Concrete&lt;br /&gt;Focus on Re-visioning (as in archetypal psychology)&lt;br /&gt;Mythological&lt;br /&gt;Archetypal&lt;br /&gt;Dialogical&lt;br /&gt;Authenticity&lt;br /&gt;Systemic maturity&lt;br /&gt;      conscious of metaphor&lt;br /&gt;      subtle of thought or flexible&lt;br /&gt;      sustainable as a discipline, ie one of the Humanities&lt;br /&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt; &lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819842"&gt;Ch 1 Process Arts&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin: 0pt 36pt 0.0001pt;"&gt;All aspects of the thematic, formalist, and functionalist arguments [regarding the meaning of myth] seem to be relevant to literary studies. Mythological references in literature establish our psychological origins, or the structure of the collective unconscious. They can be said to reveal binary structures of thoughts, or fantasy-dislocation or problem-reflection. They may ironically prefigure literary meaning, or act as the primary language of experience. In addition to these thematic variations, literary myth studies…have argued for the importance of &lt;i style=""&gt;mythopoesis&lt;/i&gt;: the mythopoeic imagination as the source of the power of both myth and the best&lt;span style=""&gt;  &lt;/span&gt;literature. This is close to Frank Kermode’s well-known idea that myth “short-circuits the intellect and liberates the imagination,” or Northrop Frye’s view of literature as displaced mythology, or John Vickery’s argument that &lt;i style=""&gt;The Golden Bough&lt;/i&gt; has propelled the modern imagination along an important mythopoeic course”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Gould&lt;/author&gt;&lt;year&gt;1981&lt;/year&gt;&lt;recnum&gt;3233&lt;/recnum&gt;&lt;pages&gt;4&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;3233&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Gould, Eric&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Mythical intentions in modern literature&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;ix, 279&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Myth in literature.&lt;/keyword&gt;&lt;keyword&gt;English literature 20th century History and criticism.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1981&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Princeton, N.J.&lt;/pub-location&gt;&lt;publisher&gt;Princeton University Press&lt;/publisher&gt;&lt;isbn&gt;0691064822&lt;/isbn&gt;&lt;call-num&gt;PN56.M94 G6&amp;#xD;820/.9/15&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Gould 4)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;.&lt;span style=""&gt;         &lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="line-height: 200%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; text-indent: 36pt; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819843"&gt;Clear Boundaries&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;I assume Gould means by “literary studies” literature, the study of&lt;span style=""&gt;  &lt;/span&gt;“‘letters’ or books; polite or humane learning; literary culture”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Oxford University Press.&lt;/author&gt;&lt;year&gt;1991&lt;/year&gt;&lt;recnum&gt;22&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;629&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Metzger, Bruce Manning&lt;/author&gt;&lt;author&gt;Coogan, Michael David&lt;/author&gt;&lt;author&gt;Oxford University Press.,&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;The Oxford companion to the Bible&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;xxi, 874&lt;/pages&gt;&lt;dates&gt;&lt;year&gt;1993&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New York&lt;/pub-location&gt;&lt;publisher&gt;Oxford University Press&lt;/publisher&gt;&lt;isbn&gt;0195046455 (acid-free paper)&lt;/isbn&gt;&lt;call-num&gt;BS440 .M434 1993&amp;#xD;220.3&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Metzger, Coogan and Oxford University Press.)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. If this is the case, his assertions about mythopoesis as source of both myth and literature must also apply to children’s books and songs, the legal genre of founding documents and legislation, genealogies and ideologies, corporate bulletins of vision and purpose, and the products of the media and the internet, as well as the theorizing about and producing of known and emerging texts and mythologies. Clinging mightily to these boundaries, this work will eschew making any suggestions about cultures which refrain from humane learning and creating materials on which may be read implications of psyche, intellect, and imagination.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;This work will also refrain from establishing the co-arising of consciousness, community, and communication in human history, rather it will assume their relatedness based on the poiesis that is our legacy on cave walls, centuries of transmitted stories/literature and images, and the urge to think, make, and link "media". Making similar assumptions, William Doty transforms "Martin Heidegger's marvelous 'poetically, man dwells on the earth,'…to 'mythically and ritually, humans live...'" to suggest that "mythopoesis ultimately constitutes the matrixing mode and activity for any and all our endeavors"[Mythography, xvii]. He lays creativity itself in the lap of the mythic where consciousness of fictions overlap and weave "matrixes" readable as ideologies, memory, &lt;span style=""&gt; &lt;/span&gt;histories, wonder at mystery, and thinking itself.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819844"&gt;Origins in unconsciousness&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;In the basement floor of this consciousness of psychological fictions there is an implied trapdoor&lt;a style="" href="post-edit.g?blogID=8995423735786556411&amp;postID=1345078657378891908#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style=""&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Beneath awareness of this opportunity to drop there is a midnight blue &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1989&lt;/year&gt;&lt;recnum&gt;437&lt;/recnum&gt;&lt;pages&gt;154-156&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;437&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;James Hillman&lt;/author&gt;&lt;/authors&gt;&lt;secondary-authors&gt;&lt;author&gt;Thomas Moore&lt;/author&gt;&lt;/secondary-authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;A Blue Fire&lt;/title&gt;&lt;short-title&gt;B.F.&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;323&lt;/pages&gt;&lt;edition&gt;1991&lt;/edition&gt;&lt;dates&gt;&lt;year&gt;1989&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New York&lt;/pub-location&gt;&lt;publisher&gt;HarperCollins&lt;/publisher&gt;&lt;orig-pub&gt;1989&lt;/orig-pub&gt;&lt;isbn&gt;0-06-016132-9&lt;/isbn&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman &lt;i style=""&gt;B.F.&lt;/i&gt; 154-56)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt; realm of images that rise into dreams and uncomfortable discoveries. It is to posit not only this midnight realm but also its autonomous logic that psychology arose. Thus the "unconscious" was born, began to be learned between "therapist" and "patient", and this one-on-one, individualistic psychology made the contemporary spectrum of process arts, which I will define shortly, possible. Scientistic psychology made the Process Arts concrete. From re-visionings of depth psychology, mythological (archetypally dialogical) psychology makes the Process Arts authentic, by which I mean true to its core myth (psychology) beneath “care of the soul” &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Moore&lt;/author&gt;&lt;year&gt;1992&lt;/year&gt;&lt;recnum&gt;457&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;457&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Moore, Thomas&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Care of the Soul: a guide for cultivating depth and sacredness in everyday life&lt;/title&gt;&lt;short-title&gt;Care of Soul&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;312&lt;/pages&gt;&lt;edition&gt;First&lt;/edition&gt;&lt;dates&gt;&lt;year&gt;1992&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New York&lt;/pub-location&gt;&lt;publisher&gt;HarperCollins&lt;/publisher&gt;&lt;isbn&gt;0-06-016597-9&lt;/isbn&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Moore)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;, and more mature as a system, conscious of metaphor, subtle of thought or flexible, and sustainable as a discipline - one of the Humanities.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819845"&gt;Definition&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;By Process Arts I mean &lt;b&gt;auto-critical disciplines &lt;/b&gt;which are &lt;b&gt;psychological &lt;/b&gt;and &lt;b&gt;mythographic&lt;/b&gt; and connect operative ideas in a given culture and narrative system of thinking by way of difference and resonance; track the way idea-complexes are connected and interpreted into products; operate fluidly in both sympathy and conflict; value eccentricity and develop distinctions; lead to participation in the creation of said cultures; and effect deepening understanding of being human at both the individual and collective level. “Process Arts” is a function derived and dependent &lt;b&gt;term&lt;/b&gt; I coined to posit a &lt;b&gt;spectrum of co-creative potential&lt;/b&gt; on which &lt;b&gt;conscious attempts to establish relatedness&lt;/b&gt; may be compared using both qualitative and quantitative criteria.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;Place&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 18pt; line-height: 200%;"&gt;Here are a few overlapping areas wherein may be found potential Process Arts, depending on the way in which they are practiced, divided into casual categories for brevity rather than accuracy. The three general processes portrayed are inextricably simultaneous and interrelated (in any one will be the interaction of the other two) but can be helpful as a narrative frame (myth) for a given interactive context.&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 36pt; text-indent: -18pt;"&gt;&lt;a name="_Toc170819847"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Coming into concert&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Community Building, administration, public service, governance, civil planning, co-housing, ritual and performance (theater and other ensembles), corporate management, consulting, intentional residential and satellite/urban communities, Organizational Development, the Internet, etc.&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 36pt; text-indent: -18pt;"&gt;&lt;a name="_Toc170819848"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Coming into conflict&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Martial Art, law, activism, mediation, peaceful intervention, war, sport, self-defense, etc.&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 36pt; text-indent: -18pt;"&gt;&lt;a name="_Toc170819849"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Coming to consciousness&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;mysticism and philosophy, religion/spirituality, humanities education and the liberal arts (including theology and mythology), psychology, etc.&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 108pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Psychology's derivatives, including psychoanalysis, analytical psychology, gestalt, archetypal psychology, Processwork, Neuro-linguistic Programming, Non-Violent Communication, Hakomi, self-help, coaching, group therapies, etc.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819850"&gt;Exclusion&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;What is not a process art? &lt;span style=""&gt; &lt;/span&gt;Practice with insufficient attention devoted to How the process is happening. From the definition above to this point an ethics-neutral fantasy has been maintained to give a sense of the width of disciplines that can be considered Process Arts. Awareness of systemic dynamics, however, gives a certain amount of control over culture-systems. Process artists, professional mass-sales purveyors for example, create systems which dominate choice making beneath the level of conscious awareness. Food resources or persons desiring public office, for example, may be framed such that entire populations are not only excluded from relevant decision making processes but become habituated to the choosing of a more and more tightly controlled and fabricated group of products which are in essence poisonous in the sense of being non-functional our counter-productive for the majority of their existence or even replacements for nourishing food or public service.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;The given value of "insufficient" attention to process in the paragraph above, therefore, is hereafter framed in ethical terms as being directly proportional to the degree to which it is possible for any and all participants in a given sphere of influence to choose to be fully involved at the creative, structural, systemic level. I now define Process Arts as disciplines structured to maximize the motivation and capacity for &lt;b&gt;&lt;i&gt;ethical&lt;/i&gt;&lt;/b&gt; involvement and understanding of any participant in a given system. In that sense process arts are biased toward co-creativity, inclusivity, sympathy, and altruism. This is facilitated, at least at first and in part, by the idea of auto-criticality which suggests systems of thought and practice designed to expose their own flaws authentically and welcome difference and friction. [quote here establishing auto-criticality] This often weary welcome rests in the conviction that there are pauses in different parties wanting different things but never a surcease. Auto-criticality asks &lt;i&gt;how&lt;/i&gt; rather than &lt;i&gt;if&lt;/i&gt; my understanding is incomplete relative to the needs in this sphere of influence. This undermines the reflex to dominate as compensation for insufficient influence and gives way habitually to more sustainable responses to mortality and finitude than are currently the norm.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819851"&gt;Effect&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;At the quantitative level, it is possible to empirically (based on direct experience) measure in a given system the choice making, kinds of metaphor and language, trends, etc. that make a practice more, rather than less, a process art. At the qualitative level Process Arts result in a felt sense and intuition that can inform analysis but need not become analytical, that leads to a synthetic phenomenology of association and inclusion, and consciousness of a shared narrative environment, or psychological mythology, that supports a peaceful "terrain" in which "conflict done well" and other dynamics which characterize ethical process arts are prevalent. The review of literature that follows develops the idea of the Process Arts by illustrating the growth of a narrative environment that is becoming both more mythological and more psychological and, in the process, more likely to lead to conflict done well and cultures that support ethical consciousness and choice.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;To return to my earlier assertions and make the movement of this argument clearer, the idea of the "unconscious" was born [Ellenberger] between "therapist" and "patient", one-on-one, as the only child in the family of an individualistic psychology.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;Because of its origins in “medical empiricism”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1983&lt;/year&gt;&lt;recnum&gt;2160&lt;/recnum&gt;&lt;pages&gt;5&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;2160&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Hillman, James&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Healing fiction&lt;/title&gt;&lt;short-title&gt;H.F.&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;xii, 145&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Psychoanalysis and literature.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1983&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Barrytown, N.Y.&lt;/pub-location&gt;&lt;publisher&gt;Station Hill Press&lt;/publisher&gt;&lt;isbn&gt;0930794559&amp;#xD;0930794567 (pbk.)&lt;/isbn&gt;&lt;call-num&gt;PN56.P92 H5 1983&amp;#xD;801/.92&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman &lt;i style=""&gt;H.F.&lt;/i&gt; 5)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;, industrial “positivistic psychology and psychopathology”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1972&lt;/year&gt;&lt;recnum&gt;1314&lt;/recnum&gt;&lt;pages&gt;155&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;1314&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Hillman, James&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;The myth of analysis; three essays in archetypal psychology&lt;/title&gt;&lt;secondary-title&gt;Studies in Jungian thought&lt;/secondary-title&gt;&lt;short-title&gt;Myth of Analysis&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;ix, 313&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Psychoanalysis Addresses, essays, lectures.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1972&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Evanston,&lt;/pub-location&gt;&lt;publisher&gt;Northwestern University Press&lt;/publisher&gt;&lt;isbn&gt;0810103648&lt;/isbn&gt;&lt;call-num&gt;BF173.J85 H53&amp;#xD;150/.19/5&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman &lt;i style=""&gt;Myth of Analysis&lt;/i&gt; 155)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt; institutionalized itself somewhere in the vicinity of the sciences and assembled and distributed a wide spectrum of methodologies. From psychoanalysis to self-help, these became the rage, so to speak, and made the contemporary process arts possible. Without the neurotically progressive mechanistic nature of its positivism, corporate, abnormal, psychoanalytic, biological, cognitive, analytic, comparative, developmental, personality, quantitative, social, clinical, political, counseling, educational, forensic, health, human factors, industrial, organizational, school, sensory, and “new-age” psychologies might not have become corporate human resources and management, somatic and expressive therapies, psychological consulting, life-coaching, co-counseling, Alcoholics Anonymous, community building, Neuro-Linguistic Programming, NonViolent Communication, Gestalt, group therapy, and the list goes on, particularly if it includes the various therapies named after founding figures. “The psychotherapy industry…[has provided] a hundred years of analysis, and people are getting more and more sensitive.” This sensitivity to the unseen layers of mechanisms beneath human behavior created a social stratum of vocations whose task it is to know how to make that mechanism work. Despite the millions served, “the world is getting worse and worse” &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1992&lt;/year&gt;&lt;recnum&gt;659&lt;/recnum&gt;&lt;pages&gt;vii&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;659&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Hillman, James&lt;/author&gt;&lt;author&gt;Ventura, Michael&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;We&amp;apos;ve had a hundred years of psychotherapy-- and the world&amp;apos;s getting worse&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;viii, 242&lt;/pages&gt;&lt;edition&gt;1st&lt;/edition&gt;&lt;keywords&gt;&lt;keyword&gt;Psychotherapy Philosophy.&lt;/keyword&gt;&lt;keyword&gt;Psychotherapy Social aspects United States.&lt;/keyword&gt;&lt;keyword&gt;Civilization, Modern 20th century Psychological aspects.&lt;/keyword&gt;&lt;keyword&gt;Psychoanalysts United States Interviews.&lt;/keyword&gt;&lt;keyword&gt;Hillman, James Interviews.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1992&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;San Francisco, Calif.&lt;/pub-location&gt;&lt;publisher&gt;HarperSanFrancisco&lt;/publisher&gt;&lt;isbn&gt;0062504096 (alk. paper)&lt;/isbn&gt;&lt;call-num&gt;RC437.5 .H55 1992&amp;#xD;150/.1&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman and Ventura vii)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. &lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;The dilemma lies in the unseen layers not being a “mechanism”, or perhaps even “layered”, and certainly not subject to colonization or being made to “work”. Those mechanical metaphors don’t work because unconsciousness, rather than The Unconscious, is precisely that. The root assumption in the psychological mythology, its origin story of itself, is not knowing. Thereafter, slights of hand are involved as other systems spin-off their own psychologies, from scientific medicine to corporate ideography. These new psychologies are driven by the imposition of useful (solving dilemmas) rather than disturbing (changed by dilemmas) theoretical &lt;i style=""&gt;raisons d'etre&lt;/i&gt; and result in “symptoms…coming back to the consulting room [which are] precisely those its theory engenders: borderline disorders in which the personality does not conform to the limits set by psychology; preoccupation with subjective moods called “addictions” and “recovery”; inability to let the world into one’s perceptual field, called “attention deficit disorders” or “narcissism”; and a vague depressed exhaustion from trying so hard to cope with the enlarged expectations of private self-actualization apart from the actual world”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Roszak&lt;/author&gt;&lt;year&gt;1995&lt;/year&gt;&lt;recnum&gt;3588&lt;/recnum&gt;&lt;prefix&gt;Hillman in &lt;/prefix&gt;&lt;pages&gt;xx&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;3588&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Roszak, Theodore&lt;/author&gt;&lt;author&gt;Gomes, Mary E.&lt;/author&gt;&lt;author&gt;Kanner, Allen D.&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Ecopsychology : restoring the earth, healing the mind&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;xxiii, 338 p.&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Environmental psychology.&lt;/keyword&gt;&lt;keyword&gt;Nature Psychological aspects.&lt;/keyword&gt;&lt;keyword&gt;Environmentalism Psychological aspects.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1995&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;San Francisco&lt;/pub-location&gt;&lt;publisher&gt;Sierra Club Books&lt;/publisher&gt;&lt;isbn&gt;0871564998&amp;#xD;0871564068 (pbk. acid-free, recycled paper))&lt;/isbn&gt;&lt;call-num&gt;Jefferson or Adams Bldg General or Area Studies Reading Rms BF353.5.N37 E26 1995&amp;#xD;Main or Science/Business Reading Rms - STORED OFFSITE BF353.5.N37 E26 1995&lt;/call-num&gt;&lt;urls&gt;&lt;related-urls&gt;&lt;url&gt;http://www.loc.gov/catdir/bios/ucal053/94031179.html&lt;/url&gt;&lt;url&gt;http://www.loc.gov/catdir/description/ucal043/94031179.html &lt;/url&gt;&lt;/related-urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman in Roszak, Gomes and Kanner xx)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. The dilemma emerges from imagining and theorizing about unconsciousness as though it were concrete, The Unconscious, and scientistically mechanizing the imagination through which unconsciousness is encountered so it can be made to work when, according to the entire idea of unconsciousness, psyche is autonomous and metaphorical. The imagination of psychology is not true to its own core myth. This does not mean that there has been no care of the soul during the history of psychology, only that it has largely been in spite of the Industry. It also does not mean that the Process Arts are a loss, so quickly after being christened (more on that later). Rather that the processes about which they are artful echo ways of responding to mystery and human need as old as shamanism and tribal leadership, for instance, and are characterized and made more sensitive to the dilemmas arising with an industrial psychology for being spawned by it.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; text-indent: 36pt; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819852"&gt;Concrete&lt;/a&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;Working the intersection of therapy and theology, Thomas Moore connects both Jesus and Hermes to “a change of vision with healing. [He suggests] it is sick to live at the level of perception William Blake referred to as Newton’s sleep. The sickness is not rooted in the depression or the painful marriage; it is the failure to rise above the lowest level of &lt;i style=""&gt;nous&lt;/i&gt;, the material perception of facts. In that case you are left, as some therapies are, with the mere engineering of lives. A factual imagination leads to life coaching; &lt;i style=""&gt;metanoia&lt;/i&gt; has a far greater impact”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Downing&lt;/author&gt;&lt;year&gt;2006&lt;/year&gt;&lt;recnum&gt;3419&lt;/recnum&gt;&lt;pages&gt;174&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;3419&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Downing, Christine&lt;/author&gt;&lt;author&gt;Hopper, Stanley Romaine&lt;/author&gt;&lt;author&gt;Marlan, Stanton&lt;/author&gt;&lt;author&gt;Marlan, Jan&lt;/author&gt;&lt;author&gt;Sexson, Lynda&lt;/author&gt;&lt;author&gt;Wiggins, James B.&lt;/author&gt;&lt;author&gt;Estess, Ted L.&lt;/author&gt;&lt;author&gt;Wallwork, Ernest&lt;/author&gt;&lt;author&gt;Drake, William&lt;/author&gt;&lt;author&gt;Slater, Glen&lt;/author&gt;&lt;author&gt;Paris, Ginette&lt;/author&gt;&lt;author&gt;Heller, Sophia&lt;/author&gt;&lt;author&gt;Kugler, Paul&lt;/author&gt;&lt;author&gt;Hillman, James&lt;/author&gt;&lt;author&gt;Giegerich, Wolfgang&lt;/author&gt;&lt;author&gt;Mogenson, Greg&lt;/author&gt;&lt;author&gt;Moore, Thomas&lt;/author&gt;&lt;author&gt;Cox Miller, Patricia&lt;/author&gt;&lt;author&gt;Romanyshyn, Robert D.&lt;/author&gt;&lt;author&gt;Atchley, J. Heath&lt;/author&gt;&lt;author&gt;Schwartz, Susan L.&lt;/author&gt;&lt;author&gt;Graybeal, Jean&lt;/author&gt;&lt;author&gt;Faessel, Victor&lt;/author&gt;&lt;author&gt;Casey, Edward S.&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Disturbances In The Field&lt;/title&gt;&lt;short-title&gt;Disturbances&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;x, 318&lt;/pages&gt;&lt;edition&gt;1st&lt;/edition&gt;&lt;keywords&gt;&lt;keyword&gt;Imaginal theology psychology literature criticism post-modern&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;2006&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New Orleans&lt;/pub-location&gt;&lt;publisher&gt;Spring Journal Books&lt;/publisher&gt;&lt;isbn&gt;1-882670-37-X (pbk.)&lt;/isbn&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Downing et al. 174)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. Scientistic psychology made the Process Arts concrete for better, for being useful and easier to distribute, and worse due to shallowness of understanding, building in to most practices “the material perception of facts”, or literalism. This leads to “force reduction”, arbitrarily removing fellow bodies, while not in the military and on behalf of “corporation” that is legally (literarily) but not literally a body, or “coaching” someone not involved in a sport on how to “manage” their life which is not a business. Seeing firing through military eyes is not in itself a problem but it does lead to casualties instead of co-workers. Handling a client like a linebacker can add wonderful energy to a coaching relationship but can lead to career ending injuries when a marriage, for instance, is evaluated by keeping score. When metaphoricality is mostly unconscious in the mind of the facilitator supposed to be tracking a process the stories get tangled unhelpfully and thinking departs abruptly from relationship with and responsibility to its core myth. Perceiving is the issue and returning to what is sensible is a way to return to what can be meaningful.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center; line-height: 200%;" align="center"&gt;&lt;a name="_Toc170819853"&gt;Focus on Sense, as in archetypal psychology&lt;/a&gt;’s Re-visioning&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;Why does re-visioning, as such, apply? &lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;See it through, see through it, and been seen through results in some transparency&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;At least two ways:&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;Sensing differently. A revision is an attempt at paring away what is unnecessary, polishing, literary improvement &lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;Sensing again. A revision is a later version&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;In the second place of sensing differently, by way of difference, I use mythological and archetypal almost as synonyms. This is not because they are the same but because they move so similarly that, for my purposes, each easily wears the costume of the other while on the stage of culture. With that said let me make clear how they are different, so that the similarities may roll more smoothly in our thinking together, wisely choosing to a halt before colliding with the curbs of dilemma without bumping over disparities left willy-nilly in the road.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;So, &lt;span style=""&gt; &lt;/span&gt;mythological psychology and psychological mythology.&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;a name="_Toc170819854"&gt;Mythological&lt;/a&gt; implies psychological&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Key concepts: &lt;/p&gt;   &lt;p class="MsoNormal"&gt;1. Both are about image-thoughts. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;What      is it? Myth connects waking consciousness to what cannot be grasped. An      image in myth is any character, figure, presence, or constellation of      characters that is evocative. That could range from a well-described      fireplace or a visitation by divinity. Could be independently existing      with its own reality or it could be a cultural image. Aspects that are      important about the image include its being and what it is doing. It is a      multisensory but intangible metaphor that has its own reality and its own      connections with other entities (Hillman). &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Images are important in mythological thinking because      they serve as connective bridges of building blocks. From words to complex      concepts (e.g., fireplace, dog), spoken images have a discrete impact and      hold on listeners that allow movement past boundaries into new terrains      that is invoked through the use of image. Images contribute to the      creation of a helpful story. Speakers rely on images to convey complex      meaning, to convey that meaning is complex, and to build a shared      experience through which we can come to an understanding. It also is      related to meaning making and soul making. Images also tap expressive,      multilayered, imaginal aspects of being. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How      is it used? Track the use of image. I’m a naturalist walking in a terrain      of familiar and strange things. I name new things using the images I      possess as templates. Image is a unit of consciousness. Image can be used      for labeling and understanding discrete energies or entities I encounter.      Image is the experience of coming to consciousness about something. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      are the benefits? Living in a world of images turns a world of utility and      industrialization into a world of context and meaning. Rather than      individuals and things only being tools, individuals and things also      become entities with their own realities, meanings, and souls. Images      convert the world into a place of creation and peace in addition to being      a place of consumption. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;2. Transformation and healing. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe      it. Where you start is what you know, where you are, who you are. Where      you end is going into something strange. Heroes journey. Coming to      consciousness about anything. Healing is not the goal unless it is      becoming something new. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? If change is guaranteed and growth is optional…from      mythological perspective, it’s not important. There’s no fantasy of      improvement. They get sick and well and die and don’t die. How does the      story move. Why is it important? It’s not about becoming perfect. What are      we doing? How are we getting there? Holding it in one multilayered story framework.      Coming to understanding, not perfection. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      does it do? How does it move? It moves according to its genre. If you’re      wandering from thing to thing. If it’s heroic. Plunging into the fray. It      moves in a way appropriate to the world. Transformation changes the human      experience. It becomes scope. It’s not always clear. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      are the benefits and results? That the difference has been tracked rather      than simply falling victim to the change. There is a chance to participate      in the change. How conscious were you about things and how unconscious      were you about things. This is part of growing up, becoming less literal,      becoming more comfortable with metaphor. It stretches your consciousness. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;3. Accessing information below the surface. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;What      is it? Rather than providing only straightforward responses to existential      dilemmas, myth creates a web of narrative associations within which      meaning can be held. King David is both a heroic savior of his people and      a debaucher of other men's wives, in addition to all the other dynamics      implied in his character. Underneath the surface of the myths we live (the      Long War, No Child Left Behind) are included all the ideas involved from      doctrines (isms) of terror to the real need to live free of political      violence to the sorrow of loss and the joys of triumph over a real and      present danger. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Because sophistication at this level is synonymous with      maturity. The more I am capable of acknowledging what is underneath and      behind my and others' behaviors the more I am capable of being both just      and compassionate and living in community with other creatures. Then it is      possible to intervene in or respond authentically to conflict that may      result in inappropriate or needless suffering and find some balance between      being self-serving and altruistic. Then is it possible to build character      (in the sense James Hillman suggests) and model adequate relationship      skills. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How      is it used? What does it do? How does it move? Descriptive metaphors like      "depth" and "blue" and "cycle" and      "black" often get applied to below the surface learning. Places      beyond clear human control are images which evoke this kind of terrain and      way of moving - into the blue of the sea or sky and the black depth of the      psyche, underworld, or outer space (the final frontier?). Going deeper or      beneath may be accompanied by a sinking feeling, depression, diving or      falling in, etc.  &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens?  Complications and different, perhaps wider understanding.      Depth work twists things up and unexpectedly releases as well, and can      give more understanding of difficulty, perversity, agony, all the things      usually avoided in terms of  understanding and accepting. The      challenge is to die well (metaphorically in preparation for literally)      rather than to die poorly to old ideas and patterns which were already      putrifying. Death and putrifaction are natural but a rotting albatross is      not something to haul around all the time, if you have the choice. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;4. Entertaining ideas and images as partners or guides. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:      I changed the first word of this question from "use" to      "entertainment" because the industrial mind has driven humanity      to extinction in an ecocidal utilitarian fantasy. But we do use each      other. Creatures consume to survive. That is a natural dilemma to come to      terms with. the difficulty arises in the total overconsumption of      everything as though all things were made for nothing more than to be      consumed by Me rather than gently used when needed by whomever is in need      and encouraged to remain whole as well. Entertainment is the word for this      question because the post-utilitarian mind hungers for the opportunity to      bring new ideas/stories/fantasies/ways of seeing into the parlor for      dialogue and consideration entireyl separate from the need for agreement      or opposition. Mythological images have their own autonymous reality.      Arjuna cares nothing for how the reader wants the Battle of Kurukshetra to      end. It ends the way it ends and the &lt;i&gt;Mahābhārata&lt;/i&gt; is obviously its      own imaginally real world.  &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Imaginal autonomy is important because it leads to      epistemological humility. You wouldn't interrupt a master storyteller but      new ideas are interrupted and weighed for their effectiveness as weapons      before they are even out of the mouth that speaks them. Or they are never      felt for their weight much less their texture and smell and guesses into      history or origin and potential consequences of use. If the Idea or Image      is a partner or guide it must be taken seriously in a different way. It      can attack or change directions or reveal something sublime or bore until      self-discovery is possible lacking other distractions.  &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move? The entertainer of ideas is a      naturalist of the psyche in the imaginal terrain of what is otherwise      hidden, or Under(world), learning names and places and textures. In a      dream it is often best that the visitor/guest/dreamer follow, watch, run      away, receive without judgment or to much attachment, ask respectful      questions when the invitation is given, etc. When an idea comes knocking      at the door it may be prudent to peek through the spy-hole to see the      expression on its face and what is waiting in the shadows behind it before      inviting it in. Then it is the guest and is treated with respect but not      allowed to trash the furniture or run off with the innocent child into the      night. In either case it is possible to make long term friends and also to      be pursued inexorably by enemies until either changes. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens? When idea/images are treated as autonymous a different dynamic is      being practiced from being "just a fantasy" in which the stories      and presuppositions which structure literal life are taken seriously and      dealt with carefully. The hope is that the fantasies which build nations      and shrines and families and war may then be less unconscious and protect      the right to legitimate suffering while refraining from inflicting that      which needless and brutal. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;5. Creative use of story. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:      It is fundamentally different to respond to a question (e.g., Daddy, who      is God?) with simplistic recitals (He is the all-powerful, all-knowing      creator of everything) rather than with narrative (well, when I asked my      father that same question he told me a story that went something like      this...). Monosyllables are helpful on the battlefield but give the      impression that questions themselves are somehow inappropriate. The      process of being drawn into a narrative environment habituates the      questioner in a search for context that will continue to bear the fruit of      meaning. Formulaic responses instead habituate a snatching at the fruit      from the tree of what is either True or False.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? This matters because both modes (at very least) are required:      being able to judge and choose and also to linger patiently through      ambiguities. The former belongs to emergencies and clear and present needs      and the latter to sitting with other people around the fire of      culture-making in other times. It is the shuttling between the two which      makes the adult. This is true no matter ones ideological positions and      allows space to simply Be human in the company of others, regardless of      whether anyone may be of use.  &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move? Story moves in stages, thus giving the      impression of there being time to be authentic to those who consciously      participate. Within literary structure there are genres that give the      impression of there being many different ways to be, none of which are the      only Right option, except as &lt;a href="http://en.wikipedia.org/wiki/Discworld_%28world%29#The_power_of_belief" target="_blank" title="narrative causality"&gt;narrative causality&lt;/a&gt;      dictates. Metafictive devices, for instance, imply that there are stories      within stories within stories, matching and validating that way of      experiencing daily life. One of the only almost universal agreements among      human beings is that we are tellers of stories. Participating in that      process opens awareness to the fact that humans are also cocreating each      other and culture by the stories that are crafted and told. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens? Mythography can lead to psychologicality. Everyone truly      listening to a story knows when a character does something that doesn't      fit or is an easy but unsatisfying way to tie up loose ends. Think of the      tidy plot closure in any of the major motion pictures released recently.      How many end on a strangely tidy note after a virtual symphony of      dischord? What can happen to persons participating in myth-making is an      investment in authentic complexity and an acknowledgment of the more      ambiguous realities of life. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;6. Truth and paradox: The creative tension of opposites &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:      Conflict drives plot. Friction can describe any rubbing of non-identical      ideas/desires and is a more neutral word than discomfort adverse consumer      culture allows. Literature, myth, and story all depend on creating and      holding tension between what is desired and what is So. It is in this      juxtaposition that understanding emerges as flexibility and familiarity      with complexity.   &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Because the flexible tree bends with the winds of      adversity which unavoidably blow through every life. The simplistic      personality fractures and remains stuck where it was hurt rather than      healing cleanly and becoming more supple. The practice of myth suggests      this flexibility and reframes tension so that it need not become      epidemic-level hyper-tension but may be received as a guide and normal      companion to legitimate suffering as well as discovery. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move? Sympathetically. The reader or listener      wants the characters in the story to experience even the most sublime and      horrific. That is one of the main reasons fairy tales can be so Grimm. It      is a preparation for the truth in paradox that goes along with the holding      in the same frame of reference the joys of living with the fear of dying.      The sympathetic listener is not identical with the compassionate listener.      The relationship is one in which some affinity leads to correspondence of      affect, moving alongside, parallel pathos, which means feeling but also      suggest suffering.  &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens? Incarnate and imaginal characters move along together and learn      from suffering, initiating, celebrating, etc. in community. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;7. Summary  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;     The moral of this story is not Myth and Psychology = good. Nor do I mean to imply that mythology and psychology are amoral or beyond ethical considerations - far from it. It is essential to be able to hear a story full of tragedy and accept that that is simply what happened and what happens. It is also essential to avoid being a psychotherapist, citizen, and neighbor who hears stories of suffering and has no emotional response beyond "I hear the story of suffering you are telling". When mythology looks through the lens of psychology it sees itself and in itself the potential for therepeia, the choice to contribute to healing, and a language that connects the story process to an era officially unfriendly to fiction and fantasy and yet perpetuating profoundly harmful fantasies and fictions on an alienated and suffering planet. &lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 36pt; line-height: 200%;"&gt;&lt;a name="_Toc170819855"&gt;Archetypal&lt;/a&gt; implies mythological&lt;/p&gt;   &lt;p class="MsoNormal"&gt;Key concepts: &lt;/p&gt;   &lt;p class="MsoNormal"&gt;1. Use of images in mythological psychology. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;What      is it? By “Image” I mean what I understand about Archetypal Psychology’s      (Hillman, et al) core idea developed from Analytical Psychology (C.G.      Jung, et al). This includes not only visual and other sensory processes in      the path from experience to memory and back out to volition but also every      autonomous idea that associates for the creation of useful abstractions      like “consciousness”, “unconsciousness”, and realms in between like      “reality” and “dream”. Images and imagining are presented as the core      function of the psyche and as such move in a way that deepen the process      of thinking, feeling, and coming to accrete meaning, cultivate      understanding, and possibly lead to wisdom from the experience of life. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is mythological psychology important? Looking through the lens of      mythology, depth psychologies frame images in terms of having their own reality      and impact so that the core dilemma of being human accretes responses      which make meaning. I see the dilemma as something like "what to do      with all this experience, much of which I have no control over, so that      the places I may create are more beautiful and expressive and less      dominated by suppressed feelings, decisions, and habits of thought?"      Psychology without mythologicality responds "Become a stronger      individual, more heroic, and return to the world acting in a more socially      adapted way." This is fine but only the tip of the proverbial      iceberg. What is below the water line must, again, deal with not only      being heroic or civil but also with eccentricity, specificity of style and      difference, and must honor what emerges in fairytales and dreams and conflicts      with a life and power of its own. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How      is mythological psychology used? Images arise and are noticed and are      treated with respect. The key is to take the image seriously as an entity      in its own right. Then there may be following, tracking, avoiding,      befriending, all the possible responses one might bring to an interaction      with any respected Other, occasionally bridging that otherness to      familiarity and mutual learning.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      are the benefits of mythological psychology? The benefits include, most      centrally, practices similar to that Buber advocated moving between &lt;i&gt;Ich-Es&lt;/i&gt;      and &lt;i&gt;Ich-Du&lt;/i&gt; relationships and can result in greater flexibility when      facing adversity. Staying with the process may also include any of the      outcomes associated with suffering, therapy, healing, and creating      relationship as an art form. Psychology approaches this through      mythopoesis, or myth-making - speech and silence and sharing in the life      of the Images, big ideas, or “gods” that “cross our willful path.”(Jung) &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;2. Transformation and healing associated with a mythological psychology. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:      the aforementioned flexibility is ideological in nature. I have ideas      about how the world works by which I create the cultures in which I      participate. What changes in therapy, in mythologizing, in seeing my place      in the stories around and within me is flexibility - an ability to bend      with less damage, bring agonies into an imaginable context that can      contain and makes understanding and thereby change or at least tomorrow      possible. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important?  Because building strength and capacity is only one      part of being human. Without other depth essential ideas like “a good      death”, becoming an elder, and initiation are lost.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move? Like effective Aikido the movement in      this process is sympathetic and responsive from a deep grounding rather      than resistive and reactive from barely buried surface roots. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens, costs, benefits, results?  A certain amount of simplicity is      lost when psychology becomes mythological. There are certainly times for      ego triage and that is not necessarily the time for evoking as many layers      of understanding as possible. But when persons or groups live the myths in      their sphere of influence as though they were psychological, archetypal, and      peopled by autonymous roles and images, even emergencies take on a      different character and are part of the story rather than being resisted      and thereby exacerbated. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;3. How mythological psychology reaches dynamics below the surface. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:       By way of mythologizing, psychology surfaces a bit of, or at least takes      seriously the impact of what is unseen, underneath, and powerful for being      both operative and invisible. Where mythology repeats this movement in the      development of story and context, psychology develops the storying and      context making as soul-work f potentially leading to understanding and      greater depth of experience. In this sense psychology does purposefully      what myth does automatically and contemporary mythological studies notice      psychologically. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Because a non-mythological psychology (way of caring for      the soul), like the aforementioned non-psychological mythology, is the      foundation of inflexible ideology and utilitarian depersonalization. If I      don’t, or my therapist doesn’t, see “my” ideas (psychology) as an      undercurrent of mythic material, then the collective impact is missed and      changes in behavior and understanding remain at the level of ego and      facade. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move?   70 w &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens, costs, benefits, results?  70 w&lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;4. Use of partners or guides. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:       There is a fantasy in medicalized psychotherapy that the correct      therapeutic relationship is equivalent to the formal consulting room      process with which most are familiar. A mythological psychology brings the      proceedings immediately into relationship with others – cultural,      historical, imaginal, archetypal figures which may be struggled with      fruitfully and which may become partners and guides. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? What is missing without and gained with it? With a      psychology that is mythic relationship in community is the immediate      context. If for no other reason, this is desirable as a partial antidote      to the alienation and lack of initiation into contemporary realities.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move? Like a naturalist in the terrain of      experience, noticing what is present and sensing how it fits into the      story in progress before naming, interpreting, claiming, or anything else      personal.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens, costs, benefits, results? Without conscious mythicity      psychology risks continued solipsism and irrelevance beyond the world of      the ego.&lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;5. Creative use of story. &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:       I’ll oversimplify and casually apply caricatures for a moment to make a      point. The Freudian caricature suggest a silent and nigh invisible      therapist perched behind a couch in a dark office listening (or nodding      off) as the patient talks on and on. The Jungian caricature involves boxes      of sand and dolls for active imagination experiments and New Age fascinations      with obscure occultisms. The Archetypal caricature might be a bi-polar,      by-turns grim and puerile philosopher, making things worse so that they      might get better someday. Any well-practiced psychology is mythological      and softens the doctrinal edges of any approach, including its own, with      the move into “this is another story about how we do what we do”. The      questions becomes one of genre – how does this kind of approach move and      where is it getting us. The process itself becomes the art form.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? What is missing without and gained with it? As a      reform this is important in response to the “hundred years of      psychotherapy” after which the world is getting worse.&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE      &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1992&lt;/year&gt;&lt;recnum&gt;659&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;659&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Hillman,      James&lt;/author&gt;&lt;author&gt;Ventura, Michael&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;We&amp;apos;ve      had a hundred years of psychotherapy-- and the world&amp;apos;s getting      worse&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;viii,      242&lt;/pages&gt;&lt;edition&gt;1st&lt;/edition&gt;&lt;keywords&gt;&lt;keyword&gt;Psychotherapy      Philosophy.&lt;/keyword&gt;&lt;keyword&gt;Psychotherapy Social aspects      United States.&lt;/keyword&gt;&lt;keyword&gt;Civilization, Modern 20th century      Psychological aspects.&lt;/keyword&gt;&lt;keyword&gt;Psychoanalysts United      States Interviews.&lt;/keyword&gt;&lt;keyword&gt;Hillman, James      Interviews.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1992&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;San      Francisco, Calif.&lt;/pub-location&gt;&lt;publisher&gt;HarperSanFrancisco&lt;/publisher&gt;&lt;isbn&gt;0062504096      (alk. paper)&lt;/isbn&gt;&lt;call-num&gt;RC437.5 .H55      1992&amp;#xD;150/.1&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Hillman and      Ventura)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move?   The issue is not one of &lt;i style=""&gt;using&lt;/i&gt; story but working by way of      imagining everything in terms of myth. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      can happen that is desirable and undesirable? Doing so constantly      draws attention to the roles everyone plays, the history, the present      situation, hopes for the future, and creates a cocreative narrative      context rather than simply reinforcing the way things have always been. &lt;/li&gt;&lt;/ol&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;6. Truth and paradox: The creative tension of opposites &lt;/p&gt;   &lt;ol style="margin-top: 0pt;" start="1" type="a"&gt;&lt;li class="MsoNormal" style=""&gt;Describe:       Jung, following traditions as old as philosophy, practiced a move beyond      simplistic thinking by establishing value for purposefully holding the      tension of opposites and adding a third perspective to any two part      pairing. A mythological psychology gets at truth in the same way story      does, by appearing to put it aside in order to participate in a narrative.      (“Daddy. Who is God?” - “Well, sweetie, Once Upon a Time…”) This allows      creative imaginal space, bounded by oppositions, into which a variety of      paradoxical worldviews will emerge and interact.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why      is it important? Valuable tension and the geometry of inclusion of      multiple voices (from triangulation to a number of participants equal to      an entire sphere of influence) creates more dynamic and imaginative      responses to dilemmas.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;How?      What does it do? How does it move?  This assumes that there will      always be multiple influences and the choice of which to include and      ignore fundamentally effects the degree to which understanding and      comprehensive decision making is possible.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What      happens, costs, benefits, results? Ignore a voice and find it coming      back later in disguise. Enantiodromia &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE      &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Jung&lt;/author&gt;&lt;year&gt;1989&lt;/year&gt;&lt;recnum&gt;2327&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;2327&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Jung,      C. G.&lt;/author&gt;&lt;author&gt;Beebe, John&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Aspects      of the masculine&lt;/title&gt;&lt;secondary-title&gt;Bollingen      series&lt;/secondary-title&gt;&lt;/titles&gt;&lt;pages&gt;xvii,      183&lt;/pages&gt;&lt;edition&gt;1st Princeton/Bollingen      pbk.&lt;/edition&gt;&lt;keywords&gt;&lt;keyword&gt;Masculinity.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1989&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Princeton,      N.J.&lt;/pub-location&gt;&lt;publisher&gt;Princeton University      Press&lt;/publisher&gt;&lt;isbn&gt;0691018847&lt;/isbn&gt;&lt;call-num&gt;BF692.5      .J86 1989&amp;#xD;150.19/54 s      155.3/32&lt;/call-num&gt;&lt;urls&gt;&lt;related-urls&gt;&lt;url&gt;http://www.loc.gov/catdir/description/prin021/88037903.html&lt;/url&gt;&lt;/related-urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Jung and Beebe)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. Pre-socratic Greek      philosophy &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE      &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Heraclitus&lt;/author&gt;&lt;year&gt;2001&lt;/year&gt;&lt;recnum&gt;702&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;702&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Heraclitus,&lt;/author&gt;&lt;author&gt;Haxton,      Brooks&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Fragments      : the collected wisdom of      Heraclitus&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;xxviii, 99&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Philosophy,      Ancient.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;2001&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New      York&lt;/pub-location&gt;&lt;publisher&gt;Viking&lt;/publisher&gt;&lt;isbn&gt;0670891959      (alk. paper)&lt;/isbn&gt;&lt;call-num&gt;B220.E5 H3913      2001&amp;#xD;182/.4&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Heraclitus and      Haxton)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;      (below). Dialectical monism.&lt;/li&gt;&lt;/ol&gt;   &lt;p style="margin-left: 54pt;"&gt;"By cosmic rule, as day yields night, so winter summer, war peace, plenty famine. All things change. Fire penetrates the lump of myrrh, until the joining bodies die and rise again in smoke called incense." (fragment 36)&lt;/p&gt;   &lt;p style="margin-left: 54pt;"&gt;"Men do not know how that which is drawn in different directions harmonizes with itself. The harmonious structure of the world depends upon opposite tension like that of the bow and the lyre."&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 54pt;"&gt;“One must realize that war is shared and Conflict is Justice, and that all things come to pass in accordance with conflict.” -- Cited by Origen, &lt;i&gt;Contra Celsum&lt;/i&gt; VI.28 &lt;i&gt;(Diels-Kranz fragment 80)&lt;/i&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 54pt;"&gt;“The way up and down are the same.” -- Cited by Hippolytus, &lt;i&gt;Refutatio&lt;/i&gt; IX.10.4 &lt;i&gt;(Diels-Kranz fragment 60)&lt;/i&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 54pt;"&gt;“It is wise, not listening to me but to the report (λόγος), to agree that all things are one.” -- Cited by Hippolytus, &lt;i&gt;Refutatio&lt;/i&gt; IX.9.1 &lt;i&gt;(Diels-Kranz fragment 50)&lt;/i&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin-left: 36pt;"&gt;Mythological psychology wherein no single existential summary can be more than an additional flag raised on the field where ideas gather. &lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;7. Summary 70 pp &lt;/p&gt;   &lt;p class="MsoNormal"&gt;The reason contemporary psychology looks (or ought to look) through the lens of mythology (especially in therapy) is to shift from neurotic individualism and the cult of the personal toward a deeper view of both roots and branches of culture - renewing relationship with archetypal, process-level, collective unconsciousness. Through the filter of mythology it sees itself, its origins in the exchange of words to get at what is meant in being human, and hears the sounds of its own milk tongue.  &lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-indent: 18pt; line-height: 200%;"&gt;Archetypal Psychology, the making of a more mythological psychology through more psychological approaches to mythology, is polyvalent and polysemic, leading to a multi-disciplinary approach. Even, and often especially, those who do not consider themselves therapists or even psychologist bring to their work an aesthetic sense of the hidden, a psychology that is simultaneously archetypal and mythological. The writers that follow identify with Jung or with archetypal psychological to different degrees but all suggest thinking that moves in parallel toward Process Arts.&lt;/p&gt;   &lt;ul style="margin-top: 0pt;" type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;Theoretical      and Practical Foundations (Jung’s Analytical Psychology) [shift to      description] 1.5 p&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Freud’s       influence 20% 75 w – psychoanalysis relied heavily on myths – both       reference to known narrative and creation of new case “histories” (&lt;i style=""&gt;Healing Friction&lt;/i&gt;) as well as       Freud’s conscious mythography. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Jung’s       influence 30% 110 w – Jung mythologized - moved Psychoanalysis’       reification of fantasy (through interpretation) further toward advocating       the autonomy of the “objective psyche” and “collective unconscious” &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Innovations       of Archetypalists (e.g., Hillman, Berry, Moore, etc.) 50% 190 w –       Archetypal (mythological) psychology moves the autonomousness of       unconsciousness into the world as well by re-valuing the Imaginal &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE       &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Corbin&lt;/author&gt;&lt;year&gt;1980&lt;/year&gt;&lt;recnum&gt;2573&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;2573&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Corbin,       Henry&lt;/author&gt;&lt;author&gt;Avicenna,&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Avicenna       and the visionary recital&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;viii,       278, 385-420&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Avicenna,       980-1037.&lt;/keyword&gt;&lt;keyword&gt;Philosophy, Islamic Early works       to       1800.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1980&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Irving,       Tex.&lt;/pub-location&gt;&lt;publisher&gt;Spring       Publications&lt;/publisher&gt;&lt;isbn&gt;0882142135       (pbk.)&lt;/isbn&gt;&lt;call-num&gt;B751.R63 C623x 1980&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Corbin and       Avicenna)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;       and insisting upon an ensouled cosmos that is not defined by its       usefulness to or circumscription by the human mind.&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;How      it moves: Archetypal Psychology makes room for the Process Arts by making      psychological roots auto-critical via neglected image and its twin      reflection, by mythically complicating progressive interpretations of      psychology, by shuttling beneath ego psychology both back to depth      psychology and forth to Image. Further complications by way of Giegerich      and others then make a fully mytho&lt;b style=""&gt;&lt;i style=""&gt;logical&lt;/i&gt;&lt;/b&gt; psychology possible. I      suggest what that re-visioning process might see and this sense of      mythicity might feel 1.5 p&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Association       (Simile) 95 w What is implied, and already in progress in the world, is       the co-creation of a process-level “alchemical” art form. The form is       artful in that it initiates an anamnestic creative cycle of descent and       return - an orphic process balancing and synthesizing different and       related ideas while they are in the motions of association. This requires       mapping and descending, shuttling between oppositional ideas in creative       tension, and triangulating ideas in relationship just beyond       circumscription by duality. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Contextualization       95 w - Ed Casey talks about Place and Edge in a way that makes this       clearer. There is an essential function of Place, or context that allows       for the consideration of genre. “Where” leads to a discussion of “how”       without being stopped by the anxiety around “what”. Without some       initiation into a context that is both shared and interpreted in a way       that supports understanding, living itself is not supported. Freud –       Eros~Thantos.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Archetypal       phenomenology and description 95 w follows image (like Montessori does       the child) and is interested in what can be described before analysis       utility become ascendant.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Thinking,       abstraction, and appropriate distance 95 w &lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;What      are the impacts of archetypal psychology? 1.5 p Without it contemporary      psychology lacks a critique that is both fundamental and extensive,      applying both to the roots of psychological ideas and beyond the      cloistered therapeutic hour to far reaching cultural consequences. &lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Dallas       Institute and focus on the City and educating educators&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;i style=""&gt;Care of the Soul&lt;/i&gt; phenomenon&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Pacifica       Graduate Institute&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;How      do I apply it? 1.5 p Contemporary middle class persons worldwide are      accustomed to working with basic psychological ideas and terms, the basic      interventions of archetypal psychology are most visible in application and      lay the foundations for core Process Arts structures:&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Autocriticality,       or “Re-visioning” similar but not identical to deconstructionism&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;Summary      1 p&lt;/li&gt;&lt;/ul&gt;   &lt;p class="MsoNormal" style="margin-left: 54pt;"&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/p&gt;   &lt;ul style="margin-top: 0pt;" type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;Development      of the Concept (path and evolution from the foundations to present to      future) 2 p&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Hillman       &lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="square"&gt;&lt;li class="MsoNormal" style=""&gt;moves        directly into conflict with Jungian doctrinalism through reference to        Jung and reestablishes darkness, what is rejected, and division rather        than wholeness as the depth psychological bellwether. “Differentiation”,        [Jung] declares, “means the development of differences, the separation of        parts from the whole.” (CW 6:705) &lt;i&gt;Not wholeness defines        individuation, but separation of parts:&lt;/i&gt; complexes and functions one        from the other, projections from actualities, individual from        collective, God-images from gods, and the metaphorical from the metaphysical.        (CW 11:835-36, CW 13:73-75). &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite excludeauth="&amp;quot;1&amp;quot;"&gt;&lt;author&gt;Hillman&lt;/author&gt;&lt;year&gt;1988&lt;/year&gt;&lt;recnum&gt;675&lt;/recnum&gt;&lt;pages&gt;12&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;675&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Magazine"&gt;19&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Hillman,        James&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Jung&amp;apos;s        Daimonic        Inheritance&lt;/title&gt;&lt;secondary-title&gt;Sphinx&lt;/secondary-title&gt;&lt;/titles&gt;&lt;periodical&gt;&lt;full-title&gt;Sphinx&lt;/full-title&gt;&lt;/periodical&gt;&lt;volume&gt;I&lt;/volume&gt;&lt;dates&gt;&lt;year&gt;1988&lt;/year&gt;&lt;/dates&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;("Jung's        Daimonic Inheritance" 12)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;Berry       55 w&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="square"&gt;&lt;li class="MsoNormal" style=""&gt;identifies        the entire narrative process with heroism and psychology’s idea of ego,        so an inquiry into heroic myths psychologically problematizes any        process of reduction for the purpose of victory, healing, control, etc.&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;Moore       &lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="square"&gt;&lt;li class="MsoNormal" style=""&gt;practices        a mythological psychology that leads to his proposition of a "new        monasticism" recovering “the attentiveness we Westerners lost as we        went about the business of “modernizing” the planet through science,        technology, commerce, and colonialism (with not a little help from        Christianity)” &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite excludeauth="&amp;quot;1&amp;quot;"&gt;&lt;author&gt;Noel&lt;/author&gt;&lt;year&gt;1997&lt;/year&gt;&lt;recnum&gt;664&lt;/recnum&gt;&lt;pages&gt;20&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;664&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Noel,        Daniel        C.&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;The        soul of shamanism : western fantasies, imaginal        realities&lt;/title&gt;&lt;/titles&gt;&lt;pages&gt;252&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Shamanism.&lt;/keyword&gt;&lt;keyword&gt;Spirituality.&lt;/keyword&gt;&lt;keyword&gt;Jung,        C. G.        1875-1961.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1997&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;New        York&lt;/pub-location&gt;&lt;publisher&gt;Continuum&lt;/publisher&gt;&lt;isbn&gt;0826409326&lt;/isbn&gt;&lt;call-num&gt;BF1611        .N64        1997&amp;#xD;291.1/4&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(20)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;He        begins the prologue to his collection of Hillman’s work drawing a        distinction very similar to the one I use to clarify the need for the        Process Arts. By saying that “James Hillman is an artist of psychology,”        Moore implies that there is a deeper level of practice psychology        requires, and which Hillman demonstrates, that has to do with being        “challenged all along the way to rethink, to re-vision, and to        reimagine…nothing short of a new way of thinking.”&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;If        Hillman is therapy's therapist, Moore is culture's priest.  Without        sacrificing specificity, Moore's cultural criticism feels more like the        careful touch of pastoral counseling than the scalpel of        psychoanalysis.  There is a residual monastic humility in his        insistence on &lt;i&gt;rituals of the imagination &lt;/i&gt;being the way we        understand ourselves and our dilemmas.  By taking this approach, he        models a mode of working with mythological psychology that is true to        the way Hillman advocates working with image as though it were        autonomous and strange and deserving of respect. Rather than a style of        criticism that seizes the opposition and makes it see its flaw, Moore        invites us to both meditation and &lt;i&gt;caritas&lt;/i&gt;. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;Why        is this important to know? 60 w One of the shadows of psychoanalysis is        its scientific-analytic penchant for encouraging narratives of heroic        agony.  Moore's mythography actually has a bedside manner that        parallels the resonance or sympathy required to entertain ideas rather        than believing or attacking. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What’s        missing without this writer?/Gained by inclusion? An introverted way of        critique that approaches &lt;i&gt;the education of the heart&lt;/i&gt; through the        darker sides of Eros and &lt;i&gt;the reenchantment of everyday life &lt;/i&gt;through        a dark and blue night of mysterious understanding that balances rather        than replaces the midday certainties of technological scientism. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;What        is the contribution to making a place for Process Arts? 60 w  Moore        calls for each and every step of the innovations recommended in this        paper.  In reminiscing about the Dallas Institute, he calls for        "creative people sticking their heads outside the sphere of        conventional thought... looking through the chinks in the cosmic egg of        our agreed-upon worldview [and the] influence of the arts, spirituality,        or academia on the severe problems of our world at home and abroad... on        a larger scale... all depend[ing] on the depth and relevance of our work        and imagination... and poetical approach" [RotI, ix].&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;Paris&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="square"&gt;&lt;li class="MsoNormal" style=""&gt;A        powerfully and direct invitation to consider a polycentric, “pagan,”        archetypally feminine “régime nocturne”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE        &lt;endnote&gt;&lt;cite&gt;&lt;author&gt;Durand&lt;/author&gt;&lt;year&gt;1999&lt;/year&gt;&lt;recnum&gt;3134&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;3134&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book&amp;quot;"&gt;6&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Durand,        Gilbert&lt;/author&gt;&lt;/authors&gt;&lt;subsidiary-authors&gt;&lt;author&gt;Margaret        Sankey&lt;/author&gt;&lt;author&gt;Judith        Hatten&lt;/author&gt;&lt;/subsidiary-authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;The        anthropological structures of the        imaginary&lt;/title&gt;&lt;short-title&gt;Structures&lt;/short-title&gt;&lt;/titles&gt;&lt;pages&gt;xvii,        448&lt;/pages&gt;&lt;keywords&gt;&lt;keyword&gt;Mythology.&lt;/keyword&gt;&lt;keyword&gt;Archetype        (Psychology)&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;1999&lt;/year&gt;&lt;/dates&gt;&lt;pub-location&gt;Brisbane&lt;/pub-location&gt;&lt;publisher&gt;Boombana        Publications&lt;/publisher&gt;&lt;call-num&gt;BL313 .D8413        1999&lt;/call-num&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(Durand)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt; which both Hillman and        Moore recapitulate.&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;/ul&gt;   &lt;p class="MsoNormal" style="margin-left: 54pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;ul style="margin-top: 0pt;" type="disc"&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Romanyshyn&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="square"&gt;&lt;li class="MsoNormal" style=""&gt;maps        psychological descending thorough “gaps in our meanings even as there        are meanings in these gaps,” and “respect[ing] … differences while        witnessing … affinity[ies]”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt; ADDIN EN.CITE        &lt;endnote&gt;&lt;cite excludeauth="&amp;quot;1&amp;quot;"&gt;&lt;author&gt;Romanyshyn&lt;/author&gt;&lt;year&gt;2004&lt;/year&gt;&lt;recnum&gt;3292&lt;/recnum&gt;&lt;pages&gt;58-59&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;3292&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Journal"&gt;17&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Romanyshyn,        Robert&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;&amp;apos;Anyway        why did it have to be the death of the poet?&amp;apos; The Orphic Roots        of Jung&amp;apos;s        Psychology&amp;quot;&lt;/title&gt;&lt;secondary-title&gt;Spring Journal&lt;/secondary-title&gt;&lt;short-title&gt;Orphic        Roots of        Jung&lt;/short-title&gt;&lt;/titles&gt;&lt;periodical&gt;&lt;full-title&gt;Spring        Journal&lt;/full-title&gt;&lt;/periodical&gt;&lt;pages&gt;55-87&lt;/pages&gt;&lt;volume&gt;71&lt;/volume&gt;&lt;dates&gt;&lt;year&gt;2004&lt;/year&gt;&lt;/dates&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(58-59)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;His        phenomenological approach to &lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-begin'"&gt;&lt;/span&gt;&lt;span style="'mso-spacerun:yes'"&gt; &lt;/span&gt;ADDIN EN.CITE &lt;endnote&gt;&lt;cite excludeauth="&amp;quot;1&amp;quot;"&gt;&lt;author&gt;Romanyshyn&lt;/author&gt;&lt;year&gt;2003&lt;/year&gt;&lt;recnum&gt;2912&lt;/recnum&gt;&lt;record&gt;&lt;rec-number&gt;2912&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book"&gt;5&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Romanyshyn,        Robert        D.&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Ch.        4: The Alchemical Hermeneutic        Method&lt;/title&gt;&lt;secondary-title&gt;Doing Re-Search with Soul in        Mind&lt;/secondary-title&gt;&lt;short-title&gt;Method&lt;/short-title&gt;&lt;/titles&gt;&lt;keywords&gt;&lt;keyword&gt;Research        Methodology&lt;/keyword&gt;&lt;keyword&gt;Death Psychological        aspects.&lt;/keyword&gt;&lt;keyword&gt;Jungian        psychology.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;2003&lt;/year&gt;&lt;/dates&gt;&lt;publisher&gt;unpublished&lt;/publisher&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;&lt;i style=""&gt;Research with Soul in Mind&lt;/i&gt; outlines an heuristic alchemy        that “tak[es] on a topic by which one is addressed (vocation), [such        that] the researcher enters a ritual space (mundus imaginalis) in        which—by the fires of love, and in the presence of a guide—he or she is        both deepened by the work (transference levels), and worked over and        transformed by the work, even becoming the work and living it in an        embodied way (gnosis)”&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:"&gt;&lt;/span&gt; ADDIN EN.CITE &lt;endnote&gt;&lt;cite excludeauth="&amp;quot;1&amp;quot;"&gt;&lt;author&gt;Romanyshyn&lt;/author&gt;&lt;year&gt;2003&lt;/year&gt;&lt;recnum&gt;2912&lt;/recnum&gt;&lt;pages&gt;end&lt;/pages&gt;&lt;record&gt;&lt;rec-number&gt;2912&lt;/rec-number&gt;&lt;ref-type name="&amp;quot;Book"&gt;5&lt;/ref-type&gt;&lt;contributors&gt;&lt;authors&gt;&lt;author&gt;Romanyshyn,        Robert D.&lt;/author&gt;&lt;/authors&gt;&lt;/contributors&gt;&lt;titles&gt;&lt;title&gt;Ch.        4: The Alchemical Hermeneutic Method&lt;/title&gt;&lt;secondary-title&gt;Doing        Re-Search with Soul in        Mind&lt;/secondary-title&gt;&lt;short-title&gt;Method&lt;/short-title&gt;&lt;/titles&gt;&lt;keywords&gt;&lt;keyword&gt;Research        Methodology&lt;/keyword&gt;&lt;keyword&gt;Death Psychological        aspects.&lt;/keyword&gt;&lt;keyword&gt;Jungian        psychology.&lt;/keyword&gt;&lt;/keywords&gt;&lt;dates&gt;&lt;year&gt;2003&lt;/year&gt;&lt;/dates&gt;&lt;publisher&gt;unpublished&lt;/publisher&gt;&lt;urls&gt;&lt;/urls&gt;&lt;/record&gt;&lt;/cite&gt;&lt;/endnote&gt;&lt;span style="'mso-element:field-separator'"&gt;&lt;/span&gt;&lt;![endif]--&gt;(end)&lt;!--[if supportFields]&gt;&lt;span style="'mso-element:field-end'"&gt;&lt;/span&gt;&lt;![endif]--&gt;. &lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;He        states explicitly what many imply, a next step into “the work” into        intertextuality, making community that works for all by way of a        mythologizing inquiry that is psychological.&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;/ul&gt;   &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;   &lt;ul style="margin-top: 0pt;" type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;The      synthesis of the Process Arts from a mythographic psychology of culture is      polydisciplinary, accessing philosophy, cultural study/criticism,      education, psychology, therapy, mythology, religion, theology, religious      studies, literature, poetics, cognitive linguistics, economics,      organizational development, anthropology, archaeology, ecopsychology,      processwork, activism, change management, more…&lt;/li&gt;&lt;ul style="margin-top: 0pt;" type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;Why?       Each author contributes to re-visioning culture, already self-replicating       and speaking the language of psychology, into a field that naturally       encourages psychopoiesis (soul-making) that is mythological. This shift       is associative, focused on associating d
